Read Top 10 goddesses in fiction by E Foley and B Coates (the Guardian)
In ancient myth – and novels by authors from Neil Gaiman to Toni Morrison – these ambiguous figures are sometimes repressive, sometimes inspiring

The Mabinogion, translated by Sioned Davies
In You Goddess! we use “supernatural female” as a definition of goddess and this allows us to include the story of Blodeuwedd, who was created out of flowers by a wizard as a wife for his friend, but who kicks over the traces and finds her own partner. Bloeuwedd appears in this medieval collection of Welsh stories. The first English translation was published in the 19th century by the linguist, go-getter and driver of the Welsh renaissance, Lady Charlotte Guest. This 2007 translation by Sioned Davies is a fantastic contemporary version. In the past Blodeuwedd has been taken as a cautionary tale about adultery, but to modern readers she appears as a floral rebel breaking free from male control. Sadly things don’t end well for her and her metamorphosis from vegetable to human ends with her wizard enemy turning her into an owl. She lives on as the inspiration for Alan Garner’s The Owl Service. 

This has been on my list for a bit. I’m also reminded that I ought to get back to The Celtic Myths: A Guide to the Ancient Gods and Legends by Miranda Aldhouse-Green
Annotated on September 09, 2020 at 10:09PM

Bookmarked The Mabinogion Translated by Sioned Davies (global.oup.com)
Celtic mythology, Arthurian romance, and an intriguing interpretation of British history--these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.
I’ve looked at versions of this before, but this looks like one of the more interesting translations to read. 

(referred by Top 10 goddesses in fiction

Read The Crabfish (Wikipedia)
"The Crabfish" is a ribald humorous folk song of the English oral tradition. It dates back to the seventeenth century, appearing in Bishop Percy's Folio Manuscript as a song named "The Sea Crabb" based on an earlier tale. The moral of the story is that one should look in the chamber pot before using it.

Owing to the indelicate nature of its theme this ballad was intentionally excluded from Francis James Child's renowned compilation of folk songs The English and Scottish Popular Ballads. The song has a Roud Folk Song Index of 149.
Read Francis James Child (Wikipedia)
Francis James Child (February 1, 1825 – September 11, 1896) was an American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. Child was Boylston professor of rhetoric and oratory at Harvard University, where he produced influential editions of English poetry. In 1876 he was named Harvard's first Professor of English, a position which allowed him to focus on academic research. It was during this time that he began work on the Child Ballads. The Child Ballads were published in five volumes between 1882 and 1898. While Child was primarily a literary scholar with little interest in the music of the ballads, his work became a major contribution to the study of English-language folk music.
Interesting that Johns Hopkins tried to recruit him and Harvard created a new position and title in an effort to keep him.

Child considered that folk ballads came from a more democratic time in the past when society was not so rigidly segregated into classes, and the “true voice” of the people could therefore be heard. He conceived “the people” as comprising all the classes of society, rich, middle, and poor, and not only those engaged in manual labor as Marxists sometimes use the word. 

Annotated on August 04, 2020 at 09:31AM

Though there were no graduate schools in America at the time, a loan from a benefactor, Jonathan I. Bowditch, to whom the book was dedicated, enabled Child to take a leave of absence from his teaching duties to pursue his studies in Germany. There Child studied English drama and Germanic philology at the University of Göttingen, which conferred on him an honorary doctorate, and at Humboldt University, Berlin, where he heard lectures by the linguists Grimm and was much influenced by them. 

Annotated on August 04, 2020 at 09:33AM

Elizabeth Freeman (Mum Bett), the first enslaved African American to sue for her freedom in the courts based on the law of the 1780 constitution of the state of Massachusetts, which held that “all men are born free and equal.” The Jury agreed and in 1781 she won her freedom. Her lawyer had been Theodore Sedgwick. 

Annotated on August 04, 2020 at 09:35AM

Bookmarked Introduction to and list of Child ballads by Peter Robins (peterrobins.co.uk)
The American academic Francis J Child devoted much of the latter part of his life to collecting and studying traditional ballads. His first publication on the subject was English and Scottish Ballads, 8 vols published in 1857-8. This was revised and augmented in a collection of 305 British ballads, published in 5 volumes in 1882-1898 as The English and Scottish Popular Ballads, often known as the ‘Child Ballads’. These were republished in 2003 by Dover Press. In addition, copies of the 19th-century edition are now available on the Internet Archive: vols I, II, III, IV, V. Copies of the original 1857 vols are also available on Google Books: I, II, III, IV, V, VI, VII, VIII. See Wikipedia entries on Child and the ballads. The text on this site, based on files kindly provided by Cathy Lynn Preston of the University of Colorado, provides the text of those ballads for browsing and searching; it does not provide Child’s scholarly commentary.
Read Brothers Grimm (en.wikipedia.org)
The Brothers Grimm (die Brüder Grimm or die Gebrüder Grimm, German: [diː ɡəˈbʁyːdɐ ɡʁɪm] (About this soundlisten)), Jacob Ludwig Karl Grimm (1785–1863) and Wilhelm Carl Grimm (1786–1859), were German academics, philologists, cultural researchers, lexicographers and authors who together collected and published folklore during the 19th century. They were among the first and best-known collectors of German and European folk tales, and popularized traditional oral tale types such as "Cinderella" ("Aschenputtel"), "The Frog Prince" ("Der Froschkönig"), "The Goose-Girl" ("Die Gänsemagd"), "Hansel and Gretel" ("Hänsel und Gretel"), "Rapunzel", "Beauty and the Beast", "Little Red Riding Hood", "The Wolf and the Seven Young Goats", "The Three Little Pigs", "Rumpelstiltskin" ("Rumpelstilzchen"), "Sleeping Beauty" ("Dornröschen"), and "Snow White" ("Schneewittchen"). Their classic collection, Children's and Household Tales (Kinder- und Hausmärchen), was published in two volumes—the first in 1812 and the second in 1815.
Bookmarked Gods and Robots: Myths, Machines, and Ancient Dreams of Technology by Adrienne MayorAdrienne Mayor (Princeton University Press)

The fascinating untold story of how the ancients imagined robots and other forms of artificial life—and even invented real automated machines

The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life—and grappling with still-unresolved ethical concerns about biotechne, “life through craft.” In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements—and how these visions relate to and reflect the ancient invention of real animated machines.

As early as Homer, Greeks were imagining robotic servants, animated statues, and even ancient versions of Artificial Intelligence, while in Indian legend, Buddha’s precious relics were defended by robot warriors copied from Greco-Roman designs for real automata. Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley.

A groundbreaking account of the earliest expressions of the timeless impulse to create artificial life, Gods and Robots reveals how some of today’s most advanced innovations in robotics and AI were foreshadowed in ancient myth—and how science has always been driven by imagination. This is mythology for the age of AI.

Bookcover of Gods and Robots

Sean Carroll Mindscape Episode 40: Adrienne Mayor on Gods and Robots in Ancient Mythology (#)