While messing with Dat last night, I got carried away in nostalgia and began… recreating Muxtape in Dat. I wanted to see how far I could get. (If you don’t know what Muxtape was—it was a way of sharing mp3 mixtapes online for a brief window of time in 2008, until it was shut down by the grown-ups.)
So, it seemed interesting to try to replicate Muxtape, because it would be very hard to “shut down” on the Dat network. And, sure enough, I was able to get it working quite well: you can upload songs, tweak the colors and titles, order the songs and such—I think this is quite faithful.
And, yes, it’s peer-to-peer. You can edit your tape using the URL created for you. Then you can pass that same URL out to share your tape. Visitors can listen to the music and seed the tape for everyone else.
This is an awesome idea. I really wish I had the bandwidth to dig into DAT. Who wouldn’t want to be able to make mixtapes like this for the internet? It’s not too dissimilar to my listen feed (aka faux-cast), but could be more customized and curated for friends/family.
A little magazine called the Blind Man, co-edited by Duchamp, ignited a debate still running today. “Whether Mr Mutt with his own hands made the fountain or not has no importance. He chose it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – and created a new thought for the object.” ❧
This one is certainly nowhere near as gory as yesterday’s but I imagine the smell of a person being vaporised is probably somewhat pungent.
I’ve got a few vaporisations in the 30 days so I might follow this one up with more of the disintegration process (like in that TNG episode with the bugs and that guy’s face melts off in possibly one of the weirdest tonal changes in the show).
30 Days of red shirts is a cool concept for an art series and it’s pretty well executed.
Mr. Pei, a committed modernist, was one of the few architects equally attractive to real estate developers, corporate chieftains and art museum boards.
I had the privilege of working in an I.M. Pei office building for about two years. It wasn’t a museum, but had so much modern art on its walls and Roy Lichtenstein’s massive “Bauhaus Stairway” in the lobby that it seemed like a museum.
Scott mentioned this wonderful bit of his artwork at the vHWC tonight. While it’s an owl, I thought from some perspective that it looked a lot like a microphone and might make a good logo for Marty McGuire’s Screech Micropub app for podcasting. If you need some artwork, Scott says he’d love to see it used…
Sweeping lawsuit accuses top generic drug companies, executives of fixing prices; then, crime victims get chance to confront perpetrators through special program; and, Anderson Cooper profiles Mark Bradford, the artist who tackles complex social and political issues through abstract works
At first glance you may be forgiven for thinking these images to have sprung from some hitherto unknown corner of the Cubist movement, but these remarkably prescient etchings are in fact the creation of an artist working a whole three centuries earlier. In 1624, Giovanni Battist...
On the morning of October 21, 2017, the budding New York choreographer Jinah Parker was sitting in bed, her husband lying alongside, when she opened her email and found a deeply unsettling, one-paragraph message about her debut dance production.
The show was called SHE, a Choreoplay, an off-off-Broadway interpretative dance in which four women vividly monologize rape and abuse.
Parker wrote and directed. Her newlywed husband, Kevin Powell, was the producer. In 1992, as a tenacious 26-year-old activist, he appeared on the inaugural season of MTV’s genre-defining reality show, The Real World. In the decades since, he’d become a prolific public speaker, author of 13 books, and a two-time congressional candidate.
Powell also has a history of violence. He assaulted women in college and once shoved a girlfriend into a bathroom door. Now he’s a sophist of male fragility, and an essential component of his activist repertoire is to engage in public reflection—usually with equal parts self-effacement and self-righteousness—upon this personal shame.
A great example why hot takes involving coming at people and seemingly outting them without the appropriate research can be terribly dangerous.
It would seem that this couple got just what they had coming to them, though it’s a bit disingenuous that they can go to crowd funding platforms to spread the blame out. I’m hoping that it was only all the people to whom they spread their invective to that ended helping to foot part of their bill.
Bob Baker Marionette Theater now as a 501(c)3 nonprofit organization will transition our current operation into an institution to educate kids of all ages across Los Angeles and beyond, to celebrate imagination and creativity, and to rejuvenate appreciation for handcrafted puppetry and entertainment. As a nonprofit organization, we are owned by the community and exist to serve the community. Though Bob Baker was the founder of our organization, we exist now to celebrate, expand, and educate people on Bob Baker’s work and the concepts of puppetry and performance as a whole.
The final day the Theater in its current location will be open to the public is Friday, November 23rd, 2018 (the day after Thanksgiving, which is the same day the Theater opened 55 years ago). One day later, on November 24, the Bob Baker Marionette Theater will open Bob Baker's Nutcracker presented at the Pasadena Playhouse for 5 weeks. For the first time in its history, this tradition will have a new home to share the holiday joy and imagination that generations have come to know and love. Performances will run through December 30. Tickets are now on sale at www.pasadenaplayhouse.org.