Read Six uses for Huffduffer by Karin Taliga (The Pilcrow)
I keep thinking of new and creative ways to use Huffduffer. If you haven’t heard of it, or used it, let me explain what it does. It’s a service that creates a personal podcast feed out of audio links you add to it.
Karin mentions a lot of great material here that isn’t always obvious about how one an use Huffduffer. The one thing she didn’t mention was what her handle on the service is so others can follow her or some of the discovery related uses of Huffduffer.

While most of my readers will see all of my Huffduffer activity here on my own site, you can also follow all of my audio bookmarking there as well if you wish.

Read Why I Listen to Podcasts at 1x Speed by Brent Simmons (inessential.com)
We’re in danger, I think, of treating everything as if it’s some measure of our productivity. Number of steps taken, emails replied-to, articles read, podcasts listened-to. While accomplishing things — or just plain getting our work done — is important, it’s also important that not everything go in that bucket. The life where everything is measured is not really a full life: we need room for the un-measured, the not-obsessed-about, the casual, the fun-for-fun’s sake.
Listened to We Made a Lipstick For You! from On the Media | WNYC Studios
Lipstick designer Poppy King is a devoted OTM listener. In collaboration with our own Brooke Gladstone, she has designed a lipstick called Well Red. How to get one? Just listen!

While this segment is assuredly about lipstick, I also hear it as a discussion of identity and how we present ourselves. I can’t help but thinking about a version that’s a bit closer to my heart of online identity. Sometimes I’ll use website themes in the same way Poppy discusses her lipstick and how it makes her feel internally.
Read What Happened to Tagging? by Alexandra SamuelAlexandra Samuel (JSTOR Daily)
Fourteen years ago, a dozen geeks gathered around our dining table for Tagsgiving dinner. No, that’s not a typo. In 2005, my husband and I celebrated Thanksgiving as “Tagsgiving,” in honor of the web technology that had given birth to our online community development shop. I invited our guests...
It almost sounds like Dr. Samuel could be looking for the IndieWeb community, but just hasn’t run across it yet. Since she’s writing about tags, I can’t help but mischievously snitch tagging it to her, though I’ll do so only in hopes that it might make the internet all the better for it.

Tagging systems were “folksonomies:” chaotic, self-organizing categorization schemes that grew from the bottom up.

There’s something that just feels so wrong in this article about old school tagging and the blogosphere that has a pullquote meant to encourage one to Tweet the quote.
–December 04, 2019 at 11:03AM

I literally couldn’t remember when I’d last looked at my RSS subscriptions.
On the surface, that might seem like a win: Instead of painstakingly curating my own incoming news, I can effortlessly find an endless supply of interesting, worthwhile content that the algorithm finds for me. The problem, of course, is that the algorithm isn’t neutral: It’s the embodiment of Facebook and Twitter’s technology, data analysis, and most crucial, business model. By relying on the algorithm, instead of on tags and RSS, I’m letting an army of web developers, business strategists, data scientists, and advertisers determine what gets my attention. I’m leaving myself vulnerable to misinformation, and manipulation, and giving up my power of self-determination.

–December 04, 2019 at 11:34AM

You might connect with someone who regularly used the same tags that you did, but that was because they shared your interests, not because they had X thousand followers.

An important and sadly underutilized means of discovery. –December 04, 2019 at 11:35AM

I find it interesting that Alexandra’s Twitter display name is AlexandraSamuel.com while the top of her own website has the apparent title @AlexandraSamuel. I don’t think I’ve seen a crossing up of those two sorts of identities before though it has become more common for people to use their own website name as their Twitter name. Greg McVerry is another example of this.

Thanks to Jeremy Cherfas[1] and Aaron Davis[2] for the links to this piece. I suspect that Dr. Samuel will appreciate that we’re talking about this piece using our own websites and tagging them with our own crazy taxonomies. I’m feeling nostalgic now for the old Technorati…

Read What Happened to Tagging? by Aaron DavisAaron Davis (Read Write Collect)
Alexandra Samuel reflects on tagging and its origins as a backbone to the social web. Along with RSS, tags allowed users to connect and collate content using such tools as feed readers. This all changed with the advent of social media and the algorithmically curated news feed. Samuel wonders if we h...

