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Field Notes: Reporter's Notebook from Coudal Partners on Vimeo.

John Dickerson of “Face the Nation” talks about how he uses a Reporter’s Notebook and how he helped Field Notes make one.

Reporter John Dickerson talking about his notebook.

While he doesn’t mention it, he’s capturing the spirit of the commonplace book and the zettelkasten.

[…] I see my job as basically helping people see and to grab ahold of what’s going on.

You can decide to do that the minute you sit down to start writing or you can just do it all the time. And by the time you get to writing you have a notebook full of stuff that can be used.

And it’s not just about the thing you’re writing about at that moment or the question you’re going to ask that has to do with that week’s event on Face the Nation on Sunday.

If you’ve been collecting all week long and wondering why a thing happens or making an observation about something and using that as a piece of color to explain the political process to somebody, then you’ve been doing your work before you ever sat down to do your work.

I’d love to interview him about his process as well as keeping track of his notes after-the-fact. Does he index them? Collate them? How does he archive them? What role do they play in his book writing processes? Is his system something that he was taught, something which he created and refined over time, or a little bit of both?

Replied to a tweet by Amey Hutchins (Twitter)
It looks like you’re practicing POSSE from your site to Twitter using IFTTT, but it looks like your post got cut off. Where can we find the exciting end for the original stuff? 📜🧵📙💥
Replied to a tweet by Harold Jarche (Twitter)
E.P. Thompson also has additional perspective on the invention of the clock and pocket watches as a powerful technology with respect to this in Time, Work-Discipline and Industrial Capitalism. AND , ora pro nobis.
Replied to Twitter thread by CatoMinor & Flancian (Twitter)
Me too:

  • https://forum.obsidian.md/t/using-hypothes-is-to-quickly-place-notes-into-my-digital-notebook/5010
  • https://boffosocko.com/2021/07/08/hypothes-is-obsidian-hypothesidian-for-easier-note-taking-and-formatting/; or
  • https://electricarchaeology.ca/2021/02/14/from-hypothesis-annotation-to-obsidian-note/

Zettelkasten History Prior to Niklas Luhmann: Antonin Sertillanges

Antonin Sertillanges’ book The Intellectual Life is published in 1921 in which he outlines in chapter 7 the broad strokes a version of the zettelkasten method, though writing in French he doesn’t use the German name or give the method a specific name.[1]

The book was published in French, Italian, and English in more than 50 editions over the span of 40 years. In it, Sertillanges recommends taking notes on slips of “strong paper of a uniform size” either self made with a paper cutter or by “special firms that will spare you the trouble, providing slips of every size and color as well as the necessary boxes and accessories.” He also recommends a “certain number of tagged slips, guide-cards, so as to number each category visibly after having numbered each slip, in the corner or in the middle.” He goes on to suggest creating a catalog or index of subjects with division and subdivisions and recommends the “very ingenious system”, the decimal system, for organizing one’s research. For the details of this refers the reader to Organization of intellectual work: practical recipes for use by students of all faculties and workers by Paul Chavigny.[2]

Sertillanges recommends against the previous patterns seen with commonplace books where one does note taking in books or on slips of paper which might be pasted into books as they don’t “easily allow classification” or “readily lend themselves to use at the moment of writing.”


[1] Antonin, Sertillanges (1960). The Intellectual Life: Its Sprit, Conditions, Methods. Translated by Ryan, Mary (fifth printing ed.). Westminster, Maryland: The Newman Press. pp. 186–198.

[2] Chavigny, Paul (1918). Organisation du travail intellectuel: recettes pratiques à l’usage des étudiants de toutes les facultés et de tous les travailleurs (in French). Delagrave.


Featured Image: zettelkasten flickr photo by x28x28de shared under a Creative Commons (BY-SA) license

A lot of this metaverse business sounds like what Ramon Llull was creating in the 13th century with his art of memory and combinatoric wheels. Admittedly, it was a single user space, but he was creating images in his mind and then combinatorically combining them with each other to create new external/imagined ideas, thoughts, and experiences.

It gets (a lot) complicated to see this without significant background reading and experience of what he was doing. (I think even Frances Yates misunderstood some of his intention in her magisterial tome.)

IndieWeb is doing some of what he imagined, but rather than doing it in our physical brains (memory), we’re doing together from website to website in a similar communal manner.