I have a long-standing goal of whenever I see a xerox machine in a public place, to scan my face. My wife and I did one on our honeymoon in France. The copy machine was tucked away in the back of a Monoprix supermarket in Avignon while we were picking up some food storage containers. …
A few days ago I xeroxed my face on our copier at work. The scanning bed was left open, and was just begging for something fun to be done. The copier machine at Tribune Content Agency and Chicago Magazine I did one copy of my face, then I grabbed a coworker and we each did …
Practicing this with kids is an even more fun idea.
Where’d I put my Xerox machine???
Le Théâtre du Grand-Guignol (French pronunciation: [ɡʁɑ̃ ɡiɲɔl]: "The Theatre of the Great Puppet") – known as the Grand Guignol – was a theatre in the Pigalle district of Paris (at 20 bis, rue Chaptal [fr]). From its opening in 1897 until its closing in 1962, it specialised in naturalistic horror shows. Its name is often used as a general term for graphic, amoral horror entertainment, a genre popular from Elizabethan and Jacobean theatre (for instance Shakespeare's Titus Andronicus, and Webster's The Duchess of Malfi and The White Devil), to today's splatter films.
Audiences had strong reactions to the new disturbing themes the horror plays presented. One of the most prevalent themes staged at the Grand-Guignol was the demoralization and corruption of science. The “evil doctor” was a reoccurring trope in the horror shows performed. ❧
Development idea: Bring back the Grand Guignol, but have evil politicians instead.
Annotated on January 20, 2020 at 04:06PM
My brother uses Flipboard to share links, so I’m going back onto this platform again. (My username on Flipboard is mattmaldre) A user’s “flips” page is sorted chronologically. One of my most recent flips is from five days ago, and then the next one is from over a year ago ago. A little gap in …
Gallery 241 in Art Institute of Chicago The Impressionist painters are known for their atmospheric treatment of scenes, loose brushwork that takes precedence over lines and contours. Yet in the midst of the Impressionism galleries in the Art Institute of Chicago stands a painting with strong lines and contours. “An Elegant Woman at the Élysée …
An infinite number of things happen; we bring structure and meaning to the world by making art and telling stories about it. Every work of literature created by human beings comes out of an historical and cultural context, and drawing connections between art and its context can be illuminating for both. Today’s guest, Stephen Greenblatt, is one of the world’s most celebrated literary scholars, famous for helping to establish the New Historicism school of criticism, which he also refers to as “cultural poetics.” We talk about how art becomes entangled with the politics of its day, and how we can learn about ourselves and other cultures by engaging with stories and their milieu.
Art: Rob Levy https://www.reddit.com/user/ITB_Rob_5/
Eric wrote (quoted with permission):
“I recently heard your interview with Sean Carroll on Mindscape and want to say, as I’m sure many others have, that your discussion of memory and culture was eye-opening.
Quick thoughts on the Daiso Fluently alcohol-based ink marker from everyone's favourite Japanese dollar store: you can't complain much about a $0.75 marker.
Explore this photo album by Dave Cook on Flickr!
Last month, I drew a new picture every day as part of Inktober, responding to daily word prompts. In response to the word Ash, I drew a response to Brexit: In response to the word Mindless, I drew a self-portait of sorts: And in response to Frozen, I drew a heart. I'm not an artist by any means, ...