Alexander Samuel reflects on tagging and its origins as a backbone to the social web. Along with RSS, tags allowed users to connect and collate content using such tools as feed readers. This all changed with the advent of social media and the algorithmically curated news feed.

Tags were used for discovery of specific types of content. Who needs that now that our new overlords of artificial intelligence and algorithmic feeds can tell us what we want to see?!

Of course we still need tags!!! How are you going to know serendipitously that you need more poetry in your life until you run into the tag on a service like IndieWeb.xyz? An algorithmic feed is unlikely to notice–or at least in my decade of living with them I’ve yet to run into poetry in one.
–December 04, 2019 at 10:56AM

Listened to Designed to Intimidate from On the Media | WNYC Studios

Millions tuned into impeachment hearings this week — the first two of five already scheduled. On this week’s show, why shifts in public opinion may not necessarily sway the GOP. Plus, what we can learn from the predatory tactics that enriched Bill Gates.

1. Nicole Hemmer [@pastpunditry], author of Messengers of the Right: Conservative Media and the Transformation of American Politicson the false premise underlying hope for President Trump's removal. Listen.

2. John Dean [@JohnWDean] former White House counsel, on the lessons he's applying from Watergate to the impeachment hearings for President Trump. Listen.

3. Former Labor Secretary Rob Reich [@RBReich] and Goliath author Matt Stoller [@matthewstoller] on how billionaires like Bill Gates use their power and wealth to force their vision on society. Listen.

IndieWeb is the beginning of the end of the gilded age of social media. Major corporations like Facebook, Twitter, et al. have made having an internet presence and communicating with others simple and free. We now know that their definition of “free” is far from our definition.

It’s like the drug dealer who says you can get bribed or you can get a bullet. […] What you always see with monopolists who control an important platform: they use control of that platform to take control of markets that have to live on that platform.

— Matt Stoller, a Fellow at the Open Markets Institute, in On the Media: Designed to Intimidate [November 15, 2019]
Previously, Stoller was a Senior Policy Advisor and Budget Analyst to the Senate Budget Committee and also worked in the US House of Representatives on financial services policy, including Dodd-Frank, the Federal Reserve, and the foreclosure crisis.

Facebook values you at around $158.[1]

Facebook profits off of its 1.4 billion daily users in a big way: According to its most recent filings with the Securities and Exchange Commission, the average revenue per user in 2017 was $20.21 ($6.18 in the fourth quarter alone). Users in the U.S. and Canada were worth even more because of how big the markets are.

Money.com in March 2018

Now that you know what you and your data are worth, why not invest in yourself instead?

For about $5 a month or $60 a year, you can pay for an account on micro.blog and have a full suite of IndieWeb tools at your disposal. It’s simple, beautiful, but most importantly it gives you control of your own data and an open and independent presence on the entire web instead of a poor simulacrum of it walled away from everyone else. Of course there are other options available as well, just ask how you can get started.

Listened to OTM presents: Shell Shock 1919: How the Great War Changed Culture by Sara Fishko from On the Media | WNYC Studios

WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture.

You really have a feeling that here is a building that looks fantastically beautiful, and it’s got its whole façade simply blown off by this war.

 -Philipp Blom

World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more.

WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture.

Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky

I was a bit surprised that they mentioned George Antheil, but left out his work and collaboration with Hedy Lamar who was a German refugee whose husband was a major arms dealer for the Germans.

This is a fantastic piece that makes me want to subscribe to more of Fishko’s work.

Listened to Curiouser and Curiouser from On the Media | WNYC Studios

A close-up on John Solomon's role in the impeachment saga, and the black nationalist origins of Justice Clarence Thomas.

