Lemmy, a clever-looking link/conversation hub

Christine’s recent note that she was only getting webmentions from Lobsters and her update with a webmention example from Maya reminded me about the coolness that is Lemmy, a link aggregator for the Fediverse. I notice that Maya often syndicates her content there. 

I haven’t looked deeply into Lemmy’s internals yet. It looks like it has a similar community/aggregation hub functionality that Lobsters and Reddit has. It also looks like it functions like news.indieweb.org or indieweb.xyz. One thing I’d be curious to know is if Maya and gang has any plans for Lemmy to allow users to receive webmentions to comments on their posts on Lemmy. Lobsters implemented this in 2018. Or, with a bit more work, they might allow people to post to Lemmy using Webmention as a syndication mechanism the way indieweb.xyz or news.indieweb.org do.

Of course it looks like they might also benefit from IndieAuth login so that other accounts in the Fediverse might allow them to log in without needing yet another account. I recall Aaron Parecki doing a video about IndieAuth and ActivityPub at the ActivityPub conference recently. This would make implementation easier.

I can’t wait to dig into Lemmy a bit more. It would be cool to have another IndieWeb friendly community hub (and particularly one in the Fediverse) for discovery, discussion, and interaction in the world. We need more projects like these to give people healthier alternatives to Facebook and Twitter.

Read Dear Bob, by Jeff JarvisJeff Jarvis (BuzzMachine)
You caused a lot of discussion in your OtM piece about comments — and that discussion itself — in the comments on WNYC’s blog, in the comments on mine, and in blogs elsewhere — is an object lesson in the value of the conversation online.

But note well, my friend, that all of these people are speaking to you with intelligence, experience, generosity, and civility. You know what’s missing? Two things: First, the sort of nasty comments your own piece decries. And second: You. 

Important!

Annotated on February 25, 2020 at 10:54AM


The comments on this piece are interesting and illuminating, particularly all these years later. 
Annotated on February 25, 2020 at 11:07AM


Why can’t there be more sites with solid commentary like this anymore? Do the existence of Twitter and Facebook mean whe can’t have nice things anymore? 
Annotated on February 25, 2020 at 11:11AM

Read Comments on Comments | On The Media (web.archive.org)
There's been a bit of a backlash recently against the angry commenter on newspaper websites. Some are calling for newspapers to stop allowing comments sections all together. But what about democracy on the web? Bob, with the help of "This American Life"'s Ira Glass, ruminates on the dark side of the comments section.

I just wrote a long, considered, friendly, and I hope helpful comment here but — sorry, I have to see the irony in this once again — your system wouldn’t let me say anything longer tahn 1,500 characters. If you want more intelligent conversations, you might want to expand past soundbite. 

In 2008, even before Twitter had become a thing at 180 characters, here’s a great reason that people should be posting their commentary on their own blogs.

This example from 2008 is particularly rich as you’ll find examples on this page of Derek Powazek and Jeff Jarvis posting comments with links to much richer content and commentary on their own websites.

We’re a decade+ on and we still haven’t managed to improve on this problem. In fact, we may have actually made it worse.

I’d love to see On the Media revisit this idea. (Of course their site doesn’t have comments at all anymore either.)
Annotated on February 25, 2020 at 10:47AM

Read 10 Ways Newspapers Can Improve Comments by Derek Powazek (Derek Powazek)

The other day Bob Garfield had a good kvetch about dumb comments on newspaper websites on his show, On The Media, and I posted my two cents, but I still don’t feel better. I think that’s because Bob’s partly right: comments do suck sometimes.

So, instead of just poking him for sounding like Grandpa Simpson, I’d like to help fix the problem. Here are ten things newspapers could do, right now, to improve the quality of the comments on their sites. (There are lots more, but you know how newspaper editors can’t resist a top ten list.)

I love this list which I feel is very solid. I also think that newspapers/magazines could do this with an IndieWeb approach to give themselves even more control over aggregating and guiding their conversations.

Instead of moving in the correct direction of taking more ownership, most journalistic outlets (here’s a recent example) seem to be ceding their power and audience away to social media. Sure people will have conversations about pieces out in the world, but why not curate and encourage a better and more substantive discussion where you actually have full control? Twitter reactions may help spread their ideas and give some reach, but at best–from a commentary perspective–Twitter and others can only provide for online graffiti-like reactions for the hard work.

I particularly like the idea of having an editor of the comment desk.

 

Watched IndieTrustWeb from IndieWebCamp Austin 2020 | Internet Archive

Some interesting ideas here, but I don’t feel like there are any that I could run with and want to build some concrete functionality out of. I suppose that more of my interest in this area relates to ideas about aggregation and discovery.
Read Your right to comment ends at my front door. by Derek Powazek (Derek Powazek)
John Gruber of Daring Fireball posted a response to critic who took him to task for not having comments on his site (skip down to “As for Wilcox’s arguments regarding user-submitted comments”). My humble site has a tiny fraction of the traffic of Daring Fireball, but in this latest incarnation, I also decided to go without comments. Here’s why. I agree wholeheartedly with John that the decision to add comments to your site begins and ends with the site’s owner. I also agree that his site is a “curated conversation.” Conversations have been happening between weblogs since the advent of the permalink. Joe Wilcox, who obviously has a bone to pick with John, has no right to pick that bone on John’s site.
I love the ideas here.

Simultaneously saving journalism and social media

As I’m reading the notes from the New Affordability session at IndieWebCamp Austin I can’t help but to think back on my old IndieWeb business hosting idea which I’ve been meaning to flesh out more fully.

What if local newspapers/magazines or other traditional local publishers ran/operated/maintained IndieWeb platforms or hubs (similar to micro.blog, Multi-site WordPress installs, or Mastodon instances) to not only publish, aggregate, curate, and disseminate their local area news, but also provided that social media service for their customers?

Reasonable mass hosting can be done for about $2/month which could be bundled in with regular subscription prices of newspapers. This would solve some of the problems that people face with social media presences on services like Facebook and Twitter while simultaneously solving the problem of newspapers and journalistic enterprises owning and managing their own distribution. It would also give a tighter coupling between journalistic enterprises and the communities they serve.

The decentralization of the process here could also serve to prevent the much larger attack surfaces that global systems like Twitter and Facebook represent from being disinformation targets for hostile governments or hate groups. Tighter community involvement could be a side benefit for local discovery, aggregation, and interaction.

Many journalistic groups are already building and/or maintaining their own websites, why not go a half-step further. Additionally many large newspaper conglomerates have recently been building their own custom CMS platforms not only for their own work, but also to sell to other smaller news organizations that may not have the time or technical expertise to manage them.

 A similar idea is that of local government doing this sort of building/hosting and Greg McVerry and I have discussed this being done by local libraries. While this is a laudable idea, I think that the alignment of benefits between customers and newspapers as well as the potential competition put into place could be a bigger beneficial benefit to all sides.

Featured photo by AbsolutVision on Unsplash

Read Feed readers/content aggregators by Dan MacKinlay (danmackinlay.name)
Upon the efficient consumption and summarizing of news from around the world.

Facebook is informative in the same way that thumb sucking is nourishing.

Annotated on February 09, 2020 at 10:28AM

Upon the efficient consumption and summarizing of news from around the world.
Remember? from when we though the internet would provide us timely, pertinent information from around the world?
How do we find internet information in a timely fashion?
I have been told to do this through Twitter or Facebook, but, seriously… no. Those are systems designed to waste time with stupid distractions in order to benefit someone else. Facebook is informative in the same way that thumb sucking is nourishing. Telling me to use someone’s social website to gain information is like telling me to play poker machines to fix my financial troubles. Stop that.

Annotated on February 09, 2020 at 10:40AM

Bookmarked Local News for Richmond & Wayne County, Indiana (Richmond & Wayne County, Indiana News)
Richmond, IN and Wayne County, Indiana news and headlines from local newspapers and other sources
This is a fascinating local news aggregator built by Chris Hardie. It’s somewhat reminiscent of my own local news aggregation work, though mine is in the form of a less accessible OPML file of local news feeds that one could subscribe to in a feed reader. It certainly took more work for him to build, but I’d also guess he’s got more people reading it than are taking advantage of my own set of curated feeds.
Read A tool for keeping up with local news and events (Richmond Matters)
The short version of this post is that if you’re someone like me who enjoys keeping up with Richmond and Wayne County local news and events (and maybe you’re a little tired of the way social media filters what you are and aren’t seeing), you can: visit 47374.info to see the latest info coming in …

One thing that using this tool has highlighted for me is that there are a lot of things happening in our community every day, between news, announcements, events and other stuff. If you only rely on what your social media service of choice has decided is worth knowing because it’s generating clicks or discussion, you’re likely to miss something important. Also, do you really want to get your news crammed in between cat videos and political rants from distant acquaintances?

Annotated on January 17, 2020 at 01:20PM

How to follow the complete output of journalists and other writers?

In a digital era with a seemingly ever-decreasing number of larger news outlets paying journalists and other writers for their work, the number of working writers who find themselves working for one or more outlets is rapidly increasing. 

This is sure to leave journalists wondering how to better serve their own personal brand either when they leave a major publication for which they’ve long held an association (examples: Walt Mossberg leaving The New York Times or Leon Wieseltier leaving The New Republic)  or alternatively when they’re just starting out and writing for fifty publications and attempting to build a bigger personal following for their work which appears in many locations (examples include nearly everyone out there).

Increasingly I find myself doing insane things to try to follow the content of writers I love. The required gymnastics are increasingly complex to try to track writers across hundreds of different outlets and dozens of social media sites and other platforms (filtering out unwanted results is particularly irksome). One might think that in our current digital media society, it would be easy to find all the writing output of a professional writer like Ta-nehisi Coates, for example, in one centralized place.

I’m also far from the only one. In fact, I recently came across this note by Kevin:

I wish there was a way to subscribe to writers the same way you can use RSS. Obviously twitter gets you the closest, but usually a whole lot more than just the articles they’ve written. It would be awesome if every time Danny Chau or Wesley Morris published a piece I’d know.

The subsequent conversation in his comments or  on Micro.blog (a fairly digital savvy crowd) was less than heartening for further ideas.

As Kevin intimates, most writers and journalists are on Twitter because that’s where a lot of the attention is. But sadly Twitter can be a caustic and toxic place for many. It also means sifting through a lot of intermediary tweets to get to the few a week that are the actual work product articles that one wants to read. This also presumes that one’s favorite writer is on Twitter, still using Twitter, or hasn’t left because they feel it’s a time suck or because of abuse, threats, or other issues (examples: Ta-Nehisi Coates, Lindy West, Sherman Alexie). 

What does the universe of potential solutions for this problem currently look like?

Potential Solutions

Aggregators

One might think that an aggregation platform like Muck Rack which is trying to get journalists to use their service and touts itself as “The easiest, unlimited way to build your portfolio, grow your following and quantify your impact—for free” might provide journalists the ability to easily import their content via RSS feeds and then provide those same feeds back out so that their readers/fans could subscribe to them easily. How exactly are they delivering on that promise to writers to “grow your following”?!

An illustrative example I’ve found on Muck Rack is Ryan O’Hanlon, a Los Angeles-based writer, who writes for  a variety of outlets including The Guardian, The New York Times, ESPN, BuzzFeed, ESPN Deportes, Salon, ESPN Brasil, FiveThirtyEight, The Ringer, and others. As of today they’ve got 410 of his articles archived and linked there. Sadly, there’s no way for a fan of his work to follow him there. Even if the site provided an RSS feed of titles and synopses that forced one to read his work on the original outlet, that would be a big win for readers, for Ryan, and for the outlets he’s writing for–not to mention a big win for Muck Rack and their promise.

I’m sure there have to be a dozen or so other aggregation sites like Muck Rack hiding out there doing something similar, but I’ve yet to find the real tool for which I’m looking. And if that tool exists, it’s poorly distributed and unlikely to help me for 80% of the writers I’m interested in following much less 5%.

Author Controlled Websites

Possibly the best choice for everyone involved would be for writers to have their own websites where they archive their own written work and provide a centralized portfolio for their fans and readers to follow them regardless of where they go or which outlet they’re writing for. They could keep their full pieces privately on the back end, but give titles, names of outlets, photos, and synopses on their sites with links back to the original as traditional blog posts. This pushes the eyeballs towards the outlets that are paying their bills while still allowing their fans to easily follow everything they’re writing. Best of all the writer could own and control it all from soup to nuts.

If I were a journalist doing this on the cheap and didn’t want it to become a timesuck, I’d probably spin up a simple WordPress website and use the excellent and well-documented PressForward project/plugin to completely archive and aggregate my published work, but use their awesome forwarding functionality so that those visiting the URLs of the individual pieces would be automatically redirected to the original outlet. This is a great benefit for writers many of whom know the pain of having written for outlets that have gone out of business, been bought out, or even completely disappeared from the web. 

Of course, from a website, it’s relatively easy to automatically cross-post your work to any number of other social platforms to notify the masses if necessary, but at least there is one canonical and centralized place to find a writer’s proverbial “meat and potatoes”. If you’re not doing something like this at a minimum, you’re just making it hard for your fans and failing at the very basics of building your own brand, which in part is to get even more readers. (Hint, the more readers and fans you’ve got, the more eyeballs you bring to the outlets you’re writing for, and in a market economy built on clicks, more eyeballs means more traffic, which means more money in the writer’s pocket. Since a portion of the web traffic would be going through an author’s website, they’ll have at least a proportional idea of how many eyeballs they’re pushing.)

I can’t help but point out that even some who have set up their own websites aren’t quite doing any of this right or even well. We can look back at Ryan O’Hanlon above with a website at https://www.ryanwohanlon.com/. Sadly he’s obviously let the domain registration lapse, and it has been taken over by a company selling shoes. We can compare this with the slight step up that Mssr. Coates has made by not only owning his own domain and having an informative website featuring his books, but alas there’s not even a link to his work for The Atlantic or any other writing anywhere else. Devastatingly his RSS feed isn’t linked, but if you manage to find it on his website, you’ll be less-than-enthralled by three posts of Lorem ipsum from 2017. Ugh! What has the world devolved to? (I can only suspect that his website is run by his publisher who cares about the book revenue and can’t be bothered to update his homepage with events that are now long past.)

Examples of some journalists/writers who are doing some interesting work, experimentation, or making an effort in this area include: Richard MacManus,  Marina Gerner, Dan Gillmor, Jay RosenBill Bennett, Jeff JarvisAram Zucker-Scharff, and Tim Harford

One of my favorite examples is John Naughton who writes a regular column for the Guardian. He has his own site where he posts links, quotes, what he’s reading, his commentary, and quotes of his long form writing elsewhere along with links to full pieces on those sites. I have no problem following some or all of his output there since his (WordPress-based) site has individual feeds for either small portions or all of it. (I’ve also written a short case study on Ms. Gerner’s site in the past as well.)

Newsletters

Before anyone says, “What about their newsletters?” I’ll admit that both O’Hanlon and Coates both have newsletters, but what’s to guarantee that they’re doing a better job of pushing all of their content though those outlets? Most of my experience with newsletters would indicate that’s definitely not the case with most writers, and again, not all writers are going to have newsletters, which seem to be the flavor-of-the month in terms of media distribution. What are we to do when newsletters are passé in 6 months? (If you don’t believe me, just recall the parable of all the magazines and writers that moved from their own websites or Tumblr to Medium.com.)

Tangential projects

I’m aware of some one-off tools that come close to the sort of notifications of writers’ work that might be leveraged or modified into a bigger tool or stand alone platform. Still, most of these are simple uni-taskers and only fix small portions of the overall problem.

Extra Extra

Savemy.News

Ben Walsh of the Los Angeles Times Data Desk has created a simple web interface at www.SaveMy.News that journalists can use to quickly archive their stories to the Internet Archive and WebCite. One can log into the service via Twitter and later download a .csv file with a running list of all their works with links to the archived copies. Adding on some functionality to add feeds and make them discoverable to a tool like this could be a boon.

Granary

Ryan Barrett has a fantastic open source tool called Granary that “Fetches and converts data between social networks, HTML and JSON with microformats2, ActivityStreams 1 and 2, AtomRSSJSON Feed, and more.” This could be a solid piece of a bigger process that pulls from multiple sources, converts them into a common format, and outputs them in a single subscribe-able location.

Splash page image and social logos from Granary.io

SubToMe

A big problem that has pushed us away from RSS and other formatted feed readers is providing an easy method of subscribing to content. Want to follow someone on Twitter? Just click a button and go. Wishing it were similar for a variety of feed types, Julien Genestoux‘s SubToMe has created a universal follow button that allows a one-click subscription option (with lots of flexibility and even bookmarklets) for following content feeds on the open web.

Splash image on SubToMe's home page

Others?

Have you seen any other writers/technologists who have solved this problem? Are there aggregation platforms that solve the problem in reverse? Small pieces that could be loosely joined into a better solution? What else am I missing?

How can we encourage more writers to take this work into their own hands to provide a cleaner solution for their audiences? Isn’t it in their own best interest to help their readers find their work?

I’ve curated portions of a journalism page on  IndieWeb wiki to include some useful examples, pointers, and resources that may help in solving portions of this problem. Other ideas and solutions are most welcome!

Replied to a tweet by Alexis LloydAlexis Lloyd (Twitter)
For quite a while Kicks Condor (@kickscondor) has been doing some cool experimentation on the web including directories, syndication/aggregation hubs, and even their blog (click on the FILE_ID.DIZ link at the top of the homepage for an overview). Viva la !
Bookmarked The Open Faculty Patchbook | A Community Quilt of Pedagogy (openfacultypatchbook.org)
Fleming College faculty (and anyone else who’d like to add!) are building a community patchwork of ‘chapters’ into a quasi-textbook about pedagogy for teaching & learning in college. This space is that work in progress. Each patch of the quilt/chapter of the book (let’s call it a patch book) will focus on one pedagogical skill and be completed and published by an individual faculty member. Wherever possible, we’d like to have the student perspective embedded in the work as well.