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Instagram filter used: Clarendon
Photo taken at: UCLA Bookstore
I just saw Emily Riehl‘s new book Category Theory in Context on the shelves for the first time. It’s a lovely little volume beautifully made and wonderfully typeset. While she does host a free downloadable copy on her website, the book and the typesetting is just so pretty, I don’t know how one wouldn’t purchase the physical version.
I’ll also point out that this is one of the very first in Dover’s new series Aurora: Dover Modern Math Originals. Dover has one of the greatest reprint collections of math texts out there, I wish them the best in publishing new works with the same quality and great prices as they always have! We need more publishers like this.
For the first couple of months of freshman year, I spent my evenings breaking into buildings on campus.
Having just passed our 20th college reunion, an old friend starts spilling the beans…
Apparently the statute of limitations on college shenanigans has run out and one of my best friends has written a nice little essay about some of “our” adventures. Fortunately he has kindly left out the names of his co-conspirators, so I’ll also remain silent about who was responsible for which particular crimes. Like him, I will leave the numerous other crimes he redacted unsung.
For the first couple of months of freshman year, I spent my evenings breaking into buildings on campus. This began, naturally, because a few of us who lived in and around the Vincent-Willard dorm had mail ordered lock-picking kits, and, well, we needed something to practice on besides our own dorm rooms.
So down into the midnight bowels of Krieger we crept, sneaking deep underground into disused classrooms, mute hallways, and one strange lab whose floor was tight-knit mesh wiring with a Silence of the Lambs–esque chamber below. We touched little, took nothing (except, once, a jar of desiccant—sorry!), and were never caught.
Such was the state of fun at Johns Hopkins in the fall of 1992, an era when the administration seemed to have adopted a policy of benign neglect toward the extracurricular happiness of its undergraduate body. We had Spring Fair and the occasional bus trip to New York for the day. What more could we want?
For many—really, most—of my cutthroat classmates, this was reason to grumble. Why, they moaned from the depths of D-level, couldn’t school be more exciting? A student union, they pleaded. A bar. A café. Anything to make campus life more bearable.
But for my friends and me, the school’s DGAF attitude meant freedom: We could do whatever we wanted, on campus or off. When lock-picking grew old (quickly, I’m pleased to say), we began to roam, wandering among the half-abandoned industrial sites that lined the unreconstructed harbor, or driving (when someone happened to have a car) under the interstates that cut through and around the city. We were set loose upon Baltimore, and all we ever wanted was to go and see what there was.
Here’s what we found: A large yellow smiley face painted on the end of an oil-storage tank. The 16mm film collection at the Pratt Library. A man who claimed to have been hanging out with Mama Cass Elliot of the Mamas & the Papas the night she lost her virginity. The Baltimore Streetcar Museum. How to clear the dance floor at Club Midnite by playing the 1978 song “Fish Heads” (eat them up, yum!). The big slice at Angelo’s and the $4.95 crabcake subs at Sip & Bite. Smart drugs, Neal Stephenson, and 2600 magazine at Atomic Books. The indie movie screenings at Skizz Cyzyk’s funeral home “mansion.”
None of these alone was world-changing (okay, except maybe “Fish Heads”). Put together, though, they amounted to a constant stream of stimulation, novelty, and excitement, the discoveries that make new adulthood feel fresh and occasionally profound.
All the while, I heard the no-fun grumbling from around campus and failed to understand it. We had freedom—what more could we need? The world was all around us, begging to be explored. We didn’t even have to leave campus: One spring, my girlfriend and I simply stepped off the sidewalk next to Mudd Hall into a little dell—and discovered a stand of wild scallions. We picked a ton, brought them home, and feasted on our foraged bounty. All we’d had to do was to leave the asphalt path—no red brick in those days—behind.
Matt Gross, Johns Hopkins A&S ’96, ’98 (MA), is a food and travel writer/editor who’s worked for everyone from The New York Times and Bon Appétit to The Guardian, The Village Voice, and Saveur. He lives in Brooklyn with his wife, Jean Liu, A&S ’96, and their two daughters.
Incidentally he also had two other meaty pieces that came out yesterday as well:
- Are we Living in a Post-Bacon World? | ExtraCrispy.com
- A New Book About Nathan’s Famous Feeds Our Need for Cheap Eats — and the Prosperity Myth | Village Voice
Over the past several months, I’ve been helping to set up an affinity group for the Johns Hopkins Alumni Association to bring together alumni who work in areas related to the entertainment industry.
For the past several weeks, we’ve been making plans for our first official event to be held in conjunction with a week long Intersession course being offered by the Film and Media Studies Program at Hopkins. We’re happy to announce the details for this event on January 7th and hope everyone can join us. There will be a panel discussion as well as ample time to chat with a variety of fellow alumni, current students, and faculty.
Are you a member of the Arts, Entertainment, Media, or Entrepreneurship communities in Los Angeles?
Join us as we welcome Linda DeLibero, Director of the Hopkins Film and Media Studies Program, and current Film majors from the Film and Media Studies Intersession Course for a diverse and dynamic panel discussion featuring creative and successful Hopkins alumni working in the industry. Learn relevant information, make connections with fellow LA area alumni and talk with the current students.
Donald Kurz ’77, Johns Hopkins University Trustee and School of Arts and Sciences Advisory Board Member, and
the Arts Entertainment Media Entrepreneurship Affinity: LA Group
January 7, 2016
at Omelet, LLC, 3540 Hayden Avenue, Culver City, CA 90232
No Charge for alumni and guests
For more information:
Johns Hopkins University Alumni Association AEME LA Reception
Office of Alumni Relations
As part of the reception, we’ll have a panel discussion with a variety of local alumni who work in the entertainment and media sectors.
|Jason P. Somerville, ’97
Founder and Managing Partner, EIG
|Mark Swift, ’93
|Dalia Ganz, ’05
Director, Digital & Partnership Marketing at ABC Family
|Mitch Tenzer, ’75
Partner, Ziffren Brittenham, LLP
|Sunny Boling, ’99
A number of students from Hopkins will be in attendance at the event as part of an Intersession course being offered by the department. The listing for the course follows:
This week-long course in Los Angeles gives students inside access to the entertainment industry through daily meetings and workshops with key figures in film, television, new media, and music, many of them JHU alums: directors, producers, screenwriters, studio executives, agents, exhibitors and more. We will visit studios, major agencies and production companies, and will end the week with a JHU networking event and panel discussion with alumni who work in film and television.The course runs from January 4 -8. Open to all Film and Media Studies majors and minors, with preference given to seniors. Students outside FMS may apply if slots remain open after all FMS students have registered.
Course Number: AS.061.377.60
Days: Monday 1/4/2016 – Friday 1/8/2016
Times: M – 9:00-4:00PM | Tu- 9:00-4:00PM | W- 9:00-4:00PM | Th- 9:00-4:00PM | F- 9:00-4:00PM
Instructor: Linda DeLibero
The event was a wonderful success. I wanted to share a few of the photos I took during the panel discussion:
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“Homewood campus, Peabody Conservatory, East Baltimore campus have made cameos big and small over the years”
It’s almost like they write some of this stuff just for me. Though I was already aware of most of the movies they mentioned, they did miss a few:
Washington Square (1997) directed by Agnieszka Holland in Hollywood Pictures/Caravan Pictures production has a stunning cameo of the interior of the Peabody Library – this cameo is the only reason I vaguely remember the film at all.
The Johns Hopkins Science Review (1948-1955) This production is also particularly notable as being the television debut (October 8, 1951) of actor and alum John Astin who now heads the JHU Drama program and for whom the eponymous theater in the Merrick Barn is named.
Fratricide (1966) – A very independent short black and white film (with no credits) starring professor Richard Macksey that was produced by a group of students which included later Hollywood luminaries Walter Murch (who just a few years later co-wrote THX 1138 with George Lucas), Caleb Deschanel, and Matthew Robbins, who coincidentally co-wrote Crimson Peak with Guillermo del Torro which comes out in theaters today.
I have a nagging feeling there are a few more, but they’re just not coming to me at the moment…
By the way, for those suffering through Head of State, you should know in advance that the Shriver Hall scene doesn’t appear until the very end of the movie and then plays through the credits.Syndicated copies to: