Catherine II[a] (born Sophie of Anhalt-Zerbst; 2 May 1729 – 17 November 1796[b]), most commonly known as Catherine the Great,[c] was Empress of Russia from 1762 until 1796—the country's longest-ruling female leader. She came to power following a coup d'état that she organised—resulting in her husband, Peter III, being overthrown. Under her reign, Russia was revitalised; it grew larger and stronger, and was recognised as one of the great powers of Europe and Asia.
Month: May 2020
Directed by Colin Bucksey. Catherine takes her first steps toward a coup. Taking advice from Marial, she attempts to seduce and recruit palace intellectual Count Orlo. It's a disaster. However, after seeing Peter's brutal treatment of local nobles and unwillingness to listen, he decides to join Catherine's coup.
In this exploration of the way racism is translated from the print-only era to the cyber era the author takes the reader through a devastatingly informative tour of white supremacy online. The book examines how white supremacist organizations have translated their printed publications onto the Internet. Included are examples of open as well as 'cloaked' sites which disguise white supremacy sources as legitimate civil rights websites. Interviews with a small sample of teenagers as they surf the web show how they encounter cloaked sites and attempt to make sense of them, mostly unsuccessfully. The result is a first-rate analysis of cyber racism within the global information age. The author debunks the common assumptions that the Internet is either an inherently democratizing technology or an effective 'recruiting' tool for white supremacists. The book concludes with a nuanced, challenging analysis that urges readers to rethink conventional ways of knowing about racial equality, civil rights, and the Internet.
520 pages | 6 3/4 x 9 1/2 | © 2016 This handbook offers a much-needed overview of the rapidly growing field of digital sociology. Rooted in a critical understanding of inequality as foundational to digital sociology, it connects digital media technologies to traditional areas of study in sociology, such as labor, culture, education, race, class, and gender. It covers a wide variety of topics, including web analytics, wearable technologies, social media analysis, and digital labor. The result is a benchmark volume that places the digital squarely at the forefront of contemporary investigations of the social.
The academy may claim to seek and value diversity in its professoriate, but reports from faculty of color around the country make clear that departments and administrators discriminate in ways that range from unintentional to malignant. Stories abound of scholars--despite impressive records of publication, excellent teaching evaluations, and exemplary service to their universities--struggling on the tenure track. These stories, however, are rarely shared for public consumption. Written/Unwritten reveals that faculty of color often face two sets of rules when applying for reappointment, tenure, and promotion: those made explicit in handbooks and faculty orientations or determined by union contracts and those that operate beneath the surface. It is this second, unwritten set of rules that disproportionally affects faculty who are hired to "diversify" academic departments and then expected to meet ever-shifting requirements set by tenured colleagues and administrators. Patricia A. Matthew and her contributors reveal how these implicit processes undermine the quality of research and teaching in American colleges and universities. They also show what is possible when universities persist in their efforts to create a diverse and more equitable professorate. These narratives hold the academy accountable while providing a pragmatic view about how it might improve itself and how that improvement can extend to academic culture at large.
The contributors and interviewees are Ariana E. Alexander, Marlon M. Bailey, Houston A. Baker Jr., Dionne Bensonsmith, Leslie Bow, Angie Chabram, Andreana Clay, Jane Chin Davidson, April L. Few-Demo, Eric Anthony Grollman, Carmen V. Harris, Rashida L. Harrison, Ayanna Jackson-Fowler, Roshanak Kheshti, Patricia A. Matthew, Fred Piercy, Deepa S. Reddy, Lisa Sánchez González, Wilson Santos, Sarita Echavez See, Andrew J. Stremmel, Cheryl A. Wall, E. Frances White, Jennifer D. Williams, and Doctoral Candidate X.
The challenge of flexibility.
It’s important to note that the goal of HyFlex is two make both the online and in-person experiences equal. ❧
There are some pieces of this that immediately make me think that this model is more of a sort of “separate, but equal” sort of modality. Significant resources will need to go toward the equality piece and even then it is likely to fall short from a social perspective.
Annotated on May 21, 2020 at 01:27PM
Finally, the best HyFlex classrooms have someone assisting the faculty member. ❧
This is the understatement of the year. Faculty members will require extensive training and LOTS of assistance. This assistance SHOULD NOT come from student assistants, graduate students (who are likely to be heavily undertrained), or other “free” sources.
Annotated on May 21, 2020 at 01:35PM
These assistants could also be work-study students who are assigned a particular classroom (or digital space) or they might be volunteers from class who are given credit for assisting in the delivery of the course. ❧
And of course, the first pivot (even in the same paragraph!) is exactly to these “free” or cheap sources which are likely to be overlooked and undertrained.
If a school is going to do this they need to take it seriously and actually give it professional resources.
Annotated on May 21, 2020 at 01:38PM
Incidentally there is some pre-existing research about the measurable fairness of court proceedings being held online that would tend to negate the equality that might be dispensed in online courseware.
See https://www.wnycstudios.org/podcasts/otm/episodes/are-online-courts-less-fair-on-the-media for some references. ❧
Annotated on May 21, 2020 at 02:42PM
This fall needs to be different. We need to ask students to be part of the solution of keeping learning flourishing in the fall. This includes asking them to help manage the class if it has a virtual component. ❧
This is moving education in exactly the WRONG direction. Students are already ill-prepared to do the actual work and studying of education, now we’re going to try to extract extra efficiency out of the system by asking them to essential teach themselves on top of it? This statement seems like the kind of thing a technology CEO would pitch higher education on as a means of monetizing something over which they had no control solely to extract value for their own company.
If we’re going to go this far, why not just re-institute slavery?
Annotated on May 21, 2020 at 02:46PM
So I built this wacky thing because it makes me happy. Sorry about the large images. I like them.
The web needs a little more weird. These sites are helping.
I often pull my own annotations to my personal website similar to your own Memex and publish them there (example: https://boffosocko.com/kind/annotation/)
Incidentally you can also annotate documents stored locally on your computer, but viewed through a browser as well as collaboratively annotating with others.
Sankey diagrams are named after Captain Matthew Henry Phineas Riall Sankey.
Here is some biographical information on Mr. Sankey:
Matthew H. Sankey was an engineer from Ireland. He was born on November 9, 1853 in Nenagh, co. Tipperary (other sources have him being born in Modeshill, co. Tipperary or ...
How to read
Good things happen quickly, sometimes
Iceberg is a beautiful, flexible writing editor for crafting posts and pages with the WordPress block editor
Get ready for a new influx of mnemonists. Bill Gates just highlighted Josh Foer’s book in his blogpost “5 summer books and other things to do at home”. His recommendations typically drive a lot of book sales.
Directed by Marcus Raboy. With Patton Oswalt, Bob Rubin. Turning 50. Finding love again. Buying a house. Experiencing existential dread at Denny's. Life comes at Patton Oswalt fast in this stand-up special.