First Time Typewriter Purchases with Specific Recommendations for Writers

I regularly see writers (or their friends or significant others considering buying them presents) interested in purchasing their first typewriter as a (distraction-free) writing tool. Naturally, unless they grew up with them or have other direct experience, the primary questions are: how much are they?, which ones are the better professional tools?, and where can they get them?

Having written up some suggestions in the past as well as a bit about the state of the current typewriter market, I thought I’d put the two together for future queries as the broad advice doesn’t change very much. This article might also be generally useful for anyone considering their first typewriter, or even getting into typewriter collecting in general. 

This won’t cover any of the electric typebar typewriters or the later wedge typewriters, thermal typewriters, or electronic word processors which are similar, but potentially different beasts and markets.

In the Typewriter Market Condition is King

When it comes to manual typewriters, condition is king and a big determinant of the overall price. Sadly this fact is wholly unknown by the vast majority of people selling the typewriter they found in grandma’s attic. Knowing this fact will arm you for a much better purchasing experience as well as when it comes down to actually using them.

Sure there are a small handful of very popular portable typewriters like the Hermes 3000 or the Olympia SM3 which can go for a few hundred dollars even in bad condition, but for the most part a reasonably solid typewriter can be had for $10-75.

Too many people will also use the useless word “rare” to describe their typewriter for sale. This really only applies to some of the earliest typewriters from before 1920 which broadly aren’t as available now. Almost everything made from the 1930s on was mass produced in the hundreds of thousands or even millions, so applying the word rare is silly. Some colors or typefaces may be uncommon, but they are not rare and it usually doesn’t take too long to find multiple versions of the same thing for sale. None of the recommendations suggested here would ever be considered rare or even uncommon by any standard.

Balance of Budget, Time, and Facility with Cleaning machines

Your first typewriter is sure to be the balance of several variables including your particular budget, the amount of time you want to invest finding and then potentially fixing up your machine, and the facility you may have (or not) for cleaning and potentially repairing your typewriter yourself. Self-repair is certainly doable and there are significant resources for helping out the novice, but it does take some time, patience, and a few tools.

Budget Range

I’ll split the typewriter space up into the budget ranges based on what the buyer may have for potentially spending on a typewriter. This is NOT a split of historical budget ranges indicating the quality of the typewriters themselves. For example, in its day, an Olympia SG3 would have been at the higher end of the typewriter market while the highly mass produced Brother JP-1 typewriters would have been considered budget models by comparison. Today, with careful shopping, you could foreseeably purchase both in equivalent condition for the same $25, though to the user, the Olympia SG3 will obviously be more performant particularly for longer typing sessions.

Low budget  is $10-75. For this range, one can get a typewriter that is generally functional, but which assuredly needs to be cleaned, properly lubricated, and possibly adjusted. (Remember: lesser condition usually means lower price.) To stay within this range, you’re going to need to be both willing and able to do some basic cleaning and potentially minor repairs yourself. 

This isn’t to say that you wouldn’t stumble across a near mint Olympia SM3 that you can pick up at a yard sale for $15 and it needs no work at all, but it won’t be an every day occurrence. You’ll likely need to invest some reasonable time in searching for such a thing.

Medium budget might be $76-349. In this range you should be able to acquire a reasonable machine which you might then take to a local repair shop to get a reasonable servicing and repair or adjust any issues your “new-to-you” typewriter may have. This range should cover the cost of the machine as well as the servicing in most cases. Most repair shops charge in the $40-75/hour range and can do some miracles in just a few hours.

High budget is generally in the $350-600 range and for this amount you should be receiving a vintage machine in good to excellent cosmetic condition which has been thoroughly cleaned, oiled, and adjusted. It should function as well as it possibly can for regular daily use.

It’s quite likely that you’ll currently find some solid value in this range as some repair shops will be selling machines like the Hermes 3000 in excellent shape while online auctions for them in dreadful shape are almost as expensive.

Beyond the high range, you’re going to be looking at more exotic machines which are much less common, which have had higher levels of restoration work (usually all the rubber replaced and the platens recovered), or which have less common typefaces (script, Vogue, Techno, Gothic, etc.). As this tends to be more rarified space of collectors or those with very specific tastes, I won’t delve deeper here.

Typewriter Recommendations

In another article, I’ve gone deeper into the difference between standard typewriters, portable typewriters, and ultraportable typewriters. In this section, I’ll focus primarily on recommendations for writers who are looking for one (or maybe two) high quality typewriters for regular (daily or weekly) and heavy (several hours a day) use. This means these machines will tend toward the higher end of quality and manufacturing in the middle of the 20th century at the peak of typewriter engineering and manufacturing from the 1930s into the 1970s.

While some of these recommendations may be useful to collectors, there is such a much wider space of collectible typewriters and reasons for collecting them, that such an analysis is a much bigger topic. For those just dipping their feet into the world of collecting, I’ll recommend Richard Polt’s excellent book The Typewriter Revolution (Countryman Press, 2015).

Standard Typewriters

If you’re a serious writer, you’re sure to find a smoother and better experience with a standard typewriter, but they’re slightly larger and heavier (~30 pounds vs. ~15-22 pounds) than the portables. The benefit is that they almost always have the broadest range of features that a writer will ever need. These are usually the ones I recommend if you’re typing for several hours on end and have a dedicated space for your writing. Standards aren’t as popular with most collectors, so they also tend to be less expensive as a general rule.

I personally really love my fully restored Royal KMG, Royal HH, and Royal FP, as well as my Olympia SG3, my Remington Standard, Remington Super-Riter, and Remington 17 which are all rock solid writing machines. I’m still on the hunt for an Olympia SG1, which many collectors consider to be one of the best typewriters ever manufactured.

