Most distributed publishing tools are simply too complex for most users to adopt. Mastodon may have overcome that problem, borrowing design ideas from a successful commercial product. But the example of lolicon may challenge our theories in two directions. One, if you’re unable to share content on the sites you’re used to using – Twitter, in this case – you may be more willing to adopt a new tool, even if its interface is initially unfamiliar. Second, an additional barrier to adoption for decentralized publishing may be that its first large userbase is a population that cannot use centralized social networks. Any stigma associated with this community may make it harder for users with other interests to adopt these new tools.
Like many others, I can see many more and stronger reasons for a decentralized web than not. This article takes a look at a little bit of the downside of the model. (Though to be honest, I think the downside for this is even bigger in the siloed model.) Naturally the long term effects are far more complex than described here, but this is also very interesting during a week when there’s a continuing resurgence of neo-Nazis, the alt-right, and other white supremacists in America as well as a growing list of major companies that aren’t allowing them a safe harbor.
The US Government subpoena to DreamHost this week for visitors of an anti-Trump website and backbone internet companies like CloudFlare kicking off “The Daily Stormer” are particularly intriguing in the larger ecosystem as well.
I think there’s a lot here that’s both interesting to the IndieWeb community and from which we can all learn.
As I’m thinking about it, I wonder a bit what happens to the role of “community manager” in a larger decentralized and independent web? I hope it’s tummelers like Tantek Çelik, Kevin Marks, Jeremy Keith, Martijn van der Ven and others who continue to blaze the trail.
Michelle Woo
Chris Aldrich