As a researcher, I fully appreciate the pro-commonplace book conceptualization of the first post, and the second takes things amazingly further with a plugin that allows one to easily display one’s hypothes.is annotations on one’s own WordPress-based site in a dead-simple fashion.
This functionality is a great first step, though honestly, in keeping with IndieWeb principles of owning one’s own data, I think it would be easier/better if Hypothes.is both accepted and sent webmentions. This would potentially allow me to physically own the data on my own site while still participating in the larger annotation community as well as give me notifications when someone either comments or augments on one of my annotations or even annotates one of my own pages (bits of which I’ve written about before.)
Either way, kudos to Kris Shaffer for moving the ball forward!
I’m already a major chunk of the way through the book, having had an early ebook version of the text prior to publication. This is the published first edition with all the diagrams which I wanted to have prior to finishing my full review, which is forthcoming.
One thing I will mention is that it’s got quite a bit more philosophy in it than most popular science books with such a physics bent. Those who aren’t already up to speed on the math and science of modern physics can certainly benefit from the book (like most popular science books of its stripe, it doesn’t have any equations — hairy or otherwise), and it’s certain to help many toward becoming members of both of C.P. Snow’s two cultures. It might not be the best place for mathematicians and physicists to start moving toward the humanities with the included philosophy as the philosophy is very light and spotty in places and the explanations of the portions they’re already aware of may put them out a bit.
I’m most interested to see how he views complexity and thinking in the final portion of the text.
Part of my plans to (remotely) devote the weekend to the IndieWeb Summit in Portland were hijacked by the passing of Muhammad Ali. Wait… What?! How does that happen?
A year ago, I opened started a publishing company and we came out with our first book Amerikan Krazy in late February. The author has a small backcatalogue that’s out of print, so in conjunction with his book launch, we’ve been slowly releasing ebook versions of his old titles. Coincidentally one of them was a fantastic little book about Ali entitled Muhammad Ali Retrospective, so I dropped everything I was doing to get it finished up and out as a quick way of honoring his passing.
But while I was working on some of the minutiae, I’ve been thinking in the back of my mind about the ideas of marginalia, commonplace books, and Amazon’s siloed community of highlights and notes. Is there a decentralized web-based way of creating a construct similar to webmention that will allow all readers worldwide to highlight, mark up and comment across electronic versions of texts so that they can share them in an open manner while still owning all of their own data? And possibly a way to aggregate them at the top for big data studies in the vein of corpus linguistics?
I think there is…
However it’ll take some effort, but effort that could have a worthwhile impact.
I have a few potential architectures in mind, but also want to keep online versions of books in the loop as well as potentially efforts like hypothes.is or even the academic portions of Genius.com which do web-based annotation.
If anyone in the IndieWeb, books, or online marginalia worlds has thought about this as well, I’d love to chat.
I was getting concerned that I hadn’t heard back from Sol for a while, particularly after emailing him late last week, and then I ran across this notice through ITSOC & the IEEE:
Solomon W. Golomb (May 30, 1932 – May 1, 2016)
Shannon Award winner and long-time ITSOC member Solomon W. Golomb passed away on May 1, 2016.
Solomon W. Golomb was the Andrew Viterbi Chair in Electrical Engineering at the University of Southern California (USC) and was at USC since 1963, rising to the rank of University and Distinguished Professor. He was a member of the National Academies of Engineering and Science, and was awarded the National Medal of Science, the Shannon Award, the Hamming Medal, and numerous other accolades. As USC Dean Yiannis C. Yortsos wrote, “With unparalleled scholarly contributions and distinction to the field of engineering and mathematics, Sol’s impact has been extraordinary, transformative and impossible to measure. His academic and scholarly work on the theory of communications built the pillars upon which our modern technological life rests.”
In addition to his many contributions to coding and information theory, Professor Golomb was one of the great innovators in recreational mathematics, contributing many articles to Scientific American and other publications. More recent Information Theory Society members may be most familiar with his mathematics puzzles that appeared in the Society Newsletter, which will publish a full remembrance later.
A quick search a moment later revealed this sad confirmation along with some great photos from an award Sol received just a week ago:
A sad day 4 @USC@USCViterbi@USCMingHsiehEE with the loss of beloved Sol Golomb. Was only last week we celebrated his Franklin medal.
As is common in academia, I’m sure it will take a few days for the news to drip out, but the world has certainly lost one of its greatest thinkers, and many of us have lost a dear friend, colleague, and mentor.
I’ll try touch base with his family and pass along what information sniff I can. I’ll post forthcoming obituaries as I see them, and will surely post some additional thoughts and reminiscences of my own in the coming days.