Here are some of the other more common standards for serious writers to consider by a knowledgeable restorer:

Portable Typewriters

I’d generally endorse most of the advice on the lighter, portable models you’ll find in the following resources. They are geared specifically toward writers, and all three have lots experience and reasonable bona fides to make such recommendations.

In this space, you may want to take some care for the particular models you consider as not all of them will have features like a tabulator (tab stops) to make indenting text easier, especially if you’re a screenwriter or playwright who needs this sort of functionality every few lines. (A tab button on the keyboard is a solid enough indicator that a machine has this functionality.)

Among the most commonly recommended portable typewriters are the Olympia SM2, SM3, and SM4 (all very similar, but slightly different in their tabulator functionality or lack thereof in the case of the SM2), Hermes 3000, Olympia SM7, Olympia SM9, the Smith-Corona Super and Smith-Corona Silent Super (5 Series machines), the Adler Tippa and Tippa S, the Royal Quiet De Luxe, and the Remington Quiet-Riter.

Ultraportable typewriters

While these can be interesting and pretty as well as easy to carry, most serious writers are not going to love typing on them for extended periods. They might be a nice secondary machine for traveling around and getting something done, but I wouldn’t recommend one as a first or second machine for most writers.

Typewriters you assuredly don’t want

Many newcomers will ask if a particular typewriter is a “bad” one or is generally known to have problems (aka a “lemon”).  This is usually folly as most typewriters built into the 1980s were generally solid and not just meant to last, but were built to be repaired. Naturally the ones built of steel in the 50s-60s will be the most sturdy and the aesthetics will vary dramatically over the decades.

The one major caveat you’ll hear from almost any typewriter enthusiast and collector is to warn people against purchasing one of the brand new Shanghai Weilv Mechanism Company typewriters which variously go under the names: Rover, the Royal Epoch, We R Memory Keepers, Royal Classic, Maplefield, and The Oliver Typewriter Company. I’ve written about these manual typewriters elsewhere and included some reviews and things to know about and be wary of if you’re planning on buying something new instead of something either vintage or antique (over 100 years old). Professional writers will abhor these machines.

Where to buy a typewriter?

Repair shops

Your very best bet for a first typewriter (and even subsequent ones) is to go to a repair shop that also sells machines. Doing this will give you the chance to put your hands on them, try them out, ask lots of questions, then buy your favorite from a variety of machines. Your shopping time is worth money and productivity, so buy something you like out of the gate and you’ll save a lot in the long run. You’ll probably be happier and better off in the long run with something in the $200-600 range serviced from a repair shop. It will also give you something you can start using right away to get work done rather than faffing about with cleaning or potential small repairs, which can take up valuable time for the new and uninitiated.

Here, Richard Polt has done some excellent work at aggregating a huge number of  typewriter repair shops arranged by country and location

Online Shops

There are a variety of online shops, many associated with repair shops, as well as individual sellers and antique stores that sell typewriters on independent websites. These can be particularly good as they’ll often have a level of expertise and experience in cleaning, repairing, restoring, and shipping typewriters. 

I personally don’t have direct experience with any that I would specifically recommend, but they’re definitely out there and are usually marked by providing an abundance of photos and useful information about their wares.

Online Auctions and Sales Sites

An important caveat: The vast majority of sellers in the typewriter market with machines in the $40-300 range have exactly as much knowledge about them as you probably do (which for the non-collector/non-repair shop audience is to say little to none), so be incredibly wary of accepting claims that “it works” or “it just needs a new ribbon” without video and photographic proof. Most are pricing their less-than-stellar typewriters based on the higher prices repair shops are selling their best serviced machines for. Don’t fall victim to this ubiquitous ruse because the seller doesn’t know better.

In this segment of the market you’ll find a huge range of potential sellers from some incredibly professional typewriter repair and restoration specialists who deal primarily online to clearing house thrift stores all the way down to typewriter flippers (those who buy a dusty, half-functioning typewriter at a yard sale for $5 and then list it on Etsy for a 1000% markup without doing any additional work) who use AI to write flashy, nostalgic descriptions of typewriters that bear no resemblance of the particular machine they’re selling and then to your neighborhood gadfly trying to sell grandma’s vintage 1950’s Smith-Corona Silent as a $3,000 antique because he “knows what he’s got” yet somehow misstates the date of manufacture as well as the model. (And if you happen to be reading this Marvin, no typewriter on the planet has the serial number H123456L, that’s the setting indicator for the touch control functionality.)

This means you might spend some time checking out how specialized the particular seller is in typewriters by looking at their past sales. Do they only sell typewriters, do they sell lots of things, or are they new accounts with only one item?  The best ones will have lots of good photos of machines and cases from a variety of angles including close ups of the typeslugs, typesamples of the machine’s output, and even video of the machine in use. Serious typewriter sales people will list the serial numbers and the dates of manufacture, though many less serious sellers and “typewriter flippers” will have posted their machines to an online forum to crowdsource this information which they wouldn’t otherwise have.

This segment most deserves the warning: caveat emptor (buyer beware). If someone is selling a $500 machine that “works” without any proof and who says it “just needs new ribbon” (a simple purchase of $10 or less) hopefully shouldn’t be fooling anyone but themselves, yet I know it happens.

Facebook Marketplace is almost always local individuals, but can also include some pro shops from time to time. Prices can often be 2-3x what they ought to be, but you can visit machines in person, try them out, and negotiate things down based on the actual condition.

