👓 How Facebook Is Killing Comedy | Splitsider

Read How Facebook Is Killing Comedy by Sarah Aswell (Splitsider)
Last month, in its second round of layoffs in as many years, comedy hub Funny or Die reportedly eliminated its entire editorial team following a trend of comedy websites scaling back, shutting down, or restructuring their business model away from original online content. Hours after CEO Mike Farah delivered the news via an internal memo, Matt Klinman took to Twitter, writing, “Mark Zuckerberg just walked into Funny or Die and laid off all my friends.” It was a strong sentiment for the longtime comedy creator, who started out at UCB and The Onion before launching Pitch, the Funny or Die-incubated joke-writing app, in 2017.
This article really has so much. It also contains a microcosm of what’s been happening in journalism recently as well. I have a feeling that if outlets like Funny or Die were to go back and own their original content, there would still be a way for them to exist, we just need to evolve the internet away from the centralized direction we’ve been moving for the past decade and change.

Highlights, Quotes, & Marginalia

eliminated its entire editorial team following a trend of comedy websites scaling back, shutting down, or restructuring their business model away from original online content.  Hours after CEO Mike Farah delivered the news via an internal memo, Matt Klinman took to Twitter, writing, “Mark Zuckerberg just walked into Funny or Die and laid off all my friends.” It was a strong sentiment for the longtime comedy creator, who started out at UCB and The Onion before launching Pitch, the Funny or Die-incubated joke-writing app, in 2017.


“Mark Zuckerberg just walked into Funny or Die and laid off all my friends.”


The whole story is basically that Facebook gets so much traffic that they started convincing publishers to post things on Facebook. For a long time, that was fine. People posted things on Facebook, then you would click those links and go to their websites. But then, gradually, Facebook started exerting more and more control of what was being seen, to the point that they, not our website, essentially became the main publishers of everyone’s content. Today, there’s no reason to go to a comedy website that has a video if that video is just right on Facebook. And that would be fine if Facebook compensated those companies for the ad revenue that was generated from those videos, but because Facebook does not pay publishers, there quickly became no money in making high-quality content for the internet.


Facebook has created a centrally designed internet. It’s a lamer, shittier looking internet.


The EU has a bunch of laws kicking in to keep this in check — one is algorithmic transparency, where these places need to tell me why they are showing me something.


If someone at Facebook sees this, I want them to know, if they care at all about the idea that was the internet, they need to start thinking through what they are doing. Otherwise, then you’re just like Lennie from Of Mice and Men — a big dumb oaf crushing the little mouse of the internet over and over and not realizing it.


And I want it to feel that way to other people so that when they go to a cool website, they are inspired: They see human beings putting love and care into something.


Facebook is essentially running a payola scam where you have to pay them if you want your own fans to see your content.


It’s like if The New York Times had their own subscriber base, but you had to pay the paperboy for every article you wanted to see.


And then it becomes impossible to know what a good thing to make is anymore.

This is where webmentions on sites can become valuable. People posting “read” posts or “watch” posts (or even comments) indicating that they saw something could be the indicator to the originating site that something is interesting/valuable and could be displayed by that site. (This is kind of like follower counts, but for individual pieces of content, so naturally one would need to be careful about gaming.)


Here’s another analogy, and I learned this in an ecology class: In the 1800s (or something), there were big lords, or kings or something, who had giant estates with these large forests. And there were these foresters who had this whole notion of how to make a perfectly designed forest, where the trees would be pristinely manicured and in these perfect rows, and they would get rid of all the gross stuff and dirt. It was just trees in a perfect, human-devised formation that you could walk through. Within a generation, these trees were emaciated and dying. Because that’s how a forest works — it needs to be chaotic. It needs bugs and leaves, it makes the whole thriving ecosystem possible. That’s what this new internet should be. It won’t survive as this human-designed, top-down thing that is optimized for programmatic ads. It feels like a desert. There’s no nutrition, there’s no opportunity to do anything cool.


Recommending things for people is a personal act, and there are people who are good at it. There are critics. There are blogs. It’s not beneficial to us to turn content recommendations over to an algorithm, especially one that’s been optimized for garbage.


the internet was a better place 3-4 years ago. It used to be fruitful, but it’s like a desert now.


Facebook is the great de-contextualizer.

👓 Pentagon says Trump ordered Washington military parade | AP

Read Pentagon says Trump ordered Washington military parade by Robert Burns (AP)
WASHINGTON (AP) — President Donald Trump has asked the Pentagon to plan a grand parade of the U.S. armed forces in Washington this year to celebrate military strength, officials said Tuesday. The Washington Post, which was first to report the plan, said Trump wants an elaborate parade this year with soldiers marching and tanks rolling, but no date has been selected.

📺 Sherlock, Season 4 Episodes 3 & 4

Watched Sherlock, Season 4 Episodes 3 & 4 from BBC
The Lying Detective; The Final Problem
Generally loved the fourth season. The opening throw-back episode was awesome as were the following two. The last episode had an awesome build up, but the pay off wasn’t as tight as I might have liked. Definitely can’t wait for the highly rumored fifth season, but these take so long to brew and appear that I’m not holding my breath.

