Irked by the overinflated prices on Ebay for typewriters, I’ve been casting about for other sources of reasonably priced machines to purchase. Today I purchased two I saw at auction:
Smith-Corona Classic 12 in metallic green for $18.00
1969 Smith-Corona Galaxie Deluxe in steel blue for $23.00
Both appear to be in good shape and functional though one is going to need some reasonable cleaning and repair of a few linkages. I can’t wait for them to ship to see what I’ve got. They both look like a lot of fun…
IndieWeb Camp San Diego [1] [2] has been a blast. Great bunch of people and great ideas in a terrific outdoor context.
Yes, that was me, the weirdo on the right at IndiWebCamp working on a nested platform of typewriter, laptop, and cell phone. It was totally worth it to see Tantek’s expression when he realized I had actually typed one of my earlier responses.
A lot of discussion in the Zettelkasten space has taken place on the debate between digital and analog with handwriting being the default analog option. Why not split some of the differences and opt for the mechanical typewriter option? Where’s the subreddit for that? It can’t just be me and Umberto Eco, right? 🗃️
I’ve had a hollow space in my chest where a typewriter wanted to be. I’d had a few inexpensive plastic ones in my childhood before having a really spectacular Smith-Corona, but I thought that through many moves it had been long lost. Until, that is, I visited my parents on spring break this past week. While going through some old papers and boxes, I ran across a dusty, but stunning old jewel from my youth.
Hiding in a corner of memorabilia was a hard black box which I immediately recognized as my old portable typewriter! I recall my parents having purchased it at a yard sale and bringing it home for us kids to use in 1984. It took a while back then to clean it up, but I used it for a variety of school projects and papers for several years until its use for school papers was later taken over by an electronic Panasonic word processor. Despite the newer technology I still preferred that old typewriter for composing and noodling around.
Ooh, my little pretty one, my pretty one
So, what is this fantastic jewel? It’s a 1948 Smith-Corona “Clipper” 4C (serial number 4C-242370). It’s still in spectacular shape. I had to re-connect the letter “A”s linkage joint, but all the keys still work well, and it’s going to need a new ribbon. The interior is a bit dusty and needs some cleaning, but a short afternoon of tinkering should make quick work of any issues.
What’s fascinating is that all of the parts and functionalities of the machine came back to me instantaneously when I touched it. I knew all the small subtleties of sliding in a sheet of paper and aligning it to perfection. All the small niceties like the single/double space switch, the margin adjustments, the lovely bell, the ribbon direction adjustment switch, and even the centering mechanism were right there at my fingertips.
Sadly the original key wasn’t with the typewriter’s lock, but it was easily pickable. I’m reasonably sure the key will turn up as I dig through my other childhood memorabilia in the near future. At the worst, I can probably print a new key using a recipe I’ve already found online. I even unearthed a roughly contemporaneous typewriter manual for the Smith-Corona Clipper model.
And the best part is that a young 12 year old was drawn to it and immediately wanted to use it and take it home with us, so the typewriter obsession may go on for at least another generation.
I can’t wait to begin using my new (old) tool for thought in my zettelkasten practice. I’m curious to see what the slow down effect of a manual typewriter has on my writing and thinking work. Perhaps the composition of my cards at the end of the day will have the added satisfaction of punching the keys of a fantastic typewriter.
If nothing else, the Clipper does look quite nice next to my Shaw-Walker card index which is from the same era.
Ultra-luxury of the “Clipper”
Just where does the Smith-Corona “Clipper” sit in the pantheon of typewriters? A variety of writers in the 21st century still talk about their love and nostalgia of specific typewriters mentioning the design esthetic of the Olivetti, a remembrance of an old Underwood, or their fondness of a Remington, but I think Tom Hanks sums things up pretty well:
This is what I would suggest: if you wanted the perfect typewriter that will last forever that would be a great conversation piece, I’d say get the Smith-Corona Clipper. That will be as satisfying a typing experience as you will ever have.
—Tom Hanks, actor, producer, typewriter enthusiast and collector, author of Uncommon Type on CBS Sunday Morning: “Tom Hanks, Typewriter Enthusiast” [00:07:30]
Of course Hanks comes by this analysis naturally as the Clipper typewriter’s namesake is the Boeing 314 Clipper, which appears prominently on the front left panel of the typewriter’s cover. The context and history of some of this airplane have been lost to current generations. Twelve of these air yachts were built by Boeing and operated for a decade between 1938 and 1948. Nine of the airplanes were operated by Pan-Am as transoceanic “one class” ultra-luxury air travel featuring lounges, dining areas with silver service for six-course meals from four-star chefs served by white coated stewards, seats that converted to sleeping bunks for overnight accommodations, and separate male and female dressing rooms for the comfort of elite businesspeople and wealthy travelers in the mid-twentieth century. As an indicator of the exclusivity and expense at the time, a one-way ticket from San Francisco to Hong Kong on the Clipper was listed for $760, which is equivalent to about $15,000 adjusted for inflation in 2021 (Klaás, 1989, p. 20).
Pan Am’s Clipper service of the 1940s represents the romance of flight in that era in the same way Smith-Corona Clipper represents the romance of typing in the ensuing decades. Most Americans’ nostalgia for the luxury and exotic freedom of airline flight in the 1960s and 1970s was built on this early experience operating the Clipper nearly 20 years before.
What we believe in. If I was of college going age, such an institution would be at the top of my list. Also, I was not aware of this blog before the e…
Using WordPress makes me feel like that boy at the Type-In. I feel like the words are going right onto the paper. Sure, the metaphor is a little thin, but the point is that when writing with WordPress (or any CMS, really), the distance between what I’m typing and what I’m publishing is very short. The only thing closer is editing HTML directly on a live page, but that’s something only crazy people do.
On the other hand, publishing a static site is like sending a document to a printer. I have to make sure everything is connected, that there’s paper in the machine, and then wait for the job to finish before seeing the output. If something needs editing, and something always needs editing, the whole process starts over.
I’ve never thought of it in these terms, but there is a nice immediacy and satisfaction to WordPress for this reason. (Though naturally one shouldn’t compose in their CMS in any case.)
I might submit that his issue is a deeper one about on which platform and where to publish though given that he’s got almost as many personal websites as I do social silos. The tougher part for him is making a decision where to publish and why in addition to all the overhead of maintaining so many sites. However, I’m not one to point fingers here since I’ve got enough sites of my own, so I know his affliction.
ReadTypewriter habits by Matthew Butterick(Butterick’s Practical Typography)
I’ve claimed throughout this book that many bad typography habits have been imposed upon us by the typewriter. Here, I’ve collected them in one list.
Joe Crawford