Craigslist.com is a reasonable space and often very much like Facebook Marketplace with a poorer UI.

eBay is an online auction space where some very professional repair people auction off their work along with thrift stores, antique stores, and the general public. It requires a bit of due diligence to suss out what’s being offered and the condition, but usually doesn’t allow the ability to actually test out the machine and see the exact condition first hand. There is a bit of protection if the shipped product doesn’t live up to the hype. Be careful of inexpensive “buy now” listings with exorbitant shipping prices in the $100+ range.

Etsy can have some excellent listings from a range of sellers, but it also tends toward the more expensive pricing end of the spectrum for what you end up receiving. Again, you can’t try before you buy here.

Offerup is a broad platform similar to Marketplace and Craigslist with some reasonable listings. Sadly some of the listings can be old and out of date or the seller is no longer paying attention to their account.

ShopGoodwill.com is a platform run by Goodwill that usually has a wide variety of dozens of machines every day from across the country. In addition to not being able to try before you buy, it can be very hit or miss to attempt to judge a machine’s condition solely on just a few photos. The level of expertise on typewriters is generally abysmally low here, so the level of detail about the machines for the non-expert is equally low and the packaging and shipment can be a problem in 10-20% of orders. This being said, one can get some excellent deals on standards on a regular basis in the $10-30 range and portables in the $30-60 range, particularly if you purchase from a local Goodwill that will allow the arrangement of an in-person pick up. This gets around $20-50 shipping fees and the potentiality of damage in shipping. Some of the higher end portables like the Olympia SM3 will go for $120 in unknown condition while the Hermes 3000 can go for $250 or more. At these rates, you’re far more likely to get better value by buying at a local repair shop.

Surely there are many other online options not listed here. I’m sure people will mention a few with caveats and reviews in the comments.

Yard Sales & Estate Sales

You can find some really great machines at yard sales and estate sales, but the trade off is the time and effort you need to invest in searching for them, particularly if you have an idea of something specific you’re looking for. Here you’re trading the cheapness of a working $10-20 machine for a lot of searching time. Naturally this option probably isn’t the best one to take if you’re getting a typewriter as a gift for someone’s birthday this weekend. You’ll want to plan ahead and give yourself several weeks or months to hunt around for the right thing.

Sometimes sellers will think their machines are more valuable, but usually the $50-100+ machines can be negotiated down to a more reasonable $5-25 range. Usually if it’s out, it’s something they want to sell or get rid of.

With this route you can also directly put your hands on machines and at least test things out pretty thoroughly before committing to buying. If something is dirty or broken, you’ll see that pretty quickly compared to attempting to buy something poorly listed online. Be sure to bring your own paper and maybe even ribbon for testing if this is what you’re shopping for.

Thrift Stores and Antique Stores

These can be a great source for inexpensive and functional machines. Depending on the outlet, Antique stores will have a somewhat larger markup and won’t negotiate down as much as they ought to. 

Type-ins

While in person type-ins aren’t terribly frequent, they can be great places to meet other typewriter afficionados and get the chance to try out others’ machines to see what sort of typewriter feels best to you. It’s not uncommon for participants to buy, sell, and trade typewriters at these events.

Typewriter Service

Beyond the basic regular maintenance of keeping dust out of your machine and occasionally changing your ribbon, you may require the service of a professional shop for your initial purchase. This can be a relatively quick and inexpensive way to bring a machine up to fighting shape after decades of dusty disuse. It also does a lot more to support the broader art and craft of repair and the typewriter community.

If you’re handy and have even a bit of a mechanical bent, you can take advantage of a wide variety of online repair manuals [1][2] and cleaning advice, repair resources and advice including a huge number of YouTube tutorials for almost every typewriter out there. Doing this can be incredibly cost effective, but it always helps to have a relationship with your local shop for potential repair parts or maybe even a loaner if you need one.

Close up of a naked 1952 Royal Quiet De Luxe typewriter seen from an oblique view.

Other Inspiration and Information

If you’ve got a favorite 20th century author of which you’re enamored and can’t make up your mind about a particular machine, perhaps you might consider a similar typewriter make and model to the one that person wrote with? Richard Polt keeps a long list of writers, authors, and poets along with the typewriters they were historically known to have used along with photographs. 

If nothing else, it can also be inspiring as writer (or if you’re giving it as a gift) for the new typewriter’s owner to have an idea of other writers who have used that machine in the past. 

As an example, I find it inspiring that the Royal KMG I use regularly was manufactured from 1949-1952, and was known to have also been used by writers including Saul Bellow, Edward Abbey, Joan Didion, Elia Kazan, Arthur Miller, Mister Rogers, Rod Sterling, Carl Reiner, Grace Metalious, Wallace Stenger, John Ashbery, and George Sheehan. 

Most typewriters aren’t sold with their original manuals, and if this is your case, then you might try checking out Dr. Polt’s site to see if yours is available

Beyond this, Just My Typewriter has a few short videos that’ll give you a crash course on Typewriter 101. This includes some short videos on buying them (what to check for), using them, and even cleaning them. I’ve also compiled a list of some period typewriter usage and typewriter maintenance films to level up your typewriter “game”.

A Note about Shipping Typewriters

For the first time buyer, particularly with time constraints, it may seem like shipping a great looking machine is an excellent idea for the pittance of $20-40. Poor packaging of typewriters by untrained or ill-educated online shops is one of the leading deaths of typewriters. Even reasonably well packed machines can be dramatically damaged in shipment, so unless you’re purchasing from a shop that has lots of experience in shipping typewriters, save the money and hassle and buy something locally that you can pick up.

If you want to go deeper into the world of typewriters, collecting, using, repairing or even talking about them, I keep a list of useful typewriter resources.

Questions?