🎧 ‘Take My Hand, Precious Lord’ | NPR

Listened to 'Take My Hand, Precious Lord' by Linda Wertheimer from NPR.org
Sung at the funeral of Dr. Martin Luther King Jr., "Take My Hand, Precious Lord" is the most-recorded gospel song ever. NPR's Linda Wertheimer speaks with Dr. Michael Harris, a professor of history at Union Theological Seminary, who has written extensively about the song's author, gospel musician Thomas Andrew Dorsey. NPR 100 Fact Sheet: Artist: Words/music by Thomas A. Dorsey; Interviewees: Michael Harris, Union Theological Seminary; Recordings Used: Take My Hand Precious Lord, Mahalia Jackson
A stunning bit of history in this little mini episode. I always find myself wishing they’d do about 10-15 minutes of the history and a bit less of the song, though this episode did rightly have several covers of it.

🎧 1.06: Mr. Willis of Ohio (with Janel Moloney) | The West Wing Weekly

Listened to 1.06: Mr. Willis of Ohio (with Janel Moloney) by Josh Malina and Hrishi Hirway from The West Wing Weekly
Janel Moloney joins Josh and Hrishi to talk about playing Donna, and Ben Casselman gives us an update on the state of the census. Bonus photos: - Hrishi, when he was a Dungeons & Dragons loving teenager. - Josh, at his Bar Mitzvah.

Ms. Moloney wasn’t as interesting in the interview as I would have hoped, but she does have an interesting take on how she responds to the fame and adulation of the show these many years later. I highly recommend this portion of the episode for actors who are just starting out.

🎧 1.05: The Crackpots and These Women (with Eli Attie) | The West Wing Weekly

Listened to 1.05: The Crackpots and These Women (with Eli Attie) by Josh Malina and Hrishi Hirway from The West Wing Weekly
For Big Block of Cheese Day, Josh and Hrishi are joined by Eli Attie, who was Vice President Al Gore's chief speechwriter before leaving politics and joining The West Wing as a writer and producer. Plus, the truth about David Rosen. President Ronald Reagan's Challenger Disaster address...

Elie Attie’s appearance on the show made it infinitely much stronger. There was a nice richness to the additional background he brings here in comparisson to Hill’s recent performance. Notes about Gore using the same campaign idea that appeared behind Bartlett in the episode were great to hear.

I’m trying to catch up on episodes of the podcast to match my recent push at rewatching episodes.

🎧 1.04: Five Votes Down | The West Wing Weekly

Listened to 1.04: Five Votes Down by Josh Malina and Hrishi Hirway from The West Wing Weekly
The limits of practical idealism. Plus, Hrishi sets Leo's dialogue to music, and Josh unwittingly reveals a secret.

It’s all about the small tidbits one can discover or rediscover upon watching episodes. This episode had a particularly interesting walk & talk in the opening.

🎧 1.03: A Proportional Response (with Dulé Hill) | The West Wing Weekly

Listened to 1.03: A Proportional Response (with Dulé Hill) by Josh Malina and Hrishi Hirway from The West Wing Weekly
Dulé Hill joins Josh and Hrishi to talk about shooting his first episode of The West Wing, visiting the real White House, and losing to Martin Sheen in 1-on-1.

👓 Designing for Equity: Growth, Slack, and Abundance (NOT Grit, Deficits, and Scarcity) | Canvas Community

Read Designing for Equity: Growth, Slack, and Abunda... by Laura Gibbs (Canvas Community)
Inspired by Gregory Beyrer's post about equity and his "Summer of Canvas" plus it being the Fourth of July holiday, I am re-posting below an blog post from another blog: 10 Ways to Give Your Students the Gift of Slack. I've changed the title (a lot of people thought I meant Slack-the-app), and I've updated it with some links to Canvas Community spaces in which some of these same ideas have come up. I hope this is something that will promote more discussion and more blog posts; it's my opinion that designing-for-equity is both a pedagogical and a civic duty, and it is not just about technology or about online courses: it is about the future of public education in this country.
The cartoon that came along with this post was particularly poignant.

👓 ‘Bitcoin is my potential pension’: What’s driving people in Kentucky to join the craze | The Washington Post

Read ‘Bitcoin is my potential pension’: What’s driving people in Kentucky to join the craze by Chico Harlan (Washington Post)
The possibility of a windfall lures many who see themselves in a financial rut.
This is just painful to read and feels all too much like a Ponzi scheme gone wrong. Sadly, the reportage doesn’t take a direct stance, so some are more likely to read this and think that it’s an actual investment scheme to be dabbled with. If it were a realistic currency, then having a relatively constant value would be a key feature.

I came across this from Paul Krugman’s tweet which is all too apt:

👓 Harvey Weinstein shows how not to respond | Axios

Read Harvey Weinstein shows how not to respond after allegations from Uma Thurman by Mike Allen (Axios)
Stunning series of interviews by Maureen Dowd, on the cover of N.Y. Times Sunday Review, "A Goddess, A Mogul And a Mad Genius ... Uma Thurman ... is finally ready to talk about Harvey Weinstein" — and Quentin Tarantino
This is a simple me-too article (in the original meaning of “We’ve got to post something, but don’t have anything interesting of our own”) where Axios is just recapping some other reportage going around the web. Sadly nothing new here, but they had to post something about what is going on with the story. Would be nice to see them doing some original reporting on the matter.

📺 “Blue Bloods” School of Hard Knocks | CBS

Watched "Blue Bloods" School of Hard Knocks (Season 8, Episode 14) from CBS
Directed by Alex Zakrzewski. With Donnie Wahlberg, Bridget Moynahan, Will Estes, Len Cariou. A student is shot bu a rival gang member in his high school courtyard; Danny and Baez try to prevent further violence, the principal recklessly takes matters into his own hands.
Great little turn by Ernie Hudson in here, though his character’s motivation given a lengthy career didn’t seem realistic to me.