Quill and Fox Design illustrated the cute bookworm, squirrel, rabbit, owl, and, just for fun, a red fox and a beaver holding a quill for these Forest Friends magnetic bookmarks from Galison.
If I’m honest, I get so much value and joy out of annotating online, I should have been the one to send them the care package.
Thanks Hypothes.is! I’ll see you in the margins.
I’ve got an online note collection similar to @JerryMichalski, but mine is more textual and less visual than his: https://hypothes.is/users/chrisaldrich (9:19AM)
If there are folks that want to do collaborative note taking today, here’s a shared etherpad you can use for either raw text or generic wiki markdown if you like: https://etherpad.indieweb.org/ToolsForThinking (09:26AM)
How can companies like @readwise leverage some sort of standardization of text, images, data in the space to more easily provide their services to more platforms? (09:49AM)
Recommends the book The Extended Mind by @AnnieMurphyPaul (11:54AM)
Linus Lee’s demo looks a bit like Robin Sloan’s AI Writing experiments https://www.robinsloan.com/notes/writing-with-the-machine/ (12:50PM)
“There’s also drinks (alcohol) over there, so another good tool for thinking!” #ClosingThoughts (02:55PM)
Reframing and simplifying the idea of how to keep a Zettelkasten
Is it possible to annotate links in Hypothes.is that are in the Internet Archive? My browser bookmarklet for it doesn’t work on such archived pages. I can imagine that there are several javascript or iframe related technical reasons for it. An information related reason may be that bringing togeth...
Hypothes.is has methods for establishing document equivalency which archive.org apparently conforms. I did an academic experiment a few years back with an NYT article about books where you’ll see equivalent annotations on the original, the archived version, and a copy on my own site that has a rel="canonical" link back to the original as well:
I don’t recommend doing the rel-canonical trick on your own site frequently as I have noticed a bug, which I don’t think has been fixed.
The careful technologist with one tool or another, will see that I and a couple others have been occasionally delving into the archive and annotating Manfred Kuehn’s work. (I see at least one annotation from 2016, which was probably native on his original site before it was shut down in 2018.) I’ve found some great gems and leads into some historical work from his old site. In particular, he’s got some translations from German texts that I haven’t seen in other places.
So today I took the plunge and picked up a Singer Business Furniture 20 gauge steel industrial index card filing cabinet. It’s the sort of thing that Niklas Luhmann or Roland Barthes may have only dreamt of.
The monster has 8 sliding platform chassis with 16 removable file drawers. I’ve done a little bit of clean up on it, but it has been well loved over time. Much like my prior furniture refurbishment projects, I expect I’ll bead blast off the original finish and rust and re-enamel it. I’m debating colors or potentially going brushed steel with heavy clear coat, though that’s a lot of work for the size and configuration. I’m initially thinking perhaps gunmetal grey with metallic blue flecked paint to match my desk, or perhaps a fun orange highlight color on the drawer fronts?
Singer Business Furniture, Corry Jamestown index card filing cabinet (114 OB)
I thought about weighing it, but the thing is just too big for any of the nearby scales I’ve got access to. It’s definitely a bear to move even by sliding and required a heavy dolly and at least two people to maneuver. Three or more would be required to pick it up physically. One drawback to the size and weight is that it isn’t easily portable if there were an emergency, but the construction is so solid that it should definitely survive the most dire earthquakes or possibly nuclear bomb blasts. I suspect it’ll be a bit before I have multiple drawers full, so I can always individually remove active drawers.
A quick calculation on the front of an index card—no more backs of envelopes for me!—indicates that packs of relatively standard Oxford index cards should put the capacity of this monster at 55,700 index cards (with the drawer stops in place).
The drawers should be nice and roomy for the 4×6″ index cards I’ve been using, but can also accommodate collections of smaller 3×5″ cards I’ve got.
While the drawers come with index card rods to hold the cards physically in their files, I suspect I won’t be using them. They seem to be of a design that would require custom cards for utilizing this feature anyway. I do quite like the rod design as the thumbscrews on the outside have small nubs on them with a key-like cut out on the drawer front with a compression washer. One then inserts the rod, fits it into the moveable card stop, and pushes it into the keyhole. A quarter or half turn of the rod and thumbscrew locks the rod into the cabinet.
