Instagram filter used: Moon
Photo taken at: Cross Campus Pasadena
Instagram filter used: Moon
Photo taken at: Cross Campus Pasadena
If you’re not following him everywhere (?) yet, start with some of the sites below (or let me know if I’ve missed anything).
His most recent paper on arXiv:
Low Algorithmic Complexity Entropy-deceiving Graphs | .pdf
A common practice in the estimation of the complexity of objects, in particular of graphs, is to rely on graph- and information-theoretic measures. Here, using integer sequences with properties such as Borel normality, we explain how these measures are not independent of the way in which a single object, such a graph, can be described. From descriptions that can reconstruct the same graph and are therefore essentially translations of the same description, we will see that not only is it necessary to pre-select a feature of interest where there is one when applying a computable measure such as Shannon Entropy, and to make an arbitrary selection where there is not, but that more general properties, such as the causal likeliness of a graph as a measure (opposed to randomness), can be largely misrepresented by computable measures such as Entropy and Entropy rate. We introduce recursive and non-recursive (uncomputable) graphs and graph constructions based on integer sequences, whose different lossless descriptions have disparate Entropy values, thereby enabling the study and exploration of a measure’s range of applications and demonstrating the weaknesses of computable measures of complexity.
Subjects: Information Theory (cs.IT); Computational Complexity (cs.CC); Combinatorics (math.CO)
Cite as: arXiv:1608.05972 [cs.IT] (or arXiv:1608.05972v4 [cs.IT]
Yesterday he also posted two new introductory videos to his YouTube channel. There’s nothing overly technical here, but they’re nice short productions that introduce some of his work. (I wish more scientists did communication like this.) I’m hoping he’ll post them to his blog and write a bit more there in the future as well.
Cross-boundary Behavioural Reprogrammability Reveals Evidence of Pervasive Turing Universality by Jürgen Riedel, Hector Zenil
Preprint available at http://arxiv.org/abs/1510.01671
Ed.: 9/7/16: Updated videos with links to relevant literature
An interesting start with a nice dash of the cultural part of what it means to be a Brazilian to set the stage of what is to come in the book. The reader is nicely made to feel the cultural clash of American and Brazilian along with the frustration Fletch surely feels.
The Order I’ve read the series in so far
At the opening of this he’s going by the name of Peter Fletcher which was quirky, even knowing how much I.M. dislikes his given names, and he seemed to have a far more Italian flair and a rich man’s flâneur attitude toward life compared with his previous character. Gone was the ne’er-do-well under employed hero and in his place was a well-to-do more suave man. What was I missing/forgetting from the intervening books? It wasn’t until about halfway through the book that the Fletch character I’ve come to enjoy popped out of the woodwork as himself.
In stark contrast to the almost no plot line of Fletch, Too, which I found disappointing, this one starts off like a shot. The opening scene of the story starts out with Fletch in an apartment swap and calling the police to report a body of a dead woman in the flat which he’s staying for the next few weeks.
“This is the Police Business phone.”
“Isn’t murder police business?”
“You’re supposed to call Emergency with a murder.”
“I think the emergency is over.”
“I mean, I don’t even have a tape recorder on this phone.”
“So talk to your boss. Make a recommendation.”
The following morning he’s on the hunt for the missing art collection of an Italian nobleman who’s been kidnapped and presumed dead.
What follows is a nicely developed set of A and B plot lines that rival even those of the original Fletch. (N.B. I’ve still yet to reread the original, so it’s been over 25 years that I’m making this comparison.) The characters are great and the dialogue as witty and snarky as ever. This is Fletch as it was meant to be. Reading this after Fletch, Too brings my faith back for Mcdonald’s work.
I just hope the rest are just this good.
The added benefit is that apparently Mcdonald spun off the Frances Xavier Flynn character from this work into another series, and he’s a sufficiently complex and interesting enough character that I’m glad the Fletch odyssey isn’t really over once I’m done with these eleven.
From a time period perspective, I’ll again note, as I did for Fletch and the Widow Bradley, that this book (written in 1976) had some very progressive views about gay/homosexual lifestyle that I wouldn’t have expected.
I really can’t believe I had the patience to make it through to the end. There was a minor twist at the bitter end which was poorly foreshadowed and a bit too predictable. There was no real mystery at all and definitely no “detective” work or journalistic probing which usually moves the plot in Fletch books along. I would almost suspect that the long-time editor of the series died and no one else could reign the writer in to produce something more compelling.
I kept wondering where the plot was going and why I should keep carrying. So far, of the 4 I’ve read in the series, this was, by far, the least gripping book in the series. The dialogue was poorly attributed, if at all, which made reading and understanding things even more of a chore. It also wasn’t as sharp or witty as usual and characters are “off” and unsympathetic. The plot was just generally flat and didn’t pay off despite what could have been an interesting twist with Fletch witnessing a murder well before I would have anticipated as the end of the first act.
I’m hoping that though it was the second in the chronological story timeline of the Fletch canon, the fact that it was one of the last written means that Mcdonald was just getting tired of the formula and trying to close out the series in some stilted way. I still have higher hopes for the others remaining on my list.
In an odd way, the title was interesting from both a character standpoint as well as it being a follow up to Fletch Won.
You can now import your reference library directly from Mendeley to Overleaf, to make it easy to manage your references and citations in your projects
Oddly, I had seen the VERY same post/repo a few weeks back and meant to add a readme too! (You’ll notice I got too wrapped up in reading through the code and creating some usability issues after installing the plugin instead.)
Given that you’ve got your own domain and website (and playing in ed/tech like many of us are), and you’re syndicating your blog posts out to Medium for additional reach, I feel compelled to mention some interesting web tech and philosophy in the #IndieWeb movement. You can find some great resources and tools at their website.
In particular, you might take a look at their WordPress pages which includes some plugins and resources you’ll be sure to appreciate. One of their sets of resources is allowing you to not only syndicate your WP posts (what they call POSSE), but by using the new W3C webmention spec, you can connect many of your social media resources to brid.gy and have services like twitter, facebook, G+, instagram and others send the comments and likes on your posts there back to your blog directly, thereby allowing you to own all of your data (as well as the commentary that occurs elsewhere). I can see a lot of use for education in some of the infrastructure they’re building and aggregating there. (If you’re familiar with Known, they bake a lot of Indieweb goodness into their system from the start, but there’s no reason you shouldn’t have it for your WordPress site as well.)
If you need any help/guidance in following/installing anything there, I’m happy to help.
Congratulations again. Keep on pullin’!
It doesn’t appear to be a comedy and Trump is grumbling as if he’s a Zombie!
There were some more-than-steamy scenes (shot behind the neighbors’ bushes) which are NSFW, so they won’t appear here.
I won’t spoil the ending, but the last shot I saw involved the cinematographer lying on the ground shooting up at a gardner with a shovel standing over him menacingly.
Click below for some of the video I shot.
Instagram filter used: Normal
Photo taken in: Glendale, California
I also feel that one needs the right tool for the right job. While I like WordPress for many things, it’s not always the best thing to solve the problem. In some cases Drupal or even lowly Wix may be the best solution. The key is to find the right balance of time, knowledge, capability and other variables to find the optimal solution for the moment, while maintaining the ability to change in the future if necessary. By a similar analogy there are hundreds of programming languages and all have their pros and cons. Often the one you know is better than nothing, but if you heard about one that did everything better and faster, it would be a shame not to check it out.
This said, I often prefer to go with specialist software, though I do usually have a few requirements which overlap or align with Indieweb principles, including, but not limited to:
In this case, I suspect that Wallabag is far better than anything I might have time to build and maintain myself. If there are bits of functionality that are missing, I can potentially request them or build/add them myself and contribute back to the larger good.
Naturally I do also worry about usability and maintenance as well, so if the general workflow and overhead doesn’t dovetail in with my other use cases, all bets may be off. If large pieces of my data, functionality, and workflow are housed in WordPress, for example, and something like this isn’t easily integrateable or very difficult to keep updated and maintain, then I’ll pass and look for (or build) a different solution. (Not every tool is right for just any job.) On larger projects like this, there’s also the happy serendipity that they’re big enough that WordPress (Drupal, Jekyll, other) developers can better shoehorn the functionality in to a bigger project or create a simple API thereby making the whole more valuable than the sum of the parts.
In this particular situation, it appears to be a 1-1 replacement for a closed silo version of something I’ve been using regularly, but which provides more of the benefits above than the silo does, so it seems like a no-brainer to switch.
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