Hopefully this has been a reasonably thorough precis of all the things I wish I had known before buying my first typewriter and encapsulates a lot of basic typewriter knowledge I’ve accumulated throughout the first fifty machines spanning my typewriter collection. If you have additional questions, feel free to ask below.

In the meanwhile, just jump in and start looking around. Good luck and happy hunting!

The Typewriter You Probably Don’t Want to Buy

Caveat Emptor

One of the biggest of the very few companies still manufacturing typewriters in the new millennium is the Shanghai Weilv Mechanism Company.  Sadly, for the hobbyist space looking to get into typewriters, while these are easy to find online, they are notorious for dreadful quality control, lots of plastic, and poor type  alignment. As a result, they make a terrible investment compared to the far more robust vintage and antique typewriters which were manufactured from the late 1800s into the 1980s.

If you know nothing about typewriters, but are looking to purchase one (either for occasional/regular typing or even as a display piece), I couldn’t recommend them given the fact that there are so many far better machines in the secondary market which are more robust and will last for centuries compared to these poor, plastic machines.

Prior to purchase, you should be aware that many reputable typewriter repair shops will often refuse to work on or repair them, and most probably wouldn’t even accept them as donations to be parts machines. Most collectors and typewriter enthusiasts I’ve encountered will almost universally recommend against purchasing these.

Will Davis has determined that they’re based on the Olympia Carina design.

Shanghai Weilv Mechanism Company has licensed the names of some older manufacturers and are making typewriters variously rebadged and sold under the following names:  

Generally, the internals of all these machines are identical with the biggest differences being the external shell styling and the colors in which they’re offered. Typically they sell in the range of $200-300 and given the ubiquity of the number $259, I would guess this is the manufacturer’s suggested retail price.

Reviews

In case you don’t want to trust my individual opinion recommending against these, you might appreciate some specific reviews from others: 

Dr. Richard Polt, long time typewriter collector, former editor of ETCetera, the Journal of the Typewriter Collector’s Association, maintainer of The Classic Typewriter Page, and author of The Typewriter Revolution (Countryman Press, 2015): Typewriter review: Royal Epoch

Lucas Dul, a typewriter repairman from Typewriter Chicago, reviewed a 2023 Rover:

I’ve also collected some links which talk about some of the models: 

If you really must…

Hopefully some of the data here has helped your decision for a well-informed purchase. You might notice that in online reviews, most of the people who purchase these machines and give them high marks seem to value them as decor and for their aesthetic. While this may be great, you could still get older vintage machines in a broader variety of looks for a fraction of the price.

Naturally, some will still want to buy one or more of these machines anyway. If you must do it, I would recommend that you can find gently used versions of these machines, often in their original boxes, at auction sites like ShopGoodwill.com for $5-15 several times a week. 

Vintage Typewriters Take Center Stage at Type-In Celebration in Pasadena

Read Vintage Typewriters Take Center Stage at Type-In Celebration in Pasadena by John Boucher (ColoradoBoulevard.net)
A nostalgic celebration of analog creativity brought together writers, artists, and creatives from all walks of life Saturday, May 10, at Vroman’s Bookstore in Pasadena.
The local newspaper covered our recent type-in at Vroman’s Bookstore.  I hear that we made the cover of the monthly print edition.

Typewriter Use and Typewriter Maintenance for Beginning to Intermediate Typists

Two common questions I hear from those just starting out into the typewriter space are frequently about the basics:

  • How do I use a typewriter?
  • How to take care of typewriters or do basic maintenance?

Naturally there is a ton of colloquial advice you’ll receive on these topics from social media and YouTube, but it’s uneven and not very complete.  If you’ve just bought your first typewriter, you’re looking for a quick crash course in how to do the basics so you can start punching the keys, but still take care of your machine. With any luck, the resources on this page will get you up and running with your typewriter in no time at all. 

Editor’s note: In an upcoming article, I’ll cover the basics for how to find/purchase and install typewriter ribbon in a variety of machines. In the erstwhile, know that Tom Hanks can teach you the basics or you can search YouTube for your make and/or model to see how others have done this or consult the manual for your machine if it’s available.

At the start of World War II, typewriter manufacturers quit making them to focus on war efforts as well as to save precious steel for the war.  As a fortunate result of this, being able to use and maintain them became a way to show one’s patriotism for the general effort and the United States Navy was there to help. Thus the Navy made several short films about the basics of typewriter use and maintenance. Though made in 1942 and 1943, these films cover a lot of the basics incredibly well and even extend to later typewriters made into the 1980s, so some of the best advice can be quickly found and consumed in under an hour.

Lots of this advice could or would have been learned in a high school or college-based typing class or in secretarial schools from the mid-century onwards. Sadly a lot of it is now missing from basic keyboarding courses which place all of their focus and practice on touch typing. 

Below, I’ve compiled may of the most useful films I could find online for the basics of typing, typing methods, typing techniques and even some advanced methods when using manual typewriters. It’s likely that even the most advanced typists will be shocked and amazed by these films and learn something from watching them.

United States Navy Training Films

Basic Typing

Basic Typing: Methods. Vol. MN-1512a. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=ztyzGit1dTI.

Basic Typing: Machine Operation. Vol. MN-1512b. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=b-REJEArnjE.

Advanced Typing

Advanced Typing: Shortcuts. Vol. MN-1512c. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=JUJfCfqgsX0.

Advanced Typing: Duplicating and Manuscript. Vol. MN-1512d. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=7ve5JnTUzvo.

Typewriter Maintenance

Maintenance Of Office Machines. Vol. MN-1513. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=ocdxgkxKAKo.

Miscellaneous Training Films

Beyond these examples, several manufacturers and entities made instructional and industrial films and even sales films covering some typewriter basics over the years.  Some may be machine specific, but their advice is applicable not only to those machines, but a broad array of many others which are all incredibly similar with respect to functionality. For machines that differ from the norm, you can often compare your particular machine and its manual to various others which are available online.  

Content warning: Some of these films from the mid-century have outdated gender roles.

Elementary Typing. 16 mm, Instructional film. Moreland-Latchford Productions, Ltd.; Periscope Film, , 1968. https://www.youtube.com/watch?v=7cdyoPu_ASw.

The Secretary: Transcribing. 16 mm, Instructional film. Coronet Instructional Films, 1955. https://www.youtube.com/watch?v=L7wAJki9ec4.

The Secretary: Transcribing (Second Edition). 16 mm, Instructional film. Coronet Instructional Films, 1966. https://www.youtube.com/watch?v=4rYHNg3pM34.

Correcting Bad Typing Habits with the Smith-Corona Electric Typewriter. 16 mm, Industrial film. Periscope Film, c. 1952. https://www.youtube.com/watch?v=9mQszbUhE30.

Typing Skills: Fields of Typing. 16 mm, Instructional film. Periscope Film, 1972. https://www.youtube.com/watch?v=LvF0atKsggY.

Office Etiquette. 16 mm, Industrial. EBF Human Relations Film produced by Encyclopedia Britannica Films Inc. in collaboration with Hamden L. Forkner, Ph.D., Teachers College, Columbia University, 1950. https://www.youtube.com/watch?v=SLF1STKnBTU.  

Successful Secretary Presented by Royal Office Typewriters. A Thomas Craven Film Corporation Production, 1966. https://www.youtube.com/watch?v=If5b2FiDaLk.

Additional Basics

Of course if you need some additional basics, which aren’t included in some of these, you should know:

Early typewriters conserving on the number of keys and what they were able to type relied on the operator knowing that different characters could be double purposed or superimposed to create new characters. These included:

  • Using either the lower case “L” key or, less frequently for custom typefaces, the “I” key to type the number “1” which was often excluded from the keyboard.
  • To make an exclamation point, you would type period “.” followed by a backspace and then an apostrophe ” ‘ “. 

Editor’s Note: This is one of a continuing series of articles on typewriters and their use in 19th and 20 century settings. You can find additional information on that page.

Why Another Typewriter?

Recently Paulo philosophically asked me, a typewriter collector, “Why another typewriter? I haven’t been able to find an answer yet.” (My attempt at a translation/synopsis from his Portuguese.)

In addition to answers from the collector’s perspective, bonus points for answers that are also directed to answering this question which comes from your significant other who doesn’t understand your obsession. (I’m also posing this on the day that I’ve sadly chosen for family sanity to move 20 machines from the house out of immediate sight into the garage. 😔)

A wire shelving unit on wheels with a variety of 20 typewriters on it. There are four standards and a variety of other portables in a panoply of cases. It sits in a driveway in front of a cinderblock wall.

Restored 1951 Remington Super-Riter Standard Typewriter

Earlier this week I started stripping down my recently acquired 1951 Remington Super-Riter typewriter. The machine’s serial number puts it into the 15th month of production of the Super-Riter which replaced the storied Remington 17 and the Remington KMC.

Features of the Remington Super-Riter

A nearby manual for the Super-Riter can be found in the one Richard Polt lists as a Super-Riter, but which seems to be for the slightly later Remington Standard.

This machine, which weighs in at a solid 33.7 pounds, provides a similar Keyboard Margin Control (KMC) functionality which it’s predecessor the Remington KMC did. This allows one to very quickly and easily set the margins by holding down the key and moving the carriage. I find it to be wonderfully ingenious and much more robust than Royal’s Magic Margins similar feature which is much easier to accidentally activate and subsequently mess up your carefully set margins.

The keyboard also features a key return button (marked KR) which allows one to quickly clear key jams by pressing a button. This helps prevent one from getting inky fingers otherwise caused by pressing the jammed keys back down by hand, an action which also requires taking one’s hands off the keyboard to effectuate.

This model has a relatively standard American keyboard with 42 keys and 84 characters. It has a tabulator with a keyboard-based tab button at the top flanked by tab set and tab clear buttons.

While they look like doubleshot plastic, the keys are done in two molded plastic pieces which are friction fit together.  The keys are also friction fit onto the key levers so they’re (relatively) easy to remove for cleaning.

The platen is easily removeable and potentially replaceable by pulling a small lever on the front of each side of the typewriter. 

Different from many typewriters of this era, the side plates for the carriage are friction fit onto the machine utilizing a pip on the front and two on the back. A thin screwdriver wedged into the back will loosen them and allow their removal. Once these are taken off, the paper table lifts off easily. (Apparently someone was unaware of this on this particular typewriter and an incredibly thin piece of the metal holding the paper table on was shorn off. Hopefully this note will save future paper tables from damage.)

Restoration

Surprisingly all the panels of the body are removable from the chassis with just ten screws (and the removal of the knob on the ribbon reversal). The paint and finish of the typewriter were in dreadful condition and cleaning with some Simple Green and a soft bristled brush followed by a wipe-down with WD-40 have done some wonders, but it still leaves much to be desired. There are some drips of red paint and more than a fair share of chips and wear. On the positive side, the decals are in great condition. Because all the body is easily removeable, I’m very tempted to use this as a candidate for either stripping and repainting or potentially a plating process (nickel seems fun here perhaps).

This is my second Remington standard with the Fold-A-Matic feature, which again, made cleaning out and making adjustments of the interior much simpler. A prior servicing had sprayed oil everywhere inside the majority of the typewriter which had long since hardened and gummed up with dust. With the use of some mineral spirits, a toothbrush, a brass bristle brush, and the air compressor the interior is about as clean as it can be without completely disassembling the entire machine and hand polishing everything.

The rubber on most of this machine is in acceptable condition. The feet are excellent for their age and still have some grip that prevent it from walking across a desk. The rollers are still round and have grip. The platen is great for it’s age, but will certainly see recovering once the exterior is stripped and restored.

One set of pieces which didn’t survive as well are the brass grommets and rubber gaskets which are used to hold the side and rear panels onto the machine. I can easily clean up the brass portions, but the rubber will require complete replacement. In the meanwhile the machine is functional without them, but it will help to give the panels more stability and reduce small vibrations.

You’ll find a “naked” photo of the typewriter during restoration here.

Ribbon and Typeface

I’ve replaced the old, dried out ribbon with 1/2 inch blue and green bichrome from Fine Line. The typeface, based on the 1964 NOMDA Blue Book, seems to be Remington’s 534-10 pitch.

Typeface sample of Remington 534-10 pitch on a Remington Super-Riter

Photos

Angle down onto the front of a 1951 Remington Super-Riter standard typewriter

View down onto the dark green keys of a 1951 Remington Super-Riter standard typewriter. The letters appear double shot in light green plastic.

Close up angle on the hood and carriage of a 1951 Remington Super-Riter standard typewriter

Table level view of the front of a 1951 Remington Super-Riter typewriter. There's a silver Remington badge on the front of the hood.

Left side profile view of a 1951 Remington Super-Riter standard typewriter sitting on a lazy susan. The greenish-brown crinkle paint is worn but has been shined up a bit.

Close up of the Remington metal-esque logo on the hood of a 1951 Remington Super-Riter standard typewriter

Left front corner table level view of a 1951 Remington Super-Riter standard typewriter. The side of the keyboard section has a heavy used patina.

The broad expansive and massive looking rear of a 1951 Remington Super-Riter standard typewriter

Right profile table-level view of 1951 Remington Super-Riter standard typewriter

Close up from the right side of the right side of the carriage of a 1951 Remington Super-Riter standard typewriter

Seen from behind, this is a view down into the wide opening of a typebasket of a 1951 Remington Super-Riter standard typewriter. We see all the typebars and the slugs. Two brown crinkle painted wings extend from the sides of the typewriter to help cut down on dust into the machine. At the front of the photo we see the shiny silver typing point right next to the platen.

Angled view of the left side of the carriage on a 1951 Remington Super-Riter standard typewriter. We see the green plastic platen knob and silver variable platen button on it.

Close up view of the hood and typing point of a 1951 Remington Super-Riter standard typewriter

Close up view of the mechanics on the right side of the carriage and platen of a 1951 Remington Super-Riter standard typewriter

Left side angel on the bulbous shape of a 1951 Remington Super-Riter standard typewriter. It sits on a wooden lazy Susan on a wooden table with a bee themed table runner. In the background are several bookcases full of books.

The Rules for Typewriter Club

Typed page with the first portion of THE RULES OF TYPEWRITER CLUB The first rule of Typewriter Club is do not oil the segment. The second rule of Typewriter Club is DO NOT OIL THE SEGMENT. Do not ask the value of a typewriter. They are invaluable. The only rare typewriter is an unloved typewriter. Always talk about Typewriter Club. Every chance you get. To family, friends, acquaintances, complete strangers... If you're new to Typewriter Club, you have to type. Any reason is a good reason to buy and use a typewriter. If you have only one typewriter, you must refer to it as "my FIRST" typewriter. More than one machine is allowed to be your "favorite". The last typewriter you bought is the greatest one. Until the next one. Never leave a typewriter outside, in a barn, or in a damp basement to rust. Typewriters are to type with. While they can be used as mood setting decor, they are meant to be used. Always leave a typewriter in better condition than you found it. "The hardest part of typewriter repair is believing you can do it. Everything else is just instructions plus a careful, thoughtful hand. "---Rt. Rev. Munk A typewriter is not broken unless it is clean and broken. We form things; we do not "bend" them. Parts of a typewriter should only be removed permanently in order to repair another typewriter. If you see a typewriter, you should take photos and upload the details to the typewriterdatabase.com for other typewriter lovers. The only acceptable way to dispose of a typewriter is to find it a new home. The only exception is in dire circumstances in times of war when one should follow the guidance of the Underwood manual and "Smash typewriters and components with a sledge or other heavy instrument; burn with kerosene, gasoline, fuel oil, flame thrower, or incendiary bomb; detonate with firearms, grenades, TNT, or other explosives." If anyone asks you about your typewriter, you must spend at least five minutes talking to them about it.

Typed page with the second portion of THE RULES OF TYPEWRITER CLUB that reads Blessed are those who give typewriters to children for theirs is the Kingdom of Heaven. Trustworthy and legitimate typewriter sellers never use the phrases "it works" or "it just needs a new ribbon." Remember that typewriters are dangerous. They can be used for samizdat. As Woody Guthrie knew: "This machine kills fascists." The typewriterdatabase.com does not list every single serial number---just ranges of numbers and years in which they were made. You are responsible for reading the charts and for figuring out which year your serial number fits into. Keychoppers shall have the extremities they used to chop keys chopped off. "In death, they have a name." Lenore Fenton. Lenore Fenton. Lenore Fenton!

 

The first rule of Typewriter club is do not oil the segment.

The second rule of Typewriter club is DO NOT OIL THE SEGMENT.

Do not ask the value of a typewriter. They are all invaluable.

The only rare typewriter is a an unloved typewriter.

Always talk about typewriter club. Every chance you get. To family, friends, acquaintances, complete strangers…

If you’re new to typewriter club, you have to type.

Any reason is a good reason to buy and use a typewriter.

If you have only one typewriter, you must refer to it as “my FIRST typewriter”.

More than one machine is allowed to be your “favorite”.

The last typewriter you bought is the greatest one. Until the next one.

Never leave a typewriter outside, in a barn, or in a damp basement to rust.

Typewriters are to type with. While they can be used as mood-setting decor, they are meant to be used.

Always leave a typewriter in better condition than you found it.

“The hardest part of typewriter repair is believing you can do it. Everything else is just instructions plus a careful, thoughtful hand.” —Rt. Rev. Theodore Munk

A typewriter is not broken unless it is clean and broken.

We form things; we do not “bend” them.

Parts of a typewriter should only be removed permanently in order to repair another typewriter.

If you see a typewriter, you should take photos and upload the details to the Typewriter Database for other typewriter lovers.

The only acceptable way to dispose of a typewriter is to find it a new home. The only exception is in dire circumstances in time of war when one should follow the guidance of the Underwood manual and “Smash typewriters and components with a sledge or other heavy instrument; burn with kerosene, gasoline, fuel oil, flame thrower, or incendiary bomb; detonate with firearms, grenades, TNT, or other explosives.”

If anyone asks you about your typewriter, you must spend at least five minutes talking to them about it.

Blessed are those who give typewriters to children for theirs is the Kingdom of Heaven.

Trustworthy and legitimate typewriter sellers never use the phrases “it works” or “it just needs a new ribbon.”

Remember that typewriters are dangerous. They can be used for samizdat. As Woody Guthrie knew: “This machine kills fascists.”

The Typewriter Database does not list every single serial number, just ranges of numbers and years in which they were made. You are responsible for reading the charts and for figuring out which year your serial number fits into.

Keychoppers shall have the extremities they used to chop keys chopped off.

“In death, they have a name.” Lenore Fenton. Lenore Fenton. Lenore Fenton!


Special thanks to the Typewriter Club friends at r/typewriters.

Acquired Steel Desk Drawer Paper Organizer (Hunt Manufacturing Co. (Fresno, CA), Lit-Ning Products Division)
Six slots for organizing your typing papers and envelopes as well as space for your stapler, tape dispenser, and various other desk drawer implements.
In an effort to slowly improve my analog office proficiency and productivity, I have heeded Lenore Fenton’s advice to have all my supplies organized at my fingertips. Toward that end I’ve picked up this excellent paper organizer for the top desk drawer of my executive tanker desk. This mid-century marvel is perfect for storing a variety of paper types and envelopes to have them easily to hand.  (For ease of viewing and use, you’ll see photos of it sitting on my desktop right next to my typewriter.) 

In the 1943 film Basic Typing Methods, in the very opening seconds of the film, you’ll see the woman in the foreground pulling paper quickly from her desk drawer for typing. While it’s not immediately visible, she’s surely got a similar paper organizer in her drawer. (Pardon the heavily gendered references in the film.)

Oblique view of a Hunt Manufacturing paper organizer in 20 gauge steel next to a Gray Royal KMG typewriter. The drawer organizer has six angled slots for storing and organizing 8.5 x 11" pieces of paper. In the front of the organizer is a 4.5 x 11.5 inch section for various office and typing supplies. In this section we see a stapler and a rubber date stamp.

Analog office set up featuring a stick leg metal desk, a Royal KMG typewriter, a few card index filing cabinets, a typing copy stand, and a paper supply organizer.

Gold manufacturer's sticker for Hunt Manufacturing Co. of Fresno, California

Acquired at the local Acts Thrift shop for about $2.00, this was a no-brainer purchase.

What are the “Rules of Typewriter Club”?

In the vein of Fight Club, what would the rules of Typewriter Club be? What are the commonly known rules that typewriter users and collectors know that the uninitiated should be aware of?

I’ll kick things off with a frequent admonishment:

The first rule of Typewriter Club: Don’t “lubricate” the segment with WD-40.
The second rule of Typewriter Club: DO NOT lubricate the segment with WD-40!

Feel free to follow this post and upvote your favorites so we can rank a potential final list.

Acquired 1966 Underwood Touch-Master Five Standard Typewriter (Olivetti-Underwood)
Serial Number: 13-9707863
Distinctive elite typeface, 12 CPI, 6 lines/inch, standard, bichrome, segment shift, tabulator, American keyboard, 44 keys
Body: light gray in steel; Keys: dark gray with white letters in plastic
Manufactured in the U.S.A
Acquired used at a second hand store for the As-Seen-On-TV price of $19.99 and in stunning condition. It’ll need a clean, but this is in almost perfect cosmetic condition. It’s my first Underwood and technically also my first Olivetti as it was manufactured after the merger. The touch and speed are truly stunning and may be the best in my collection even before being cleaned, oiled, and adjusted.

As William Forrester admonished Jamal to do on his Touch-Master Five, I’ll “Punch the keys, for God’s sake!

A 1966 Underwood Touch-Master Five standard typewriter sits at an angle on an oak library card catalog.

View onto the keyboard of a 1966 Underwood Touch-Master Five standard typewriter featuring dirty, dark gray plastic keys with white lettering. At the top is a long tab key flanked by "CL" and "SET" keys. There are shift lock keys on both sides along with a "BK S" key on the left top and a "M-R" key on the right.

A close up of the hood and carriage of a 1966 Underwood Touch-Master Five standard typewriter. It has a massive chonky feel.