The index card file stops are easily removable and have a simple springloaded clamp mechanism for moving them easily within the drawer.
While used, the entire thing is in generally excellent shape. Almost all the original hardware is still extant and the drawer mechanisms all slide smoothly, so those won’t require much, if any real work.
Because the filing cabinet is so massive and generally immovable, a fun and terrifically convenient feature is that each of the 16 file drawers are individually removable. This allows one to take a particular drawer or two to their desk and work on them before needing to return them to the cabinet when one is done. To make this drawer movement easier, in addition to the explicit handle on the front of each drawer, there’s an oval hole on the back of each drawer which functions as a handle on the other end. This is likely how I’ll use it, at least until I’ve refinished the cabinet and the drawers and move it into my office space permanently.
Because the files are wide and long enough, I might also profitably use the file for holding 8 1/2 x 11″ material stacked up in piles if necessary.
Some have talked about naming their zettelkasten. I’ve been considering calling the whole cabinet “The Ark of Studies” (Arca studiorum) after Thomas Harrison’s invention in the 1640s as it also contains a nod to Hugh of St. Victor’s mnemonic work relating to Noah’s Ark. Perhaps I’ll hame it Stonehenge II, because I’ll rely on it as a “forgetting machine” and it’s almost as big and heavy as a bluestone from the Preseli Hills in Wales—especially if I paint it that color. Beyond this perhaps I might give each individual drawer a name. This leaves sixteen slots, so I’m thinking about naming them after famous figures in the history of note taking and related spaces of intellectual history.
Right now it’ll likely be a subset of Aristotle, Cicero, Quintilian, Seneca, Boethius, Thomas Aquinas, Desiderius Erasmus, Rodolphus Agricola, Philip Melancthon, Konrad Gessner, John Locke, Carl Linnaeus, Thomas Harrison, Vincentius Placcius, Gottfried Wilhelm Leibniz, Niklas Luhmann, Beatrice Webb, Marcel Mauss, Claude Lévi-Strauss, Mortimer J. Adler, Niklas Luhmann, Roland Barthes, Vladimir Nabokov, George Carlin (I’ve got to have a drawer dedicated to comedy right?), Twyla Tharp, and Eminem. Who else am I missing? Who should I consider?
Being a piece of used office furniture, it naturally came with some surplus junk inside. Most of this was of the paperclip and rubber band nature with plenty of dust and lint. There were a full collection of drawer labels with someone’s handwritten numbers for the files the card index once contained. Unexpected finds included some screws, nuts and bolts, part of a hacksaw blade, a rotary saw blade, some drill bits, a socket wrench fitting, and—most puzzling—a live round of ammunition! Every zettelkasten should have one of these right?
So go ahead and bite the bullet! Get your own cabinet, and start your analog zettelkasten today.
If you’ve been following this idea here, it’s time to update your feed.
Kevin Marks (kevinmarks.com)This week John Borthwick put out a call for Tools for Thinking: People want better tools for thinking — ones that take the mass of notes that you have and organize them, that help extend your second brain into a knowledge or interest graph and that enable open sharing and ownership of the “knowl...
I’ll always maintain that Vannevar Bush really harmed the first few generations of web development by not mentioning the word commonplace book in his conceptualization. Marks heals some of this wound by explicitly tying the idea of memex to that of the zettelkasten however. John Borthwick even mentions the idea of “networked commonplace books”. [I suspect a little birdie may have nudged this perspective as catnip to grab my attention—a ruse which is highly effective.]
Some of Kevin’s conceptualization reminds me a bit of Jerry Michalski’s use of The Brain which provides a specific visual branching of ideas based on the links and their positions on the page: the main idea in the center, parent ideas above it, sibling ideas to the right/left and child ideas below it. I don’t think it’s got the idea of incoming or outgoing links, but having a visual location on the page for incoming links (my own site has incoming ones at the bottom as comments or responses) can be valuable.
I’m also reminded a bit of Kartik Prabhu’s experiments with marginalia and webmention on his website which plays around with these ideas as well as their visual placement on the page in different methods.
MIT MediaLab’s Fold site (details) was also an interesting sort of UI experiment in this space.
It also seems a bit reminiscent of Kevin Mark’s experiments with hovercards in the past as well, which might be an interesting way to do the outgoing links part.
Next up, I’d love to see larger branching visualizations of these sorts of things across multiple sites… Who will show us those “associative trails”?
Another potential framing for what we’re all really doing is building digital versions of Indigenous Australian’s songlines across the web. Perhaps this may help realize Margo Neale and Lynne Kelly’s dream for a “third archive”?
I wasn’t expecting it until next week or shortly thereafter, but just in time for the new academic year, Dan Allosso has finished a major rewrite on his and S.F. Allosso’s earlier edition of A Short Handbook for writing essays in the Humanities and Social Sciences. This expanded edition has several new chapters on note making (notice that this is dramatically different than note taking) using a zettelkasten-based (or card index or fichier boîte if you prefer) approach similar to that practiced by Beatrice Webb, Marcel Mauss, Claude Lévi-Strauss, Roland Barthes, Hans Blumenberg, Mortimer J. Adler, and Walter Benjamin among many others.
The focus of the book is on note making for actively producing tangible outputs (essays, papers, theses, monographs, books, etc.), something on which a few recent texts in a the related productivity space haven’t delivered. While ostensibly focused on the humanities and social sciences in terms of examples, the methods broadly apply to all fields. In fact, some of the methods draw historically on some of the practices fruitfully used by Bacon, Newton, Leibnitz, Linnaeus, and many others in the sciences since.
While many students (especially undergraduates and graduate students) may eschew this sort of handbook as something they think they “already know”, I can assure you that they do not and will benefit from the advice contained therein, particularly the first half. I’ve often heartily recommended Sönke Ahrens’ book How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking to many in the past, but I think Allosso’s version, while similar in many respects, is clearer, shorter, and likely more easily realized by new practitioners.
There’s more detail in Dr. Allosso’s announcement video:
How to Make Notes and Write is available at Minnesota State’s Pressbooks site for reading online, or download as a .pdf or .epub. If you’d like a physical copy, they’re also available for purchase on Amazon.
For those in the educational spaces, Dr. Allosso has given the book a Creative Commons license (CC BY-NC-SA 4.0), so that people can use it as an Open Educational Resource (OER) in their classes and work.
For teachers who are using social annotation with tools like Hypothes.is in their classrooms, Allosso’s book is an excellent resource for what students can actively do with all those annotations once they’ve made them. (Here’s a link to my annotated copy of a recent working draft if you care to “play along”.)
† Unless of course your father happens to be Salvatore Allosso, but even then…
For those interested in more, as well as some intro videos, here are some of my digital notes: https://hypothes.is/users/chrisaldrich?q=sketchnotes
The platform has most of the basic functionalities one would want for a digital ZK:
The interesting piece is that if many are doing this in public, then folks can reply to others’ notes and even cross-link their public notes. (They’ve got the ability to have public and private notes, as well as groups for collaboration, which are functionalities most ZK don’t have as well.)
I was reminded of this potential off-label use case when someone replied to an older note with a quote/comment and it nudged me to add a note to link the two together. Who’s up for a public, social zettelkasten practice?
For those who need an example to look at, try my “digital ZK”: https://hypothes.is/users/chrisaldrich or their public timeline: https://hypothes.is/search.
I know some have mentioned Hypothes.is as an annotation tool for their note taking before. There are a few who use it as an online platform for notes and then they leverage the platform’s API or feeds to export their data to their tool of choice. (I’ve used Hypothes.idian for Obsidian to do just this.)
I’m thinking it may be an interesting experiment, particularly using it in combination with the Webmention plugin to get replies/responses for crosslinking with others’ ideas on the web. This could allow one not only to communicate with other their own slip box, but slip boxes to communicate with each other.
