I can forgive Twitter for stuff like,,,destroying the free world and inciting cancel culture, but I cannot forgive it for taking away the direct link to my profile picture, because I used that link all the time for speaking bios.
Why not keep your avatar on a website you own and control? If it’s at a permalink you control, you can even replace the photo and those who hotlink/transclude it will allow you to update it automatically over time. As an example, I keep one of me at https://www.boffosocko.com/logo.jpg. Having a permalink to my own avatar was the only reason I got a website, and now look what I’ve gotten myself into…
If I recall correctly, when you delete or replace those Twitter avatars, the old links go dead and they generate a new link anyway.
The mission of the new Master’s of Learning, Design, and Technology program at Georgetown University is “to give our students a deep foundation in the tools and theory of learning design, technology innovation, learning analytics, and higher education leadership, a foundation on which they can create engaging and innovative learning experiences for all students.” Working in and with Georgetown Domains is a key part of this engagement; the students learn about and create their domains during the opening week-long foundations course, and build on it throughout the duration of the degree, ending with a final portfolio on their domain of their work. In between, the students have the option of taking a one-credit course in Domains, as well as showcasing their coursework and projects on the site. For some, their personal Domains specifically and Georgetown Domains more generally have become the subject of their research and study. What this allows is for students to engage directly with the technology, as well as questions of accessibility, privacy, surveillance, and tools. They learn about and apply these lessons as they move through the program, perform and reflect on their research, and build their sites. But most importantly, this allows for students to own their own intellectual property, as well as provide the tools to apply what they have learned in a practical and holistic way. The e-portfolio requirement at the end of the degree highlights this commitment to students’ intellectual property as well as professionalization, while also providing an experimental and reflective space for students to connect their work. This short presentation will discuss curricular examples (Intro week, Domains course, Studio and Studio Capstone) of how Domains has been integrated into the program, sharing some student sites, projects, and portfolios.
In today’s fast-paced world where the Internet is the go-to research tool and information on any topic is just a click or tap away, one’s own digital presence is more important than ever. The College of Arts & Letters recognizes this, and starting August 2106, will offer all its graduate students and faculty a new kind of web hosting support. Read more http://www.cal.msu.edu/news/webhostingservice
This is a great short advertisement why academics and researchers should be a part of the IndieWeb as a means of owning and controlling their digital scholarly presence. This is obviously done from a bit of a DoOO perspective, but Christopher Long does a fantastic job here.
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I’ve been to a number of WordCamps over the past year, and invariably, in the registration process I’m asked for my Twitter handle and the majority of the time that Twitter handle is printed on my name tag.
Why are we doing this?! It’s not TwitterCamp. It’s a W-O-R-D-C-A-M-P!! Why can’t we ask for and put our own domain names (running WordPress, natch…) in our registration and on our name tags?! Let’s get with the program people… Twitter is nice, but obviously WordPress on a domain name we own and control is far better.
In fact, I’d argue this blog has been largely a collection of writings concentrated on me working through the thoughts of my own digital identity and the tools that help shape it. The whole bit is highly meta. ❧
Facebook’s leaders seriously discussed selling access to user data — and privacy was an afterthought.
The story somehow just gets worse and worse and still they just apologize and continue on as usual… It’s shocking to see so many who raised ethical issues along the way are remaining silent now, ostensibly because they are still on the gravy train and are enriching themselves by staying silent.
I was ten years into a career as a user experience designer making new digital products when diabetes blew my family's life apart. The complexity and relentlessness of the burden of care that came with my youngest daughter's diagnosis at 1.5 years old, were overwhelming. I learned that people with diabetes are always 10 minutes of inattention away from a coma. Run your blood sugar too low and risk brain injury or death. Run too high and you do cumulative damage to your organs, nerves and eyes. And as a designer and hardware hacker I couldn't accept the limitations and poor User Experience I was seeing in all the tools we were given to deal with it.
Then I discovered Nightscout (a way to monitor my daughter's blood sugar in real time from anywhere in the world) and Loop (a DIY open sourced, artificial pancreas system that checks blood sugar and adjusts insulin dosing every five minutes 24/7) and the #WeAreNotWaiting community that produced them. For the first time I saw the kinds of tools I needed and true power of solutions that come from the people living with the problem. When I learned about the Tidepool's project to take Loop through FDA approval and bring it to anyone who wants to use it to give the same freedom and relief that we've experienced from it, I had to get involved. Now we are taking an open source software through regulatory approval and using real-life user data from the DIY community for our clinical trial in a process that is turning heads in the industry. We'll get into the many ways this story demonstrates ways that user driven design, open source models and a counterculturally collaborative approach with regulators are shifting the incentives and changing the landscape toward one more favorable to innovation.
Here’s the video I mentioned yesterday. Those deeply enmeshed in the IndieWeb movement and many of its subtleties will get a ringing sense of déjà vu as they watch it and realize there’s a lot of overlap with how (and why) Matt Lumpkin is working to help those with type 1 diabetes and the IndieWeb. Perhaps there are some lessons to be learned here?
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There was an eerie and surprisingly large overlap of a lot of what Matt Lumpkin said in his talk this morning and the IndieWeb movement. If you just change the disease from Type 1 Diabetes to Social Media, there are a tremendous number of similarities between the two approaches of problems to be solved in terms of giving people agency, ownership of their data, the silo nature of the big corporations in the space, and the lack of solid inter-operability and standards.
I can’t wait for Chuck Chugumulung and the gang to get the video for this week up on YouTube so I can share it with colleagues.
Based on what I’ve heard, it might not be a completely terrible thing to class what the IndieWeb is working on fixing as a broad public health issue–but in its case a mental health one instead of a pancreas and diet related one.
An exercise I gave my students helps illustrate the risks to privacy in our everyday, offline lives.
I saw some on Twitter say that this was a terrible assignment and that they can accomplish the same goal without being so creepy, but naturally they neglected to give any details about improving on it.
On the morning of October 21, 2017, the budding New York choreographer Jinah Parker was sitting in bed, her husband lying alongside, when she opened her email and found a deeply unsettling, one-paragraph message about her debut dance production.
The show was called SHE, a Choreoplay, an off-off-Broadway interpretative dance in which four women vividly monologize rape and abuse.
Parker wrote and directed. Her newlywed husband, Kevin Powell, was the producer. In 1992, as a tenacious 26-year-old activist, he appeared on the inaugural season of MTV’s genre-defining reality show, The Real World. In the decades since, he’d become a prolific public speaker, author of 13 books, and a two-time congressional candidate.
Powell also has a history of violence. He assaulted women in college and once shoved a girlfriend into a bathroom door. Now he’s a sophist of male fragility, and an essential component of his activist repertoire is to engage in public reflection—usually with equal parts self-effacement and self-righteousness—upon this personal shame.
A great example why hot takes involving coming at people and seemingly outting them without the appropriate research can be terribly dangerous.
It would seem that this couple got just what they had coming to them, though it’s a bit disingenuous that they can go to crowd funding platforms to spread the blame out. I’m hoping that it was only all the people to whom they spread their invective to that ended helping to foot part of their bill.