President Barack Obama presents Solomon Golomb with the National Medal of Science at an awards ceremony held at the White House in 2013.
Many regular readers here are sure to know who Claude Shannon is, but sadly most of the rest of the world is in the dark. To give you an idea of his importance in society and even a bit in pop culture, today’s Google doodle celebrates Shannon’s life and work.
Overview of Shannon’s Work
Most importantly, Shannon, in his 1937 Master’s Thesis at Massachusetts Institute of Technology applied George Boole’s algebra (better known now as Boolean Algebra) to electric circuits thereby making the modern digital revolution possible. To give you an idea of how far we’ve come, the typical high school student can now read and understand all of its content. If you’d like to give it a try, you can download it from MIT’s website.
His other huge accomplishment was a journal article he wrote in 1948 entitled “A Mathematical Theory of Communication” in the Bell Labs Journal. When it was republished a year later, one of the most notable changes was in the new title “TheMathematical Theory of Communication.” While copies of the original article are freely available on the internet, the more casual reader will appreciate the more recent edition from MIT Press which also includes a fabulous elucidative and extensive opening written by Warren Weaver. This paper contains the theoretical underpinning that allowed for the efflorescence of all modern digital communication to occur. It ranks as one of the most influential and far-reaching documents in human history rivaling even the Bible.
wo years ago today, I officially began to (try to) own all of my own web data and host it on my own server.
It began when I moved from WordPress.com to my own domain at BoffoSocko.com. At the time, I wasn’t aware of the IndieWeb movement, but shortly thereafter I ran across IndieWebCamp.org and began using their principles and philosophy, which seemed to me to be how the Web and the Internet should have worked from the start.
Though I still use corporate-owned social media sites (primarily for increased distribution), I no longer rely on them for being the sole source of my internet presence or identity.
Now, through the boffosocko.com domain and a variety of tools, I post all of my content here on my own site first and then syndicate it out to Facebook, Twitter, Google+, LinkedIn, Tumblr, and any other useful sites. [Sadly, because of API restrictions I do still natively post to Instagram, but using OwnYourGram, I’m able to programmatically post the same photo on my site simultaneously.] This means that if any of these silos were to disappear, I would still own all of my own content (including comments I make on other sites, which sometimes could be blogposts/articles in and of themselves, or worse, through administrative interfaces could actually not be approved/published, and therefore completely lost as if I hadn’t written them to begin with.)
Also slowly, but surely, I’ve been able to have all of the resulting interactions that take place on my content on many of these silos (Facebook, Twitter, Google+) appear back on my site in the comments section on the original post. This way, if you’re commenting and interacting on this post on Facebook (for example) and you comment there, the comment is ported over to the comment section on my own site where it exists for everyone to see and interact with.
If you think the mission and philosophy of the Indie Web are interesting and would like some help setting something like this up for yourself, I’m happy to help! Just post a comment below or reply to this post (depending on what platform you’re reading this.)
I also want to say a BIG THANK YOU to all those in the indieweb community who’ve helped me come much farther and faster than I would have done by myself!
I’m copying some useful introductory material from IndieWebCamp.org below for those interested:
What is the IndieWeb?
The IndieWeb is a people-focused alternative to the ‘corporate web’.
Selfdogfood instead of email. Show before tell. Prioritize by scratching your own itches, creating, iterating on your own site.
Design first, protocols & formats second. Focus on good UX & selfdogfood prototypes to create minimum necessary formats & protocols.
Perhaps most importantly, we are people-focused instead of project-focused, and have regular meetups where everyone is welcome:
Homebrew Website Club
Homebrew Website Club is a (bi)weekly meetup of creatives passionate about designing, improving, building, and actively using their own websites, sharing their successes and challenges with a like-minded and supportive community. We have adopted a similar structure as the classic Homebrew Computer Club meetings. [1]
We typically meet every other Wednesday* right after work, 18:30-19:30, across cities and online. Some locations also have a 17:30-18:30 Quiet Writing Hour beforehand. Edinburgh is meeting every week, and some cities meet on Tuesdays!
Apparently, according to Facebook, today is my 10th Anniversary using their service. Mostly I remember that it was pretty lonely for that first year as very few people I knew even had an idea what it was. Fortunately more than 1,300 people I know have joined since and made it a much more enriching experience.
