Annotated Have you “Moved to Substack”? by Ray (Blogroll.org)
...when I browse from someone’s blog over to their Substack it feels like going from a sweet little neighborhood into a staid corporate park. A little piece of joy dies in me when that happens because it’s another reminder of the corporatization of the web. 

IndieWeb Committment for New Year’s Eve 2021

The annual page for IndieWeb New Year’s Commitments is up. I always have trouble with coming up with something new and interesting to work on. (There are really so many things, to be honest, and so many that I ought to do, but which seem so droll… What might be fun!?!)

I was recently enamored of the idea behind Paper Websites, so I quickly wired up something as a minimal example. It works, but I’d like to commit to rounding off some of the rough edges, exploring other potential methods, maybe slipping in the ability to write HTML into it as well, and writing up some of the details of how I’ve done it.

As a stretch goal, I’m also considering publishing a physical paper notebook/journal to have as a companion to the project—a true “Paper Blog”. To be honest, this sounds like some quirky, creative fun, so maybe I’ll do it first. 😀

Pen and paper publishing to your website? PaperWebsite is on to something.

Handwriting to Website #​​​FTW

While browsing today I ran across an awesome concept called PaperWebsite.com. It allows you to write on paper, take a photo, and then upload it to a website. Your handwritten words published to your website. A tactile writer’s dream.

My immediate thought—I need to have this now!

Articles written by hand in my journal to my website? Short notes that I write on index cards published as microblog updates.  How cool would that be? I was also talking to someone this morning about voice-to-text as a note taking concept. What about that too?

Of course, as you may know, I’ve already got a website. Do I need another one like this for $10/month? Probably not.

Value Proposition

But this has got me wondering “what the value proposition is for Paper Website as a company?” What are they really selling? Domain names? Hosting? Notebooks? They certainly seem to be selling all of the above, but the core product they’re really selling is an easy-to-use interface for transferring paper ideas to digital publishing. And this is exactly what I want!

The problem now is to buy this sub-service without all the other moving pieces like a domain name, hosting, etc., which I don’t need. Taking just the core service and abstracting it to the wider universe of websites could be a major technical hurdle (and nightmare).

IndieWeb and Micropub

Perhaps I could try find an OCR solution and wire it all together myself? I’d rather see the original developer run away with the idea though. So instead I’ll quietly suggest that they could take their current infrastructure and add a small piece.

Since PaperWebsite’s already got the front end up and running, why not add on Micropub support to the back end? Maybe Ben Stokes could take the OCR output and create a new Micropub client that could authenticate to any website with Micropub support? I have to imagine that he could probably program it in a couple of days (borrowing from any of the pre-existing open source clients or libraries out there) and suddenly it’s a product that could work with WordPress, Drupal, WithKnown, Craft, Jekyll, Kirby, Hugo, Blot, and a variety of other platforms that support the W3C spec recommendation or have plugins for it.

The service could publish in “draft” form and allow editing after-the-fact. There’s also infrastructure for cross-syndicating to other social services with Micropub clents, so note cards to my website and automatically syndicated to Twitter, Mastodon, or micro.blog? Yes, please.

And maybe it could be done as a service for a dollar a month or a few dollars a year?

I made a short mention of the idea in the IndieWeb chat, and it’s already a-buzz with implementation ideas… If you’re around Ben, I’m sure folks there would lend a hand if you’re interested.

The website, commonplace book, note taking, stationery, and fountain pen nerd in me is really excited about where this could go from a user interface perspective.

How Moleskine, Leuchtturm, LiveScribe or the other stationery giants haven’t done this already is beyond me. I could also see serious writing apps like  iA Writer or Ulysses doing something like this too.