Angle on the left side of a 1966 Underwood Touch-Master Five standard typewriter.

Angle from the right hand side of a 1966 Underwood Touch-Master Five standard typewriter sitting on a library card catalog.

Close up of the typing point of a 1966 Underwood Touch-Master Five standard typewriter spooled up with a black and red bichrome tatty ribbon. The basket is a bit on the dusty and dirty side.

View into the typebasket of a 1966 Underwood Touch-Master Five standard typewriter from the rear. We also see the ribbon spools on either side.

Rear of a 1966 Underwood Touch-Master Five standard typewriter with a sticker on the rear of the carriage with a "U" logo and the words: underwood touch-master 5 U.S.A

Type sample of a distinctive elite typeface on a 1966 Underwood Touch-Master Five standard typewriter typed on a yellow library card catalog index card.

My current collection of 9 standard typewriters clocks in at 289.6 pounds (131.6 kg). Which one(s) should I take to the type-in at Vromans Bookstore this Saturday, May 10th at 1:00pm?

Which machines are you bringing?

Front row (left to right): ’51 Remington Super-Riter, ’56 Remington Standard, ’55 Royal HH, ’58 Royal FP (gray, 16″ carriage), ’57 Royal FP (gray)
Back row (left to right): ’45 Remington 17, ’50 Royal KMG, ’61 Royal FP (yellow), ’77 Olympia SG3

You’re invited to a Southern California Type-In!

Date
Saturday, May 10, 2025

Time
1:00 PM onwards

Location
Vroman’s Bookstore
695 E Colorado Blvd.
Pasadena, CA 91101

2 blocks West of Lake Avenue, which has both East and Westbound exits off of the 210 Freeway.
We’ll be meeting upstairs on the second floor.  Parking available behind the bookstore as well as on surrounding streets. There is a handicapped accessible ramp (from the parking lot in rear) and entrance(s) with an elevator to the second floor as well.

What is a Type-in?

Type-ins are community-based, family friendly events at which typewriter enthusiasts share their love for the analog art of putting ink onto paper with mechanical marvels of the late 19th through 20th centuries. To do this they bring one or more manual typewriters and their knowledge and love of the machines to share with the community. New friends share stories, history, repair tips, working methods, and other typewriterly ephemera. Typists of all ages and levels of ability are welcome.

Typewriters optional
We definitely encourage those without their own machines to attend. With some luck and the kindness of new friends, you should be able to try out a variety of machines which are present in an effort to decide what styles and feel you might consider for purchasing one of your own one day. (Please kindly ask the owners’ permission before trying a machine out.) If you’ve got multiple typewriters, feel free to bring an extra for a friend.

“Like a jam session for people who like typewriters. You had unions do sit-ins and hippies do be-ins, so I thought, ‘We’ll do a type-in.’”
—Michael McGettigan, 56, bike shop owner who coined the phrase

Activities during the afternoon

  • Basic typewriter demonstrations covering: use, maintenance, and repair; how to find/buy typewriters, how to date the year of manufacture of your machine, etc.
  • Type up a message about how much your Mother means to you (May 11th is Mother’s Day)
  • Speed typing contest
  • Writing! (naturally)
    • poetry competition
    • letter and postcard writing;  bring some stationery/envelopes/stamps to write letters to friends & loved ones
    • Typing prompts for those who need inspiration for writing
  • Typewriter Art – composing visual pictures using ink on paper
  • Cadavre Exquis – a dedicated typewriter with paper is set up for participants to compose and write a group story, each taking turns throughout the event at writing one sentence at a time.
  • Impromptu lightning talks of 3-5 minutes on topics like “how to buy a typewriter”, “how to get into home typewriter repair”, “how to work a typewriter into your daily writing routine”, “how to join the Typosphere” etc.
  • Participants are encouraged to type up their experiences of the event for posting to their personal websites (aka the Typosphere).
  • Meet new pen pals to start exchanging letters via typewriter and post
  • Selfies with the typewriter mural on the front of the bookstore.
  • Typewriter repair advice: Have a broken machine and not sure what’s wrong? Get some advice from the community.
  • Bring and share your own ideas… What do you use your typewriter for?

Vroman’s Bookstore

Vroman’s Bookstore is a Pasadena institution and SoCal’s oldest indie bookstore since 1894 (almost as old as the invention of the typewriter itself!) While you’re visiting, be sure to check out not only their book selection, but their gifts and cards; the wide array of notebooks, stationery items and their fantastic fountain pen counter; and their children’s section. Downstairs stop by their and their excellent wine bar or Tepito Coffee Shop which will be open for snacks and beverages throughout the day.

Looking for Typewriter-related books while you’re there? Ask for some of the following:

  • The Typewriter Revolution: A Typist’s Companion for the 21st Century by Richard Polt (Countryman Press, 2015)
  • Uncommon Type: Some Stories by Tom Hanks (Knopf, 2017)
  • Typewriter Beach: A Novel by Meg Waite Clayton (Harper, July 2025)
  • Yankees, Typewriters, Scandals, and Cooperstown: A Baseball Memoir by Bill Madden (Triumph, April 2025)
  • Olivetti by Allie Millington (Feiwel & Friends, 2024)
  • Click, Clack, Moo: Cows That Type by Doreen Cronin (Simon & Schuster, 2003) as well as other follow up books in the series
Two rows of four typewriters each lined up on opposite sides of a table.
Who’s ready for a type-in?!?

RSVP & Questions

Our meeting space, which is frequently used for author talks and book signings, should be adequate, but please RSVP (with your expected number of typewriters) so we can plan for the appropriate amount of tables and chairs.

Questions? Media queries? Contact: ChrisAldrich@jhu.edu