Homewood campus performance space now expected to reopen in early 2019 with improved sound system, seating, and much more.
The Shriver Hall renovation project, now slated for completion in early 2019, includes replacing the auditorium’s uncomfortable and often broken seating. Seat removal took place in the fall.
A few years ago they actually took out the awesome sound system because it didn’t “fit in” with the new orchestra shell and handicapped elevator access to the stage that the HSO felt made it too “cramped”. I have no expectation that this will make it a better place for film screenings. I’m also sure the seating capacity will be far less than it was before. Alas…
Committee recommends three possible paths forward for 50-year-old academic center
Glad to hear this may have a happier ending that I had suspected. I remember a conversation several years ago in which Dick Macksey was reticent to retire because it might have adverse effects on the department. I hope to see his legacy and that of the humanities at Hopkins continue unabated.
Legendary investor William H. "Bill" Miller III has committed a record $75 million to the Johns Hopkins University Department of Philosophy to broaden and intensify faculty research, graduate student support, and undergraduate study of philosophical thought.
Support for the humanities like this is definitely a worthy cause!
Cotton twill hat features a full color embroidered Johns Hopkins lacrosse design showcasing our shielded blue jay. Unstructured low profile fit. Just the right wash; renowned perfect fit. Fabric strap closure with brass slide buckle. 100% cotton twill. Adjustable. Black. By Legacy.
I’d love to have a Johns Hopkins hat just like this with “Math” instead of “Lacrosse”. Surely the department has them made occasionally?
I rant regularly when people abuse Latin binomials by adding an unnecessary article in front of them, like people who refer to "the acanthomyops latipes". As I said at the time:
While I happily refer to the Skidelskys, I would never dream of calling them the Edward Skidelsky and the Robert Skidelsky. How hard is it to use a Latin name as a name?
Now I have a new term with which to beat people over the head. Thanks to a very informative article by Geoffrey K. Pullum over at Language Log (Glenn Frey and the band with the anomalous name) I now know not only that the band was called Eagles, not The Eagles, and also that such a thing -- "which takes no the" -- is called a strong proper name.
P.s. The comments on the Language Log post reveal that many bands, some of which I've even heard of, apparently have strong proper names, Talking Heads being my favourite.
A Johns Hopkins Alumni and Student Networking Event and Panel Discussion in Los Angeles on 1-12-17
Over 75 alumni, students, and faculty from Johns Hopkins got together on January 12, 2017 for a networking mixer and panel discussion relating to the entertainment and media business. Johns Hopkins alum and emeritus board of trustees member Don Kurz (A&S ’77) graciously hosted the event at his company Omelete in Culver City.
Just prior to the event the current students, primarily seniors and juniors who were visiting Los Angeles as part of an Intersession course within the Film and Media Studies Program, met with alum and cinematography legend Caleb Deschanel (A&S ’66) to hear about his industry experiences and ask questions. Following this there was an hour long drinks/hors d’oeuvres mixer of both students and alumni.
Host Don Kurz then thanked everyone for attending and introduced Film and Media Studies Program Director Linda DeLibero. She gave a quick overview of the program and its growth over the past few years and introduced the group of students who had traveled out from Baltimore for the class.
Following this Don moderated a panel discussion and Q&A featuring alumni Paul Boardman (A&S ’89), Jason Altman (A&S ’99), Devon Chivvis (A&S ’96), and Chris Aldrich (Engr. ’96). Panelists discussed how some of their Hopkins experiences helped to shape their subsequent careers in the entertainment and media sectors.
Emily Hogan gave a brief overview of her work at the JHU Career Center and encouraged alumni who had job openings or internship opportunities within their companies or knew of other opportunities for students/alumni to contact her with details and help in filling them.
Following some additional networking, a portion of the crowd retired to nearby pub/restaurant Public School 310 to continue the discussion.
Event Photo Gallery
Chris Aldrich (near left) captures a quick selfie before the event.
Don Kurz welcoming the crowd.
Don Kurz (JHU A&S ’77) welcomes everyone to Omelete.
Panelist Paul Boardman (seated at far end) describing how his experience in breaking down films scene by scene at Hopkins helped to prepare him for a subsequent career as a screenwriter. Jason Altman and Devon Chivvis sit to his right.
Students and Alumni listening to the panel discussion
Linda DeLibero (right) presents host Don Kurz with a small token of the Film and Media Studies Program’s gratitude.
Alumni continue the conversation at Public School 310. Picutred left to right: Jason Somerville, Jason Altman, Paul Boardman (obscured), Devon Chivvis, Cari Ugent, Karen Swift, Mark Swift, and Kathryn Alsman.
Join students and alumni from the Film and Media Studies Program in Culver City
I’ve been invited to participate in a panel discussion as part of an Intersession course by the Johns Hopkins Film and Media Studies Program. I hope fellow alumni in the entertainment and media sectors will come out and join us in Culver City on Thursday.
Join the Hopkins in Hollywood Affinity Group (AEME LA) as they welcome Linda DeLibero, Director of the JHU Film and Media Studies Program, and current students of the program for a dynamic evening of networking which features an alumni panel of industry experts.
Open to alumni, students, and friends of Hopkins, this event is sponsored by Donald Kurz (A&S ’77), Johns Hopkins University Emeritus Trustee and School of Arts and Sciences Advisory Board Member, and the Hopkins in Hollywood (AEME LA) Affinity Group.
Event Date: Thursday, January 12, 2017
Start Time: 6:30pm
End Time: 8:30pm
Donald Kurz, A&S ’77
Donald Kurz is Chairman and CEO of Omelet LLC, an innovative new media and marketing services firm based in Los Angeles. Previously, Mr. Kurz was co-founder and CEO of hedge fund Artemis Capital Partners. Between 1990 and 2005, Mr. Kurz was Chairman, President, and CEO of EMAK Worldwide, Inc, a global, NASDAQ-traded company providing Fortune 500 companies with strategic and marketing services internationally. Mr. Kurz’s 25 years’ experience in senior leadership includes management positions with Willis Towers Watson, PwC, and the J.C. Penney Company. Mr. Kurz is a Trustee Emeritus of the Johns Hopkins University, having served for 12 years on the Hopkins board. He received an MBA from the Columbia University Graduate School of Business and a BA from Johns Hopkins University.
Jason Altman, A&S ’99
Jason Altman is an Executive Producer at Activision working on the Skylanders franchise and new development projects. Prior to Activision, he spent the past 5 years at Ubisoft Paris in different leadership roles, most recently as the Executive Producer of Just Dance, the #1 music video game franchise. He is a veteran game producer who loves the industry, and is a proud graduate of the media studies program at Johns Hopkins.
Paul Harris Boardman, A&S ’89
Paul Boardman wrote The Exorcism of Emily Rose (2005) and Devil’s Knot (2014), both of which he also produced, and Deliver Us From Evil (2014), which he also executive produced. In 2008, Paul produced The Day the Earth Stood Still for Fox, and he did production rewrites on Poltergeist,Scream 4, The Messengers, and Dracula 2000, as well as writing and directing the second unit for Hellraiser: Inferno (2000) and writing Urban Legends: Final Cut (2000). Paul has written screenplays for various studios and production companies, including Trimark, TriStar, Phoenix Pictures, Miramax/Dimension, Disney, Bruckheimer Films, IEG, APG, Sony, Lakeshore, Screen Gems, Universal and MGM.
Devon Chivvis, A&S ’96
Devon Chivvis is a showrunner/director/producer of narrative and non-fiction television and film. Inspired by a life-long passion for visual storytelling combined with a love of adventure and the exploration of other cultures, Devon has made travel a priority through her work in film and television. Devon holds a B.A. from Johns Hopkins University in International Relations and French, with a minor in Italian.
Chris Aldrich, Engr ’96
Chris started his career at Hopkins while running several movie groups on campus and was responsible for over $200,000 of renovations in Shriver Hall including installing a new screen, sound system, and 35mm projection while also running the 29th Annual Milton S. Eisenhower Symposium “Framing Society: A Century of Cinema” on the 100th anniversary of the moving picture.
Following Hopkins he joined Creative Artists Agency where he worked in Motion Picture Talent and also did work in music-crossover. He later joined Davis Entertainment with a deal at 20th Century Fox where he worked on the productions of Heartbreakers, Dr. Dolittle 2, Behind Enemy Lines as well as acquisition and development of Alien v. Predator, Paycheck, Flight of the Phoenix, Garfield, The Man from U.N.C.L.E., I, Robot and countless others.
Missing the faster pace of representation, he later joined Writers & Artists Agency for several years working in their talent, literary, and book departments. Since that time he’s had his own management company focusing on actors, writers, authors, and directors. Last year he started Boffo Socko Books, an independent publishing company and recently put out the book Amerikan Krazy.
Students will have the opportunity to spend one week in Los Angeles with Film and Media Studies Director Linda DeLibero. Students will meet and network with JHU alums in the entertainment industry, as well as heads of studios and talent agencies, screenwriters, directors, producers, and various other individuals in film and television. Associated fee with this intersession course is $1400 (financial support is available for those who qualify). Permission of Linda DeLibero is required. Film and Media Studies seniors and juniors will be given preference for the eight available slots, followed by senior minors.Students are expected to arrive in Los Angeles on January 8. The actual course runs January 9-13 with lodging check-in on January 8 and check-out on January 14.
One of the most famous stories about the development of literary and critical theory in the United States has its origin at Johns Hopkins University’s Homewood campus about half a century ago.
It was at “The Languages of Criticism and the Sciences of Man” symposium held at the Milton S. Eisenhower Library in October 1966 that a then relatively unknown French thinker named Jacques Derrida threw a wrench into a few of the central ideas supporting structuralism, a linguistic methodology for understanding and conceptualizing human culture dominant at the time and epitomized by luminaries such as Claude Lévi-Strauss, Louis Althusser, Jacques Lacan, and Roland Barthes. What’s often forgotten about that event is that it was in fact the inaugural conference organized by Johns Hopkins University’s Humanities Center, an academic department that celebrates its 50th anniversary this year.
From antiquity to current times, there have always been writers devising literary forgeries of all kinds, either copying an existing book from the classical period or simply creating a fake original edition to trick collectors and scholars into purchasing a book that would be difficult to compare to any other. Some forgers do it for financial gain, some for ideological reasons, and some probably because of an impish instinct to prove that they can fool respectable scholars into believing an item is genuine.
Her impact was both literal and figurative: It wasn’t just having read several of her books in high school at the behest of Ken Proctor, but on my way to listen to a lecture she was to present at Johns Hopkins School of Medicine c. 1993.
I was a few minutes late, and apparently she was a few minutes later. While rushing around a corner to get to the auditorium, she came around the other side moving even faster than I. She easily maintained her footing while I landed quite soundly on my back side. Her companion, the terrifically imposing Dr. Levi Watkins, Jr., leaned over, picked me up completely off the ground and set me gently back on my feet. Her gracious apologies extended to a far nicer seat for the event than I could have deserved being about 15 minutes late. She not only let loose my “caged bird,” she signed my printed copy as well. R.I.P.
Replied toMythbusters by Margaret Burri (The Sheridan Libraries Blog)
Ever walk past a campus tour and wonder how much of it is true? While most of it is, and we love the plug for “your own librarian,” there are a couple of long-standing inaccuracies that we’d like to put to rest:
“No building on campus can be taller than Gilman Hall because that’s what’s in Gilman’s will.” Wrong. Decisions about buildings’ heights, including that of the library, have been made based on the scale of the campus and the architecture of Homewood House. Stand at the middle of the lower part of the beach, and look through the glass windows of MSEL. Notice anything? That’s right–Gilman Hall is beautifully framed in the center.
Gilman died in 1908, and mentioned nothing in his will about buildings. In 1912, the Trustees began to plan a new “Academic Building.” This was completed in 1915, and formally named after Gilman in 1917.
“The library sank three inches when they put the 2.5 million books in it in 1964.” Wrong again. I often wonder how many parents, when they hear this, would like to end the tour right there. First, there weren’t 2.5 million books in 1964; we didn’t reach that milestone until the 1990s. When the new library opened on November 15, 1964, there were just over 1.1 million books on the shelves.
Second, no sinking occurred. The weight of the thousands of shelves and books had been calculated into the plan, and the foundation was, and remains, more than adequate to hold the weight.
One thing that is true about the library is that when the hole was dug, an underground stream was discovered, and had to be rerouted before work on the building could continue. John Berthel, the library director at the time, poses in the recently dug hole with some of the books that would later grace the shelves.
Did Winston go down into the new hole for the BLC while they were digging and take a similar photo with a pile of books? The two photos would make great “book ends!”