Watched "The West Wing" The Leadership Breakfast from HBO Max
The Leadership Breakfast: Directed by Scott Winant. Toby wants to use a bipartisan breakfast to discuss real issues instead of making it a staged event; Sam floats the idea of moving the press room across the street; Leo wants Josh to apologize to a columnist on his behalf; Leo and Toby realize they need to start thinking about reelection.
Watched "The West Wing" Galileo from HBO Max
Galileo: Directed by Alex Graves. The President and NASA plan a TV event for a probe's landing on Mars; satellite photographs show a suspicious-looking fire in Russia; Leo asks Toby and Josh to decide on the next postage stamp; Sam and C.J. have personal reasons for not wanting to accompany the President to a concert.
Watched "The West Wing" Shibboleth from HBO Max
Shibboleth: Directed by Laura Innes. Dozens of Chinese stowaways are discovered in a container ship in California; Toby looks to pick a fight over school prayer with a recess appointment; Thanksgiving at the White House sees C.J. in charge of turkeys and Charlie looking for the ultimate carving knife.
Acquired TWSBI Diamond 580ALR Prussian Blue Fountain Pen (Extra Fine Nib) (twsbi.com)
TWSBI Diamond 580, a classic fountain pen with a piston ink-filling system. By fusing the traditional mechanisms of the fountain pen with a modern industrial design, we have created an eye-catching fountain pen that is simultaneously appreciative of the past and relevant in the present. The Diamond 580 comes with a benchmark ink-filling mechanism and has all detachable parts. We felt that it was important to allow the user to disassemble and reassemble the pen and completely experience the traditional aspects of owning and using a fountain pen.

Mnemonic techniques and language acquisition

Over the years in academic settings I’ve picked up pieces of Spanish, French, Latin and a few odd and ends of other languages.

Six years ago we put our daughter into a dual immersion Japanese program (in the United States) and it has changed some of my view of how we teach and learn languages, a process which is also affected by my slowly picking up conversational Welsh using the method at https://www.saysomethingin.com/ over the past year and change, a hobby which I wish I had more targeted time for.

Children learn language through a process of contextual use and osmosis which is much more difficult for adults. I’ve found that the slowly guided method used by SSiW is fairly close to this method, but is much more targeted. They’ll say a few words in the target language and give their English equivalents, then they’ll provide phrases and eventually sentences in English and give you a few seconds to form them into the target language with the expectation that you try to say at least something, or pause the program to do your best. It’s okay if you mess up even repeatedly, they’ll say the correct phrase/sentence two times after which you’ll repeat it again thus giving you three tries at it. They’ll also repeat bits from one lesson to the next, so you’ll eventually get it, the key is not to worry too much about perfection.

Things slowly build using this method, but in even about 10 thirty minute lessons, you’ll have a pretty strong grasp of fluent conversational Welsh equivalent to a year or two of college level coursework. Your work on this is best supplemented with interacting with native speakers and/or watching television or reading in the target language as much as you’re able to.

For those who haven’t experienced it before I’d recommend trying out the method at https://www.saysomethingin.com/welsh/course1/intro to hear it firsthand.

The experience will give your brain a heavy work out and you’ll feel mentally tired after thirty minutes of work, but it does seem to be incredibly effective. A side benefit is that over time you’ll also build up a “gut feeling” about what to say and how without realizing it. This is something that’s incredibly hard to get in most university-based or book-based language courses.

This method will give you quicker grammar acquisition and you’ll speak more like a native, but your vocabulary acquisition will tend to be slower and you don’t get any writing or spelling practice. This can be offset with targeted memory techniques and spaced repetition/flashcards or apps like Duolingo that may help supplement one’s work.

I like some of the suggestions made in Lynne Kelly’s post about Chinese as I’ve been pecking away at bits of Japanese over time myself. There’s definitely an interesting structure to what’s going on, especially with respect to the kana and there are many similarities to what is happening in Japanese to the Chinese that she’s studying. I’m also approaching it from a more traditional university/book-based perspective, but if folks have seen or heard of a SSiW repetition method, I’d love to hear about it.

Hopefully helpful by comparison, I’ll mention a few resources I’ve found for Japanese that I’ve researched on setting out a similar path that Lynne seems to be moving.

Japanese has two different, but related alphabets and using an app like Duolingo with regular practice over less than a week will give one enough experience that trying to use traditional memory techniques may end up wasting more time than saving, especially if one expects to be practicing regularly in both the near and the long term. If you’re learning without the expectation of actively speaking, writing, or practicing the language from time to time, then wholesale mnemotechniques may be the easier path, but who really wants to learn a language like this?

The tougher portion of Japanese may come in memorizing the thousands of kanji which can have subtly different meanings. It helps to know that there are a limited set of specific radicals with a reasonably delineable structure of increasing complexity of strokes and stroke order.

The best visualization I’ve found for this fact is the Complete Listing of the 214 Radicals and Major Variations from An Introduction to Japanese Kanji Calligraphy by Kunii Takezaki (Tuttle, 2005) which I copy below:

A chart of Japanese radicals in columns by number, character, and radical name & variations with a legend for reading the chart
Complete Listing of the 214 Radicals and Major Variations from An Introduction to Japanese Kanji Calligraphy by Kunii Takezaki (Tuttle, 2005)

(Feel free to right click and view the image in another tab or download it and view it full size to see more detail.)

I’ve not seen such a chart in any of the dozens of other books I’ve come across. The numbered structure of increasing complexity of strokes here would certainly suggest an easier to build memory palace or songline.

I love this particular text as it provides an excellent overview of what is structurally happening in Japanese with lots of tidbits that are otherwise much harder won in reading other books.

There are many kanji books with various forms of what I would call very low level mnemonic aids. I’ve not found one written or structured by what I would consider a professional mnemonist. One of the best structured ones I’ve seen is A Guide to Remembering Japanese Characters by Kenneth G. Henshall (Tuttle, 1988). It’s got some great introductory material and then a numbered list of kanji which would suggest the creation of a quite long memory palace/journey/songline.

Each numbered Kanji has most of the relevant data and readings, but provides some description about how the kanji relates or links to other words of similar shapes/meanings and provides a mnemonic hint to make placing it in one’s palace a bit easier. Below is an example of the sixth which will give an idea as to the overall structure.

Box number 6 with a Japanese kanji, its two readings, number of strokes and a written description of the word and how it relates to other words as well as a suggested mnemonic story that relates to some of the other words.

I haven’t gotten very far into it yet, but I’d found an online app called WaniKani for Japanese that has some mnemonic suggestions and built-in spaced repetition that looks incredibly promising for taking small radicals and building them up into more easily remembered complex kanji.

I suspect that there are likely similar sources for these couple of books and apps for Chinese that may help provide a logical overall structuring which will make it easier to apply or adapt one’s favorite mnemotechniques to make the bulk vocabulary memorization easier.

The last thing I’ll mention I’ve found, that’s good for practicing writing by hand as well as spaced repetition is a Kanji notebook frequently used by native Japanese speaking children as they’re learning the levels of kanji in each grade. It’s non-obvious to the English speaker, and took me a bit to puzzle out and track down a commercially printed one, even with a child in a classroom that was using a handmade version. The notebook (left to right and top to bottom) has sections for writing a big example of the learned kanji; spaces for the “Kun” and “On” readings; spaces for the number of strokes and the radical pieces; a section for writing out the stroke order as it builds up gradually; practice boxes for repeated practice of writing the whole kanji; examples of how to use the kanji in context; and finally space for the student to compose their own practice sentences using the new kanji.

A section of a Kanji notebook (in Japanese) frequently used by native Japanese speaking children as they’re learning the levels of kanji in each grade. The notebook (left to right and top to bottom) has sections for writing a big example of the learned kanji; spaces for the “Kun” and “On” readings; spaces for the number of strokes and the radical pieces; a section for writing out the stroke order as it builds up gradually; practice boxes for repeated practice of writing the whole kanji; examples of how to use the kanji in context; and finally space for the student to compose their own practice sentences using the new kanji.

Regular use and practice with these can be quite helpful for moving toward mastery.

I also can’t emphasize enough that regularly and actively watching, listening, reading, and speaking in the target language with materials that one finds interesting is incredibly valuable. As an example, one of the first things I did for Welsh was to find a streaming television and radio that I want to to watch/listen to on a regular basis has been helpful. Regular motivation and encouragement is key.

I won’t go into them in depth and will leave them to speak for themselves, but two of the more intriguing videos I’ve watched on language acquisition which resonate with some of my experiences are: