Publishing | Chris Aldrich

👓 A Suspense Novelist’s Trail of Deceptions | The New Yorker

Read A Suspense Novelist’s Trail of Deceptions by Ian Parker (newyorker.com)

Dan Mallory, who writes under the name A. J. Finn, went to No. 1 with his début thriller, “The Woman in the Window.” His life contains even stranger twists.

I can certainly identify with a lot of this type of behavior. I suspect there are many in the entertainment sector who do this, or something very close to this.

👓 OER as an Institutional Survival Strategy | Inside Higher Ed

Read OER as an Institutional Survival Strategy by Matt Reed (Inside Higher Ed)

The difference between “tuition and fees” and “total cost of attendance.”

A nice highlighting of why administrators should be pushing for OER. Unfortunately lost here is the actual cost of the remainder of the enterprise. Where do these OER resources come from? Who creates them? Who gets paid to create and maintain them? Or quite often, whose resources, time, and effort are being exploited to use them? Additionally, who on the institutional level is being paid to talk about OER, push it, educate educators about it, and help professors adopt it?

While it’s readily transparent how his accounting works in this limited example, there’s a lot more accounting and transparency that needs to be taken into account.

Let’s not take the cost and just shift it to others who are also ill-equipped to handle it.

👓 The world in brief, January 22nd 2019 | Economist Espresso

Read The world in brief, January 22nd 2019 (Economist Espresso)

WhatsApp, a messaging service, is cracking down further on fake news. Users will now only be allowed to forward a message to five groups (each group can be up to 256 people), down from 20. The limitation was first introduced in India last year after several mob lynchings there appeared to start after incendiary messages spread through the service.

I can’t imagine that unless the average group is well under 20 people, that WhatsApps change will have a drastic effect. 256 by itself, much less 5 times that, is way over the Dunbar number and likely not enough of a brake on social gossip. This sounds like a lot of lip service to me.

👓 Why I’m Leaving Medium | Praxis – Medium

Read Why I’m Leaving Medium by Tiago Forte (Praxis – Medium)

I’ve been writing on Medium for three and a half years.

Some of these reasons are very pragmatic for everyone, but he’s also got some business specific ones that touch on things many small businesses would want control over as well. He additionally points out some very subtle changes in media for people who are reaching out to niche audiences. Some of this is reminiscent to things Leo Laporte has spoken about in the past with respect to leaving television and cable to start a podcast network, except in that case there really wasn’t a huge amount of competing media, so instead of moving to silos (which didn’t exist at the time for his use case) he went straight to using his own platform.

Replied to Indie Communities and Making Your Audience Known by

Ben Werdmüller (Ben Werdmüller)

It sounds ludicrous now, but back in 2014, when I cofounded Known as a startup, a lot of people were questioning whether a business even needed a website. Pockets of people - for example in the indieweb community, which I enthusiastically joined - were pointing out how short-sighted this was, but it was a minority opinion. There was Facebook and Twitter! Why would you want to have any kind of property that you fully controlled on the internet?

Fast forward to today, and...

As I read this, there are some underlying ideas that again make me think that newspapers, magazines, and other journalistic outlets should pick up the mantle of social media and help their readers (aka community) by providing them with websites that they can control and use to interact. Many newspapers and other outlets are already building their own CMSes and even licensening them out to other papers, why not take the next step and build a platform that can host and manage websites for individual users? They’ve got most of the infrastructure there already? Why not tack on a few simple things that allow their users to better interact with them on the open web. It solves their ownership issues as well as their reliance on social media silos and could even provide a nice, modest income stream (or even a bonus that comes along with one’s subscription?)

Perhaps Kinja wasn’t a bad idea for a CMS cum commenting system, it just wasn’t open web enough?

📑 Bullet Journal: One Book to Rule Them All | Jamie Todd Rubin

Annotated Bullet Journal: One Book to Rule Them All by Jamie Todd Rubin (Jamie Todd Rubin)

Isaacson pointed out that more than 7,000 pages from Da Vinci’s notebooks survived to today–a stretch of 500 years. He asked how many of our tweets and Facebook posts will survive even 50 years. Paper, it turns out, is a durable medium of information storage. ❧

Of course one also needs to think about reach and distribution as well. His notebooks have much more reach and distribution now than they ever did in his own lifetime. Where’s the balance? Blogging about it, syndicating to social media, and then printing paper copies in annual increments?

Reply to 5 CMS tools for indie bloggers | Indie Digital Media

Replied to 5 CMS tools for indie bloggers by Richard MacManus (Indie Digital Media)

This is a golden age for indie digital media creators, who have more content creation options than ever in 2019. In fact, there are arguably too many tools to chose from. That’s why I’m going to regularly examine the tools of digital media creation here on IDM - for everything…

I’ve primarily relied on WordPress.org for ages and have and have often used WithKnown, but I also have a few sites using Drupal. While I wouldn’t suggest non-technical folks using Drupal, whose technical requirements have rapidly been increasing over the past several years, I would recommend taking a look at a fantastic Drupal fork called BackDrop CMS.

While it still has a lot in common with Drupal, it has reconfigured the core to include some of the most commonly used and requested plugins and they’ve done their best to make it prettier and easier to use for hobby-ists and bloggers as well as small businesses and non-profits that don’t need all the additional overhead that Drupal brings. It’s also got a small but very dedicated community of developers and users.

I’ve also been hearing some great things about Craft CMS, which you highlight, as well as Perch by Rachel Andrew and Drew McLellan.

👓 5 CMS tools for indie bloggers | Indie Digital Media

Read 5 CMS tools for indie bloggers by Richard MacManus (Indie Digital Media)

This is a golden age for indie digital media creators, who have more content creation options than ever in 2019. In fact, there are arguably too many tools to chose from. That’s why I’m going to regularly examine the tools of digital media creation here on IDM - for everything…

👓 2019 Book Industry Predictions: The Butterflies Will Flap Their Wings | Smashwords

Read 2019 Book Industry Predictions: The Butterflies Will Flap Their Wings (blog.smashwords.com)

Welcome to my annual publishing predictions. I’ll start by sharing some thoughts on the state of the indie nation and then I’ll jump int...

This post is very anti-Amazon and has an IndieWeb flavor. Sadly, it comes mostly from the perspective of yet-another-silo that is competing with Amazon. A better and more holistic solution would be for them to be supporting authors owning their own platforms for publishing and distribution.

There’s also a useful question brought up here about the idea of discovering new authors and new books. It’s a similar problem faced by websites and other online content in general. Silo’s general nature and the algorithms they can bring to bear have solved some of the discovery question (for their own enrichment). Solving this from an indie perspective isn’t just useful from the website content perspective, but it’s also very important for the book sales perspective.

Stopping by Woods on a Snowy Evening by Robert Frost

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

From Robert Frost, “Stopping by Woods on a Snowy Evening” from The Poetry of Robert Frost, edited by Edward Connery Lathem (1923)

I’ve been thinking lately about writing some poetry and putting it here on my site. Since the muses aren’t visiting today, I thought I would republish Frost’s poem today to to celebrate its entering the public domain. Perhaps I’ll think of a way to remix it too…

Featured photo credit: P1020911 flickr photo by pekka.jarvelainen shared under a Creative Commons (BY-NC) license