"The one song The King couldn’t sing."
Elvis Presley returned from his years in the army to record one of his biggest hits, “Are You Lonesome Tonight?” But he could never quite get the lyrics right. Why? Revisionist History puts the King of Rock and Roll on the couch.
"It is no secret that David Lynch, the writer-director-composer-painter, has an unusual relationship with Bob's Big Boy," begins a 1999 Los Angeles Times article on the auteur of films like Eraserhead and Blue Velvet. "For seven years in the 1980s he ate lunch there every day, ordering cup after cup of over-sweetened coffee and a single chocolate milkshake while scribbling notes on Bob's little square napkins." He took pains, notes reporter Amy Wallace, "to arrive at Bob's at precisely 2:30 p.m. each day. The reason: It increased the odds that he would encounter perfection."
With their dynamic roofs and neon signs, these diners, motels, and car washes showcase the best of Googie style.
The Royal Academy in London turned down a work by “Bryan S. Gaakman” for an exhibition, then asked Banksy — who had made it — if he had a submission.
Using data analysis to learn from the art on prisoners’ bodies
Birmingham, 1963. The image of a police dog viciously attacking a young black protester shocks the nation. The picture, taken in the midst of one of Martin Luther King Jr.’s most famous marches, might be the most iconic photograph of the civil rights movement. But few have ever bothered to ask the people in the famous photograph what they think happened that day. It’s more complicated than it looks.
Grooves on an ancient piece of flint might have been made intentionally to encode information. Andrew Masterson reports.
h/t to @CosmosMagazine
Grooves on an ancient piece of flint might have been made by Neanderthals to intentionally to encode information. https://t.co/DkXzFjbegA
— Cosmos Magazine (@CosmosMagazine) May 4, 2018
bookmarked on May 03, 2018 at 09:03PM
In 1984, Elvis Costello released what he would say later was his worst record: Goodbye Cruel World. Among the most discordant songs on the album was the forgettable “The Deportees Club.” But then, years later, Costello went back and re-recorded it as “Deportee,” and today it stands as one of his most sublime achievements.
“Hallelujah” is about the role that time and iteration play in the production of genius, and how some of the most memorable works of art had modest and undistinguished births.
The bigger idea here of immediate genius versus “slow cooked” genius is the fun one to contemplate. I’ve previously heard stories about Mozart’s composing involved his working things out in his head and then later putting them on paper much the same way that a “cow pees” (i.e. all in one quick go or a fast flood.)
Another interesting thing I find here is the insanely small probability that the chain of events that makes the song popular actually happens. It seems worthwhile to look at the statistical mechanics of the production of genius. Perhaps applying Ridley’s concepts of “Ideas having sex” and Dawkin’s “meme theory” (aka selfish gene) could be interestingly useful. What does the state space of genius look like?
Gideon Rubin's "Black Book" at London's Freud Museum features an English first edition of Hitler's "Mein Kampf," published in 1939.
Since its creation in 1499, Michelangelo's Pietà has inspired emotion, faith, and imitation through its elegant depiction of the Virgin Mary and Jesus Christ. Yet few know the secrets that are still being uncovered about this centuries-old statue.
We just wrapped up development on Lightwalk, an interactive art installation living at Abilene Christian University in Abilene, Texas. For a number of reasons, this has been one of the most interesting projects I've ever worked on. There is the obvious wow factor of the installation itself, but we also developed a whole suite of dev tools running behind the scenes that not only keep the installation running, but also enable engagement from ACU students in multiple ways. It's this tie between hardware and software that makes the project truly shine, it's taking art and making it sm-art, it's the internet of things but it's actually interesting, and it's what I'm going to be talking about today.
Ian Bremmer, the president of the Eurasia Group, and Michael Hanna, a senior fellow at the Century Foundation, on Donald Trump's first foreign trip of his presidency. A discussion of Robert Mueller's special counsel appointment with John Carlin, the former assistant Attorney General for national security and Chief of Staff to Robert Mueller. Gabe Sherman and Jim Rutenberg reflect on the legacy of the late media titan Roger Ailes, known for launching Fox News in 1996. Adam Lindemann, an art collector and gallery owner who held the previous auction record for a Jean Michel Basquiat painting with his sale of Untitled (Devil) for $57.3 million last year.
I haven’t been following the deeper analysis of Trump’s Middle East trip, but Ian Bremmer’s pre-analysis here which I’ll synopsize as Trump is taking a cheese-puff trip to areas where he’s likely to be loved, adored, and appreciated (surprise!!) and which the US won’t really benefit from in the coming decades seems sadly correct. I suppose it’s better for him to focus on his vanity rather than destroying value.
I could have appreciated another 20 minutes on Ailes and analysis on his ongoing influence, but then again, it’s just as well to relegate him to the dustbin of history.
“Amerikan Krazy: Life Out of Balance” takes part of its name from the new book <a href="http://boffosockobooks.com/books/authors/henry-james-korn/amerikan-krazy/">"Amerikan Krazy”</a> by <a href="http://www.henryjameskorn.com">Henry James Korn</a>. From 2008 to 2013, Korn worked at the Orange County Great Park. He was responsible for the creation of the Palm Court arts complex and culture, music, art and history programs.<br /><br /> “The book is very much about total corporate control of public and private space,” Korn said. The story follows a wounded Marine veteran haunted after having missed the chance to assassinate a presidential candidate who later causes massive human suffering and wreaks havoc on America’s wealth and democracy.<br /><br /> It’s a way of understanding what’s happening in politics now, Korn said.<br /><br /> “Because if ever there was a recognition that our public life and politics have gone crazy, it’s this moment.”