One letter to executives around the world has prioritized climate change on corporate agendas. But will this make a difference without government regulation?
Effects of 2010 BP oil spill were 30% larger than calculated as satellite images were unable to detect full extent of pollution in Gulf
"DANCE" (1910), Henri Matisse (Hermitage, St. Petersburg)
"DANCE!" (2016), Pasha CAS (Temirtau, Kazakhstan)
One of the most significant paintings in Matisse's work is “Dance”, which he created between 1908-1913. impressed by ritual, mystical and probably even idolatrous dances. The energy of the picture is conveyed in 3 colors: blue, green and red. With them, the artist merges the state of nature, rhythm, actions and people that appear before us naked and liberated, completely merging and at the same time clearly standing out from the general background.
And now, a little more than a century passes, and there is a new artist who wants to peek at modern round dance of megalopolises - through the prism of a new reality. Looking at the modern “Dance” we find that the idol has ceased to be something deified, it is so tangible and real that it even has its own outlines and outlines in the form of corporations and the fact that they spew out of themselves, drugging and enslaving people in shirts and tie, as in shackles. The all-consuming illusion of satiety, demonstrating the power of those who sit "on the pipe" over those who dance around it. Monster corporations ready to suck and sell oil - paint new interiors. Desperately dancing around the pipe!
The city of Temirtau. Metallurgical plants etch everything living on the vine: not so long ago, environmentalists took a sample of the earth at five playgrounds and it was found that lead was exceeded 5 times higher than normal! Everyone is silent!
Author: street art artist Pasha CAS
Curator: Rush X
Text: Vita Pravda
Photo: Olya Koto
(Rough translation from Russian)
A new way of understanding climate change and other phenomena.
We are obliged to do something about them, because we can think them. ❧
Annotated on January 15, 2020 at 08:56AM
It’s very difficult to talk about something you cannot see or touch, yet we are obliged to do so, since global warming affects us all. ❧
It’s also difficult to interact with those things when we’re missing the words and vocabulary to talk about them intelligently.
Annotated on January 15, 2020 at 09:00AM
Timothy Morton is Rita Shea Guffey Chair in English at Rice University in Houston. He is the author of Realist Magic: Objects, Ontology, Causality and Hyperobjects: Philosophy and Ecology after the End Of The World. ❧
want to read these
Annotated on January 15, 2020 at 10:10AM
Or global warming. I can’t see or touch it. What I can see and touch are these raindrops, this snow, that sunburn patch on the back of my neck. I can touch the weather. But I can’t touch climate. So someone can declare: “See! It snowed in Boise, Idaho, this week. That means there’s no global warming!” We can’t directly see global warming, because it’s not only really widespread and really really long-lasting (100,000 years); it’s also super high-dimensional. It’s not just 3-D. It’s an incredibly complex entity that you have to map in what they call a high-dimensional- phase space: a space that plots all the states of a system. In so doing, we are only following the strictures of modern science, laid down by David Hume and underwritten by Immanuel Kant. Science can’t directly point to causes and effects: That would be metaphysical, equivalent to religious dogma. It can only see correlations in data. This is because, argues Kant, there is a gap between what a thing is and how it appears (its “phenomena”) that can’t be reduced, no matter how hard we try. We can’t locate this gap anywhere on or inside a thing. It’s a transcendental gap. Hyperobjects force us to confront this truth of modern science and philosophy. ❧
A short, and very cogent argument here.
Annotated on January 15, 2020 at 10:07AM
The fear of mass displacement isn't paranoia for black people in Liberty City. It's family history.
Valencia Gunder used to dismiss her grandfather’s warnings: “They’re gonna steal our communities because it don't flood.” She thought, Who would want this place? But Valencia’s grandfather knew something she didn’t: People in black Miami have seen this before.
In the second episode of our series on “climate gentrification,” reporter Christopher Johnson tells the story of Overtown, a segregated black community that was moved, en masse, because the city wanted the space for something else. If you haven't heard part one, start there first.
In this episode, we also hear from:
- Agnes and Naomi Rolle, childhood residents of Overtown
- Marvin Dunn, researcher at Florida International University
- James Mungin II, co-founder of The Roots Collective
Reported and produced by Kai Wright, Nadege Green and Christopher Johnson. This is part two of a three-part series produced in partnership with WLRN in Miami. WNYC’s health coverage is supported in part by the Robert Wood Johnson Foundation. Working to build a Culture of Health that ensures everyone in America has a fair and just opportunity for health and well-being. More at RWJF.org.
The sea level is rising -- and so is the rent. It's the first episode in our three part series on "climate gentrification."
In Miami’s Little Haiti neighborhood, residents are feeling a push from the familiar forces of gentrification: hasty evictions, new developments, rising commercial rents. But there’s something else happening here, too—a process that may intensify the affordability crisis in cities all over the country.
Little Haiti sits on high ground, in a city that’s facing increasing pressure from rising sea levels and monster storms. For years, researchers at Harvard University’s Design School have been trying to identify if and how the changing climate will reshape the real estate market globally. In Miami’s Little Haiti, they have found an ideal case study for what’s been dubbed “climate gentrification.”
We hear from:
- Jesse Keenan, Harvard University Graduate School of Design
- Mimi Sanon-Jules, entrepreneur in Little Haiti
Reported and produced by Kai Wright, Nadege Green and Christopher Johnson. This is part one of a three-part series produced in partnership with WLRN in Miami. WNYC’s health coverage is supported in part by the Robert Wood Johnson Foundation. Working to build a Culture of Health that ensures everyone in America has a fair and just opportunity for health and well-being. More at RWJF.org.
Trump's attacks on climate science; the dark money behind environmental deregulation; and the Anthropocene.
The Trump administration has ordered federal agencies to stop publishing worst-case scenario projections of climate change. This week, On the Media examines the administration’s pattern of attacks on climate science. Plus, a look at the dark money behind environmental deregulation.
2. Jane Mayer [@JaneMayerNYer], staff writer at The New Yorker and author of Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right, on the billionaires supporting the modern conservative intellectual framework. Listen.
3. Jan Zalasiewicz, Anthropocene Working Group Chair, on the traces that today's humans might leave behind for future civilizations, and Benjamin Kunkel [@kunktation] on whether the Age of Capitalism might be a more appropriate term to describe our epoch. Listen.
I sort of like the idea of dating the Anthropocene from the 1950’s with the invention of the atomic bomb as it created a world-wide layer. But then the beginning of agriculture or the start of the industrial revolution also likely had world-wide effects as well.
Wednesday on the NewsHour, special counsel Robert Mueller speaks publicly for the first time about the Russia investigation. Plus: Political and legal analysis of Mueller’s statement, severe storms continue to lay waste to parts of the central U.S., what political issues voters are most concerned with and the convergence of art and technology in Miami murals.
From now, house style guide recommends terms such as ‘climate crisis’ and ‘global heating’