Features of the Remington Super-Riter
A nearby manual for the Super-Riter can be found in the one Richard Polt lists as a Super-Riter, but which seems to be for the slightly later Remington Standard.
This machine, which weighs in at a solid 33.7 pounds, provides a similar Keyboard Margin Control (KMC) functionality which it’s predecessor the Remington KMC did. This allows one to very quickly and easily set the margins by holding down the key and moving the carriage. I find it to be wonderfully ingenious and much more robust than Royal’s Magic Margins similar feature which is much easier to accidentally activate and subsequently mess up your carefully set margins.
The keyboard also features a key return button (marked KR) which allows one to quickly clear key jams by pressing a button. This helps prevent one from getting inky fingers otherwise caused by pressing the jammed keys back down by hand, an action which also requires taking one’s hands off the keyboard to effectuate.
This model has a relatively standard American keyboard with 42 keys and 84 characters. It has a tabulator with a keyboard-based tab button at the top flanked by tab set and tab clear buttons.
While they look like doubleshot plastic, the keys are done in two molded plastic pieces which are friction fit together. The keys are also friction fit onto the key levers so they’re (relatively) easy to remove for cleaning.
The platen is easily removeable and potentially replaceable by pulling a small lever on the front of each side of the typewriter.
Different from many typewriters of this era, the side plates for the carriage are friction fit onto the machine utilizing a pip on the front and two on the back. A thin screwdriver wedged into the back will loosen them and allow their removal. Once these are taken off, the paper table lifts off easily. (Apparently someone was unaware of this on this particular typewriter and an incredibly thin piece of the metal holding the paper table on was shorn off. Hopefully this note will save future paper tables from damage.)
Restoration
Surprisingly all the panels of the body are removable from the chassis with just ten screws (and the removal of the knob on the ribbon reversal). The paint and finish of the typewriter were in dreadful condition and cleaning with some Simple Green and a soft bristled brush followed by a wipe-down with WD-40 have done some wonders, but it still leaves much to be desired. There are some drips of red paint and more than a fair share of chips and wear. On the positive side, the decals are in great condition. Because all the body is easily removeable, I’m very tempted to use this as a candidate for either stripping and repainting or potentially a plating process (nickel seems fun here perhaps).
This is my second Remington standard with the Fold-A-Matic feature, which again, made cleaning out and making adjustments of the interior much simpler. A prior servicing had sprayed oil everywhere inside the majority of the typewriter which had long since hardened and gummed up with dust. With the use of some mineral spirits, a toothbrush, a brass bristle brush, and the air compressor the interior is about as clean as it can be without completely disassembling the entire machine and hand polishing everything.
The rubber on most of this machine is in acceptable condition. The feet are excellent for their age and still have some grip that prevent it from walking across a desk. The rollers are still round and have grip. The platen is great for it’s age, but will certainly see recovering once the exterior is stripped and restored.
One set of pieces which didn’t survive as well are the brass grommets and rubber gaskets which are used to hold the side and rear panels onto the machine. I can easily clean up the brass portions, but the rubber will require complete replacement. In the meanwhile the machine is functional without them, but it will help to give the panels more stability and reduce small vibrations.
You’ll find a “naked” photo of the typewriter during restoration here.
Ribbon and Typeface
I’ve replaced the old, dried out ribbon with 1/2 inch blue and green bichrome from Fine Line. The typeface, based on the 1964 NOMDA Blue Book, seems to be Remington’s 534-10 pitch.
Photos