President Trump’s concerns about corruption in Ukraine began, in part, with a series of articles in a publication called The Hill. On this week’s On the Media, a close-up on the columnist whose dubious tales may lead to an impeachment. Plus, the black nationalist origins of Justice Clarence Thomas’s legal thinking.

1. Paul Farhi [@farhip], Washington Post media reporter, and Mike Spies [@mikespiesnyc], ProPublica reporter, on John Solomon's role in the impeachment saga. Listen

2. Corey Robin [@CoreyRobin], writer and political scientist at Brooklyn College and the CUNY Graduate Center, on all that we've missed (or ignored) about Justice Clarence Thomas. Listen

This is a fascinating thesis about Justice Clarence Thomas and who he really is. I totally want to read The Enigma of Clarence Thomas now.
Listened to Can We Govern Ourselves? from On the Media | WNYC Studios

Can we govern ourselves? John Adams didn't think so. Brooke speaks with Jill Lepore about her book "These Truths."

As Americans battle for control of the future of the United States, it seems that we're always going back to founding documents and core principles: relying on them and reinterpreting them, in what seems to be an increasingly arduous effort to govern ourselves. It all starts to beg an uncomfortable question: in the end, can we govern ourselves? John Adams didn’t think so. He said that all political systems, whether monarchy, democracy, aristocracy, were equally prey to the brutish nature of mankind.

Harvard historian Jill Lepore wrote a sweeping history of the American experiment called These Truths: A History of the United States. Brooke spoke with Lepore about this country's history and the history of the contested — and supposedly self-evident — truths under-girding our shaky democracy. 

This segment is from our November 9th, 2018 episode, We're Not Very Good At This.

Read Following other blogs on Micro.blog by Manton Reece (manton.org)
After launching support for Mastodon on Micro.blog, I blogged about how Micro.blog is evolving to support 3 types of usernames: normal Micro.blog users, Mastodon users, and IndieWeb-friendly domain names. This last type of username is where I think we can bring more social network-like interactions ...
Listened to The Daily: Why So Many Hospitals Are Suing Their Patients from nytimes.com
“My daughter has to eat,” one mother said. “And if it’s choosing between that or paying a doctor bill, I’m going to choose her.”

Read Project Naptha (projectnaptha.com)
Project Naptha automatically applies state-of-the-art computer vision algorithms on every image you see while browsing the web. The result is a seamless and intuitive experience, where you can highlight as well as copy and paste and even edit and translate the text formerly trapped within an image. The Tyger

What the hand dare seize the fire?

I find it so heartening that one can use Project Naptha to highlight, copy and paste, and even edit and translate text formerly trapped within an image.

I’m further impressed that it also works with Hypothes.is!
–December 01, 2019 at 09:40AM

Though upon revisiting, it seems like the text is temporarily highlighted on Hypothesis (which probably only works with Naptha installed), then disappears, and the annotation is shown as an orphan.

Apparently Naptha only acts as a middle layer to allow the OCR of the image and that without it, the fingerprinting process Hypothes.is uses can’t find it after the fact.

Perhaps Hypothes.is could recognize that the highlighted text is being supplied by a third-party layer and instead of orphaning the highlighted text, it could anchor the highlight to the associated image instead?
–December 01, 2019 at 09:44AM

Naptha, its current name, is drawn from an even more tenuous association. See, it comes from the fact that “highlighter” kind of sounds like “lighter”, and that naptha is a type of fuel often used for lighters. It was in fact one of the earliest codenames of the project, and brought rise to a rather fun little easter egg which you can play with by quickly clicking about a dozen times over some block of text inside a picture.

Now if only I could do this with my Hypothes.is annotations! Talk about highlighting!
–December 01, 2019 at 10:06AM

There is a class of algorithms for something called “Inpainting”, which is about reconstructing pictures or videos in spite of missing pieces. This is widely used for film restoration, and commonly found in Adobe Photoshop as the “Content-Aware Fill” feature.

This reminds me of a tool called asciinema that allows highlighting text within a video.
–December 01, 2019 at 10:13AM