I very much enjoyed reading What Happened to Tagging, by Alexandra Samuel, so thanks to Aaron Davis for the link . I do think, however, that she is being entirely too negative about the state of play today. Aaron singled out one wistful quote, about the web we could have. I noted that the author cou...
Month: December 2019
Social media has become our new home. Can we build it better? Taking design cues from urban planners and social scientists, technologist Eli Pariser shows how the problems we're encountering on digital platforms aren't all that new -- and shares how, by following the model of thriving towns and cities, we can create trustworthy online communities.
I also loved the analogy of Facebook and 1970’s New York… I was sort of surprised at the audience applause at his comment, but this is such a heartwarming sign.
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Civic Signals started when we asked ourselves what healthy societies need from digital spaces — not just in terms of harms, but in terms of the public goods they provide. Over the last year, we have been engaging experts across a wide variety of disciplines and doing research to understand what makes “public-friendly” spaces, well, public-friendly — what common characteristics (civic signals) are shared by the spaces that valorize the collective, and that are designed for the greater public good.
We think this matters both because these ideas could inform the design of existing digital platforms, but also perhaps more importantly because they could help inspire and shape the new platforms that will rise up in the years to come.
Millions tuned into impeachment hearings this week — the first two of five already scheduled. On this week’s show, why shifts in public opinion may not necessarily sway the GOP. Plus, what we can learn from the predatory tactics that enriched Bill Gates.
1. Nicole Hemmer [@pastpunditry], author of Messengers of the Right: Conservative Media and the Transformation of American Politics, on the false premise underlying hope for President Trump's removal. Listen.
2. John Dean [@JohnWDean] former White House counsel, on the lessons he's applying from Watergate to the impeachment hearings for President Trump. Listen.
3. Former Labor Secretary Rob Reich [@RBReich] and Goliath author Matt Stoller [@matthewstoller] on how billionaires like Bill Gates use their power and wealth to force their vision on society. Listen.
It’s like the drug dealer who says you can get bribed or you can get a bullet. […] What you always see with monopolists who control an important platform: they use control of that platform to take control of markets that have to live on that platform.
— Matt Stoller, a Fellow at the Open Markets Institute, in On the Media: Designed to Intimidate [November 15, 2019]
Previously, Stoller was a Senior Policy Advisor and Budget Analyst to the Senate Budget Committee and also worked in the US House of Representatives on financial services policy, including Dodd-Frank, the Federal Reserve, and the foreclosure crisis.
Facebook values you at around $158.[1]
Facebook profits off of its 1.4 billion daily users in a big way: According to its most recent filings with the Securities and Exchange Commission, the average revenue per user in 2017 was $20.21 ($6.18 in the fourth quarter alone). Users in the U.S. and Canada were worth even more because of how big the markets are.
—Money.com in March 2018
Now that you know what you and your data are worth, why not invest in yourself instead?
For about $5 a month or $60 a year, you can pay for an account on micro.blog and have a full suite of IndieWeb tools at your disposal. It’s simple, beautiful, but most importantly it gives you control of your own data and an open and independent presence on the entire web instead of a poor simulacrum of it walled away from everyone else. Of course there are other options available as well, just ask how you can get started.
The Drupal IndieWeb module now supports contacts so clients like Indigenous can query the micropub contact endpoint and use those as suggestions when creating posts! // cc @dshanske @jackyalcine @aaronpk @dries pic.twitter.com/5SUMmAJZEp
— Kristof De Jaeger (@swentel) December 4, 2019
The final heartbeats of our beloved www.
What is the world of the open web like, beyond the walls of dominant social media platforms? How do our experiences of the internet differ depending on where we spend our time and share our ideas? Come with us on a journey to explore the landscape of the web and get to know the people and possibilities of open source, the open web, and open opportunities.
“The technology industry, like all industries, follows cycles, and the pendulum is swinging back to the broad, empowering philosophies that underpinned the early social web. But we’re going to face a big challenge with re-educating a billion people about what the web means.”
—Anil Dash, The Web We Lost
Я очень рад, ведь я, наконец, возвращаюсь домой.
Оригинальный клип.
Исполняет Эдуард Хиль.
WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture.
You really have a feeling that here is a building that looks fantastically beautiful, and it’s got its whole façade simply blown off by this war.
-Philipp Blom
World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more.
WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture.
Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky
This is a fantastic piece that makes me want to subscribe to more of Fishko’s work.