Yesterday I got a thank you from Foursquare for 7 years, and it’s easily been over 8 years on Twitter. Sadly, I miss a lot of the services that started around that time that are no longer with us. Toward that end, I’ll post some thoughts tomorrow about a more pivotal anniversary about which I’m much more excited, and which portends better things for the internet…
I’ve been following a Google Alert for “information theory,” and so on an almost a daily basis for over 15 years I’ve seen thousands of notices and references to his excellent textbook Information Theory, Inference, and Learning Algorithms, which he kindly chose to freely share with the world. It’s really a great little textbook, and I recommend that everyone download it or purchase it and give it a read. In addition he has a fabulous series of video lectures to go with it as well. (Someone had actually asked me for information theory lectures on Quora last week, and his are some of the best.)
An instant classic, covering everything from Shannon’s fundamental theorems to the postmodern theory of LDPC codes. You’ll want two copies of this astonishing book, one for the office and one for the fireside at home.
Bob McEliece, information theorist and professor, California Institute of Technology
Sir David J.C. MacKay was the Regius Professor of Engineering at Cambridge University and a former professor of natural philosophy in the Department of Physics at at Cavendish Laboratory, University of Cambridge. He was also a leading figure in energy and climate change having written the accessible and highly praised book Sustainable Energy: Without all the Hot Air, which is also available for free on his site. In 2009 he was appointed to a five year term as Chief Scientific Advisor of the Department of Energy and Climate Change, United Kingdom.
His TED talk will give you an idea of some of his work in this area:
MacKay was elected a Fellow of the Royal Society in 2009. His nomination reads:
David MacKay introduced more efficient types of error-correcting code that are now used in satellite communications, digital broadcasting and magnetic recording. He advanced the field of Machine Learning by providing a sound Bayesian foundation for artificial neural networks. Using this foundation, he significantly improved their performance, allowing them to be used for designing new types of steel that are now used in power stations. He used his expertise in information theory to design a widely used interface called “dasher” that allows disabled people to write efficiently using a single finger or head-mounted pointer.
Sir David MacKay was knighted in the 2016 New Year Honours for services to scientific advice in government and to science outreach.
For those interested, he a great little blog. Here’s his last blogpost.
Below, from a variety of information theorists, mathematicians, and scientists is just the beginning of the outpouring of loss the world is experiencing today:
Deeply saddened to hear of the death today of David MacKay aged only 48—one of UK’s very best applied scientists: https://t.co/9QLq95BKzA
For the first time since 2013, when it appeared in Hollywood, IndieWebCamp is coming to Los Angeles! I’m definitely going, and I invite you to join us. For the past two years or so, I’ve been delving into the wealth of tools and resources the community has been developing. I’m excited to attend a local camp, help out in any way I can, and will help anyone who’s interested in learning more.
Join us in LA (Santa Monica) for two days of a BarCamp-style gathering of web creators building and sharing open web technologies to empower users to own their own identities & content, and advance the state of the #indieweb!
The IndieWeb movement is a global community that is building an open set of principles and methods that empower people to take back ownership of their identity and data instead of relying on 3rd party websites.
At IndieWebCamp you’ll learn about ways to empower yourself to own your data, create & publish content on your own site, and only optionally syndicate to third-party silos. Along the way you’ll get a solid grounding in the history and future of Microformats, domain ownership, IndieAuth, WebMention and more!
For remote participants, tune into the live chat (tons of realtime notes!) and the video livestream (URL TBD).
General IndieWeb Principles
Your content is yours
When you post something on the web, it should belong to you, not a corporation. Too many companies have gone out of business and lost all of their users’ data. By joining the IndieWeb, your content stays yours and in your control.
You are better connected
Your articles and status messages can go to all services, not just one, allowing you to engage with everyone. Even replies and likes on other services can come back to your site so they’re all in one place.
You are in control
You can post anything you want, in any format you want, with no one monitoring you. In addition, you share simple readable links such as example.com/ideas. These links are permanent and will always work.
Where
Pivotal
1333 2nd Street, Suite 200
Santa Monica, CA, 90401
United States Map
Day 0 is an optional prep night for people that want to button up their website a little bit to get ready for the IndieWebCamp proper.
18:30 Organizer setup
19:00 Doors open
19:15 Introductions
19:30 Build session
22:00 Day 0 closed
Day 1 Discussion
Day 1 is about discussing in a BarCamp-like environment. Bring a topic you’d like to discuss or join in on topics as they are added to the board. We make the schedule together!
08:00 Organizer setup
08:30 Doors open – badges
09:15 Introductions and demos
10:00 Session scheduling
10:30 Sessions
12:00 Group photo & Lunch
13:00 Sessions on the hour
16:00 Last session
17:00 Day 1 closing session, break, meetup later for dinner
Day 2 Building
Day 2 is about making things on and for your personal site! Work with others or on your own.
09:30 Doors open – badges
10:10 Day 2 kick-off, session scheduling
10:30 Build sessions
12:00 Catered lunch
14:30 Build sessions continue
15:00 Demos
16:30 Community clean-up
17:00 Camp closed!
I’d played around with many of them in the past, but a recent conversation with Matt Gross about News Genius and their issues in the last week reminded me about internet annotation platforms. Since some of what I write here is academic in nature, I thought I would add native Hypothes.is Annotation support to the site.
If you haven’t heard about it before, you might find the ability to highlight and annotate web pages very useful. Hypothesis allows for public or private highlights and notes and it can be a very useful extension of one’s commonplace book.
At the moment, I’m not sure where it all fits into the IndieWeb infrastructure I’m building here, but, at least for the moment, I’d hope that those making public annotations and notes will also enter their commentary into the comments either here on the blog or by way of syndicated versions on Facebook or Twitter so that they’re archived here for posterity. (Keep in mind site-deaths are prevalent and even Hypothes.is acknowledges in a video on their homepage that there have been many incarnations of web annotations that have come and gone in the life of the internet.) Perhaps one day there will be a federated and cross-linked version of highlights and annotations in the IndieWeb universe with webmentions included?!
Educators and researchers interested in using web annotation are encouraged to visit the wealth of information provided by providers like Hypothes.is and Genius.com. In particular, the Hypothes.is blog has some great material and examples over the past year, and they have a special section for educators as well.
As it’s similar in functionality to highlighting on the web, I’ll remind users that we also still support Kevin Marks’sfragmentions as well.
If anyone is aware of people or groups working on the potential integration of the IndieWeb movement (webmentions) and web annotation/highlighting, please include them in the comments below–I’d really appreciate it.
I have a feeling that a few more sales this week would not only put us solidly in the top 100 in the first category, but could earn the book a space among some of the greats in the genre along with Kurt Vonnegut, Carl Hiaasen, Ray Bradbury, Bret Easton Ellis, Vladimir Nabokov, Don Delillo, Thomas Pynchon, and Umberto Eco!
If you haven’t purchased a copy yet, but want to help support our efforts to get the book out there, now is the time to take the plunge.
If you’re a Kindle Unlimited member, keep in mind that you can read the ebook for free! If you’re not a member, you can read it now by trying the Amazon Kindle Unlimited 30-Day Free Trial.
This afternoon on the Food Network, I saw this surprising and shocking commercial:
https://www.youtube.com/watch?v=-HyH5v_WCj4
I was so surprised that I actually had to rewind and rewatch it to make sure I’d actually heard it correctly.
Given the casting and the bright cinematography reminiscent of a Saturday Night Live skit (particularly with the talented and heavily underrated Evan Arnold), I was hoping to have a nice little laugh, but I was stunned by the tag line at the end. And no, I’m not talking about the advertising agency’s designated tagline “Booyah!”, which cleverly buries the lede; I’m talking about the tagline they designed to be remembered and the one which threw me: “Bush’s Baked Beans: The Vegetable Kids Love.”
While technically correct in so many of the wrong ways based on the USDA’s definition of vegetables, this commercial and its definition of vegetable belies the spirit in which the vast majority of American viewers are going to view and understand it. (And I’ll freely admit that at any given time, I’ve got up to two quarts of cooked beans in my refrigerator and a massive 25 pound bag of dried beans in the larder.)
I’ll at least give them credit that the dish served in the commercial did feature chicken as the protein, which by the USDA guidelines then pushes the beans into the “vegetable” column rather than the protein column in this meal. And I’ll further credit them that the serving sizes are almost reasonable for children of this age, though I suspect that from a commercial production standpoint, the small servings were more a function of trying to better feature the beans on the plate. However, if this is a balanced dinner, I’m guessing that the children aren’t getting their USDA RDA for “true” vegetables and fruit and are drastically overdosing on protein.
Fortunately, this commercial isn’t as egregious as Cheetos suggesting that they’re part of the vegetable food group because they’re made out of corn byproduct (incidentally, they have a pitiful Overall Nutritional Quality Index of 4!), but it does leave us on the terribly slippery slope that probably isn’t helping the overall American diet.
Beans and peas are the mature forms of legumes. They include kidney beans, pinto beans, black beans, lima beans, black-eyed peas, garbanzo beans (chickpeas), split peas and lentils. They are available in dry, canned, and frozen forms. These foods are excellent sources of plant protein, and also provide other nutrients such as iron and zinc. They are similar to meats, poultry, and fish in their contribution of these nutrients. Therefore, they are considered part of the Protein Foods Group. Many people consider beans and peas as vegetarian alternatives for meat. However, they are also considered part of the Vegetable Group because they are excellent sources of dietary fiber and nutrients such as folate and potassium. These nutrients, which are often low in the diet of many Americans, are also found in other vegetables.
Because of their high nutrient content, consuming beans and peas is recommended for everyone, including people who also eat meat, poultry, and fish regularly. The USDA Food Patterns classify beans and peas as a subgroup of the Vegetable Group. The USDA Food Patterns also indicate that beans and peas may be counted as part of the Protein Foods Group. Individuals can count beans and peas as either a vegetable or a protein food.
Yesterday, along with my friend Henry James Korn, I attended the opening of the BC Space Gallery exhibition Amerikan Krazy: Life Out of Balance, and it was fantastic! If you’ve got time to see it sometime in the next few weeks until it closes on May 20th, I guarantee you won’t be disappointed. I don’t think I’ve experienced so much shock and amazement at an exhibition in a long time.
Sadly, Henry won’t be there doing a live reading of his new novel Amerikan Krazy every day for the next month, but you’ll be continually astounded for the entire time you’re there emoting over all of the work on display in an exhibition that is not only aptly named but touches on many aspects of the cultural zeitgeist.
Jeff Gillete, Desert Debris Dismayland Castle
I walked through the gallery half a dozen times over four hours and was continually amazed by new things I’d run into that I somehow hadn’t seen on my first passes, or I’d experience new emotions in pieces I’d spent time studying after coming back to them after viewing others.
For those attending, I hope you’ll notice the experience begins almost as soon as you open the door, it continues even for those who visit the restrooms(!), and it doesn’t end until you’re dumbfounded even as you leave the gallery–in fact, I was so intrigued that I walked back up the stairs to leave a second time.
I was particularly enamored by many of the Glenn Brooks pieces, a fantastic video by Max Papeschi, and the haunting work of Tom Lamb, who I had the pleasure of meeting at the gallery.
Below is a small sampling of some snapshots I took (along with a few professional shots), but don’t let the poor quality of my photography detract from experiencing it more viscerally in person. (Click photos to enlarge and view slideshow.)
Jeff Gillete, Desert Debris Dismayland Castle
Max Papeschi, Friendly-fire
Max Papeschi, Just Married
Jorg Dubin, Corporate Clown
Glenn Brooks, Equal Justice
Lynn Kubacek, Conversations with My Mother (2004)
Glenn Brooks, Adding Human Costs (2004)
Straight jacket with hood
Henry Korn poses with a “Corporate Clown”
Sponsored Warfare
Here’s the original invitation from Mark Chamberlain and the BC Space Gallery in Laguna Beach:
Dear Friends of BC Space
…Here we go again, as go we must.
BC Space Gallery is proud to present Amerikan Krazy: Life Out of Balance featuring the work of over twenty notable southland artists.
There will be an opening reception on Sunday, March 20, MMXVI, from 1-5 PM in celebration of the Vernal Equinox when our planet once again achieves balance between light and dark.
At the opening, from 2-4 PM, Henry James Korn will launch his new book Amerikan Krazy after which this show was named and thematically assembled. Henry’s comic masterpiece picks up where George Orwell, Jules Verne, and Edward Abbey left off, and turns political writing into art.
Henry Korn is the former director of the Art, Culture, and Heritage program at the Orange County Great Park. At the conclusion of his reading, there will be a discussion period on how the original grand dream for the transformation of the former Marine Corps air base has changed from a public serving project into a corporate theme park, sports complex, and housing development that mirrors the “Founding Father Land” depicted in Korn’s relentless satirical novel.
Amerikan Krazy: Life Out of Balance includes work by: Jorg Dubin, Joella March, Stephen Anderson, Jeff Gillette, F. Scott Hess, Tom Lamb, Douglas McCulloh, Haley Blatte, Jerry Burchfield, Mark Chamberlain, Ricardo Duffy, Jared Milar, Max Papeschi, Jessica DeStephano, Lynn Kubasek, Glenn Brooks, Ron English, Dustin Shuler, Clayton Spada, Jacques Garnier, Pat Spakuhl, and Dan Van Clapp.
This exhibition will be on display until May 20, 2016. Gallery hours are by arrangement. The opening reception is free to the public, but seating for the book launch is limited so reservations are encouraged.
For additional information please contact the gallery or Mark Chamberlain.
If you haven’t heard about it before, you might find the ability to highlight and annotate web pages very useful. Hypothesis allows for public or private highlights and notes and it can be a very useful extension of one’s commonplace book.
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