Listened to Episode 5: Caring What You're Sharing by Dr Laurie SantosDr Laurie Santos from The Happiness Lab

Sharing a good experience with another human deepens our enjoyment of the moment... but only if we abide by certain rules. Dr Laurie Santos shows us how we often get 'sharing' wrong and explains how we can all derive more happiness from ice cream, sunsets and a night in front of the TV.

Maryellis Bunn’s website

Erica Boothby website

Museum of Ice Cream website

Alix Barash website

There is some interesting discussion about exploring and interacting with the world here both with and without a camera and/or digital phone or other device in one’s hand. 

The research and examples in this episode could be useful  for UX/UI  designers in the social media and IndieWeb spaces. The ideas presented here could help us in designing interactions on the web for people in a much happier and healthier fashion. I particularly likes the concept that a museum specifically redesigned some of it’s exhibits so as to be able to minimize the use of phones and increase the human-to-human interaction.

The questions of whether we’re posting content for ourselves or to share with others is an intriguing one. I tend to post for myself (and my memory via my commonplace book) first in almost all cases. When I’m taking photos or checking in, I almost always do it in a way so as to minimize as much as possible the distraction of doing so to others. It’s exceptionally rare that I spend the time and effort to get the “perfect” photo when I’m with others in public.

The discussion about the museum experience being designed for or against photography and the research relating to memories of the experiences reminds a lot of Matt Maldre’s recent experience with a museum security guard who urged patrons to get their phones out and take close up photos of artworks. [#] She obviously intuitively knew something that the rest of us could have only guessed at. Or perhaps she’s just been reading all the most cutting-edge research and putting it into practice in her own work?

This also reminds me I ought to call Dan Cohen and have a conversation about these sort of design concepts (and particularly those relating to Frances Yates and memory techniques) for his forthcoming library.

Read Fun synonyms for art museum guards by Matt Maldre (Spudart)
I’m brainstorming ways of describing art museum guards.  Art museum security guardArt protectorGallery attendantLaw enforcementMuseum access controlMuseum patrolMuseum protectorObserver of visitorsParcel inspectorPolicy enforcerPreventer of suspicious actionsPreventer of touchingProper propriety maintainerProperty guardProtection services officerSecuritySecurity officerVandalism deterrent My favorite might be the last one, Vandalism deterrent. It’s so true, but also feels so odd to describe that …
I like the idea of having a generator for tangential taxonomies for improving search. How could I build this into my website?
Read Fun security guards at art museums by Matt Maldre (Spudart)
Ever come across a fun or interesting security guard at an art museum? Here’s my encounter with a security guard at the Art Institute of Chicago sharing her love of tiny details of paintings, encouraging visitors to get closer to the artworks. After spending about ten minutes with a post-impressionist painting, over to the right …
I’ve always thought it would be kind of cool to be a museum security guard… Punking visitors might not have occurred to me, though this sounds so much more legit.

🎧 Crossing the Line | On the Media | WNYC Studios

Listened to Crossing the Line from On the Media | WNYC Studios

A secret government database of immigration reporters, new questions about the Obama Presidential Center, and the history of Plessy v. Ferguson

Mexican officials and U.S. Customs and Border Protection are using a secret database to target journalists and advocates at the southern border. This week, On the Media speaks with a reporter on the list who was detained for questioning by Mexican authorities. Plus, what the Obama Library’s unique arrangement with the National Archives means for the future of presidential history. And, the grotesque origins of segregation. 

1. Mari Payton [@MariNBCSD], reporter at NBC 7 in San Diego, and Kitra Cahana, freelance photojournalist, on the secret government database of immigration reporters and advocates. Listen.

2. Tim Naftali [@TimNaftali], historian at New York University and former director of the Nixon Presidential Library and Museum, and Louise Bernard, director of the museum at the Obama Presidential Center, on the Obama Foundation's decision to curate its own presidential museum. Listen.

3. Steve Luxenberg [@SLuxenberg], author of Separate, on the history of Plessy v. FergusonListen.