Maybe this should be a session at the upcoming IndieWebCamp pop up on personal libraries?
Maybe this should be a session at the upcoming IndieWebCamp pop up on personal libraries?
To learn—A rather obvious one, but I wanted to challenge myself again. ❧
While I suspect that part of the idea here is to learn about the web and programming, it’s also important to have a place you can more easily look over and review as well as build out on as one learns. This dovetails in part with his third reason to have his own website: “to build”. It’s much harder to build out a learning space on platforms like Medium and Twitter. It’s not as easy to revisit those articles and notes as those platforms aren’t custom built for those sorts of learning affordances.
Building your own website for learning makes it by definition a learning management system. The difference between my idea of a learning management system here and the more corporate LMSes (Canvas, Blackboard, Moodle, etc.) is that you can change and modify the playground as you go. While your own personal LMS may also be a container for holding knowledge, it is a container for building and expanding knowledge. Corporate LMSes aren’t good at these last two things, but are built for making it easier for a course facilitator to distribute and grade material.
We definitely need more small personal learning management systems. (pLMS, anyone? I like the idea of the small “p” to highlight the value of these being small.) Even better if they have social components like some of the IndieWeb building blocks that make it easier for one to build a personal learning network and interact with others’ LMSes on the web. I see some of this happening in the Digital Gardens space and with people learning and sharing in public.
[[Flancian]]’s Anagora.org is a good example of this type of public learning space that is taking the individual efforts of public learners and active thinkers and knitting their efforts together to facilitate a whole that is bigger than the sum of it’s pieces.
The fact that he uses the word Nazgûl [~““35:51] from the Irish (nasc) and Scots Gaelic (nasg) words meaning “ring” to take a linguistic dig at Irish is notable. He was probably motivated by his political views of the time rather than celebrating (as one should) the value and diversity of all languages.
Tolkien once termed Welsh ‘the elder language of the men of Britain’; this talk explores how the sounds and grammar of Welsh captured Tolkien’s imagination and are reflected in Sindarin, one of the two major Elvish languages which he created.
Via https://podcasts.ox.ac.uk/medieval-welsh. For those interested on Tolkien, they’ve got a huge list of other scholarly content on his work: https://podcasts.ox.ac.uk/keywords/tolkien.
Sam's Mom: Directed by Katie Locke O'Brien. With Rose McIver, Utkarsh Ambudkar, Brandon Scott Jones, Danielle Pinnock. Sam and Jay travel to where Sam's mother, Sheryl (Rachael Harris), died to see if she's now a ghost. Also, Sasappis divulges a secret to his fellow ghosts that he overheard Sam and Jay discussing.
Who Do You Think You Are?: Directed by Tom Kingsley. With Lolly Adefope, Mathew Baynton, Simon Farnaby, Martha Howe-Douglas. Cash-strapped Alison and Mike think their dreams have come true when they inherit a grand country house, unaware that it's falling apart and teeming with the ghosts of former inhabitants.
Poorly reflecting on the remake, I think the original is actually funnier, though I do like the Viking character in the remake more.
I was a bit surprised to find the original airing on HBO Max instead of BritBox.
Alberta's Fan: Directed by Nick Wong. With Rose McIver, Utkarsh Ambudkar, Brandon Scott Jones, Danielle Pinnock. Alberta is thrilled when a super-fan visits the mansion; Thorfinn convinces Hetty to go on a walk that would hopefully spark a special memory.
D&D: Directed by Nick Wong. With Rose McIver, Utkarsh Ambudkar, Brandon Scott Jones, Danielle Pinnock. After Jay is kicked out of a Dungeons and Dragons game with his city friends, Sam agrees to facilitate a new one between him and the ghosts; Isaac confronts his feelings for Nigel, a ghost from whom he's been keeping a gigantic secret.
‘Shut up!’ screamed Toad.
— Frog and Toad Bot (@FrogandToadbot) January 11, 2022
~ New essay ~
–
• What Hey gets right about note taking
• Why notes need a spatial interface
• The digital equivalent of sticky notes— Julian Lehr (@julianlehr) September 4, 2020
The real question is what additional value and affordances does this pattern allow? Some of the value is in emptying your head (forgetting) as seen in productivity systems like 43 folders or doing Morning Pages. I suspect that rarely are people revising these tidbits at later times to get additional value from them.
Outside of this, systems like Roam Research may make it easier to create a diary like this with the day’s work, but the real value there is not the date/timeline created, but the way that the system treats each block like its own unit of knowledge and allows cross linking them. In this case, the real precursor goes back at least as far as Konrad Gessner’s Pandectarum sive Partitionum Universalium (1548), which provides a classic definition of the zettelkasten format, though this obviously is heavily informed by the earlier traditions of excerpting and annotating found in commonplace books, florilegia, etc. stemming from the ideas of rhetoric from the Greeks and Romans.
In oral cultures, precursors of this sort of time ordering can be seen with respect to the ideas of ancestral time, genealogy, and techniques like the songline in Australia, but the implementations will vary and it’s unlikely that one might find a complete one-to-one mapping of these ideas into Western cultures.
Other people are basically the ultimate memex
The success of a technological memex, is intimately + irrevocably intertwined with how well it supports your capacity to connect with other people, who are the ultimate memex of all
If your TFT isn't socially oriented, it's nothing
— Matt Jugo (@Jeanvaljean689) January 8, 2022