Listened to Episode 5: Caring What You're Sharing by Dr Laurie SantosDr Laurie Santos from The Happiness Lab

Sharing a good experience with another human deepens our enjoyment of the moment... but only if we abide by certain rules. Dr Laurie Santos shows us how we often get 'sharing' wrong and explains how we can all derive more happiness from ice cream, sunsets and a night in front of the TV.

Maryellis Bunn’s website

Erica Boothby website

Museum of Ice Cream website

Alix Barash website

There is some interesting discussion about exploring and interacting with the world here both with and without a camera and/or digital phone or other device in one’s hand. 

The research and examples in this episode could be useful  for UX/UI  designers in the social media and IndieWeb spaces. The ideas presented here could help us in designing interactions on the web for people in a much happier and healthier fashion. I particularly likes the concept that a museum specifically redesigned some of it’s exhibits so as to be able to minimize the use of phones and increase the human-to-human interaction.

The questions of whether we’re posting content for ourselves or to share with others is an intriguing one. I tend to post for myself (and my memory via my commonplace book) first in almost all cases. When I’m taking photos or checking in, I almost always do it in a way so as to minimize as much as possible the distraction of doing so to others. It’s exceptionally rare that I spend the time and effort to get the “perfect” photo when I’m with others in public.

The discussion about the museum experience being designed for or against photography and the research relating to memories of the experiences reminds a lot of Matt Maldre’s recent experience with a museum security guard who urged patrons to get their phones out and take close up photos of artworks. [#] She obviously intuitively knew something that the rest of us could have only guessed at. Or perhaps she’s just been reading all the most cutting-edge research and putting it into practice in her own work?

This also reminds me I ought to call Dan Cohen and have a conversation about these sort of design concepts (and particularly those relating to Frances Yates and memory techniques) for his forthcoming library.

Read Fun security guards at art museums by Matt Maldre (Spudart)
Ever come across a fun or interesting security guard at an art museum? Here’s my encounter with a security guard at the Art Institute of Chicago sharing her love of tiny details of paintings, encouraging visitors to get closer to the artworks. After spending about ten minutes with a post-impressionist painting, over to the right …
I’ve always thought it would be kind of cool to be a museum security guard… Punking visitors might not have occurred to me, though this sounds so much more legit.
Read Whenever you see a Xerox machine in a public place, xerox your face by Matt Maldre (Spudart)
I have a long-standing goal of whenever I see a xerox machine in a public place, to scan my face. My wife and I did one on our honeymoon in France. The copy machine was tucked away in the back of a Monoprix supermarket in Avignon while we were picking up some food storage containers. …
Read Thoughts about xeroxing your face by Matt Maldre (Spudart)
A few days ago I xeroxed my face on our copier at work. The scanning bed was left open, and was just begging for something fun to be done. The copier machine at Tribune Content Agency and Chicago Magazine I did one copy of my face, then I grabbed a coworker and we each did …
I love the idea of this. Since the 80’s are having a resurgence in throw-back theme parties, people should definitely rent Xerox machines to practice this lost art form.

Practicing this with kids is an even more fun idea.

Where’d I put my Xerox machine???

Read Grand Guignol (Wikipedia)
Le Théâtre du Grand-Guignol (French pronunciation: ​[ɡʁɑ̃ ɡiɲɔl]: "The Theatre of the Great Puppet") – known as the Grand Guignol – was a theatre in the Pigalle district of Paris (at 20 bis, rue Chaptal [fr]). From its opening in 1897 until its closing in 1962, it specialised in naturalistic horror shows. Its name is often used as a general term for graphic, amoral horror entertainment, a genre popular from Elizabethan and Jacobean theatre (for instance Shakespeare's Titus Andronicus, and Webster's The Duchess of Malfi and The White Devil), to today's splatter films.

Audiences had strong reactions to the new disturbing themes the horror plays presented. One of the most prevalent themes staged at the Grand-Guignol was the demoralization and corruption of science. The “evil doctor” was a reoccurring trope in the horror shows performed.

Development idea: Bring back the Grand Guignol, but have evil politicians instead.
Annotated on January 20, 2020 at 04:06PM

Read Two flipboard flips, separated by time, united by image by Matt Maldre (Spudart)
My brother uses Flipboard to share links, so I’m going back onto this platform again. (My username on Flipboard is mattmaldre) A user’s “flips” page is sorted chronologically. One of my most recent flips is from five days ago, and then the next one is from over a year ago ago. A little gap in …
Read Discovering Cloisonnism and the incredible French artist Louis Anquetin by Matt Maldre (Spudart)
Gallery 241 in Art Institute of Chicago The Impressionist painters are known for their atmospheric treatment of scenes, loose brushwork that takes precedence over lines and contours. Yet in the midst of the Impressionism galleries in the Art Institute of Chicago stands a painting with strong lines and contours. “An Elegant Woman at the Élysée …
Listened to Mindscape 74 | Stephen Greenblatt on Stories, History, and Cultural Poetics by Sean Carroll from preposterousuniverse.com

Stephen Greenblatt headshotAn infinite number of things happen; we bring structure and meaning to the world by making art and telling stories about it. Every work of literature created by human beings comes out of an historical and cultural context, and drawing connections between art and its context can be illuminating for both. Today’s guest, Stephen Greenblatt, is one of the world’s most celebrated literary scholars, famous for helping to establish the New Historicism school of criticism, which he also refers to as “cultural poetics.” We talk about how art becomes entangled with the politics of its day, and how we can learn about ourselves and other cultures by engaging with stories and their milieu.

Cover art for Sean Carroll's Mindscape

How could you not love this?