Incidentally, I spent a chunk of yesterday looking at S.D. Goitein’s note taking process (zettelkasten) in his work on the Cairo Geniza, specifically with respect to:
Category: Reply
Given limited instance search, this link may be better: https://mastodon.social/tags/FeedReaderFriday
I’ve also recently run across: https://bringback.blog/
If you’re repopulating a feed reader, I’ve got a long list in which folks may find some interesting tidbits hiding: https://boffosocko.com/about/following/. Potentially easier if your reader supports OPML.
In this area, I prefer using Zotero for collecting, ResearchRabbit for expanding scope, Hypothes.is for note taking/annotations which I then pipe into Obsidian for revising, cross linking, and further writing/revisions. Depending on the project, some of it may be more analog with index cards similar to Victor Margolin’s process.
To show the general benefits, I’m copying and pasting from my own prior notes and writing:
ZK is an excellent tool for literature reviews! It is a relative neologism (with a slightly shifted meaning in English over the past decade with respect to its prior historical use in German) for a specific form of note taking or commonplacing that has generally existed in academia for centuries. Excellent descriptions of it can be found littered around, though not under a specific easily searchable key word or phrase, though perhaps phrases like “historical method” or “wissenschaftlichen arbeitens” may come closest.
Some of the more interesting examples of it being spelled out in academe include:
- Thomas, Keith. “Diary: Working Methods.” London Review of Books, June 10, 2010. https://www.lrb.co.uk/the-paper/v32/n11/keith-thomas/diary.
- Webb, Sidney. Methods of Social Study. London; New York: Longmans, Green & Co., 1932. http://archive.org/details/b31357891.
- Eco, Umberto. How to Write a Thesis. Translated by Caterina Mongiat Farina and Geoff Farina. 1977. Reprint, Cambridge, MA, USA: MIT Press, 2015. https://mitpress.mit.edu/books/how-write-thesis.
- Sertillanges, Antonin Gilbert, and Mary Ryan. The Intellectual Life: Its Spirit, Conditions, Methods. First English Edition, Fifth printing. 1921. Reprint, Westminster, MD: The Newman Press, 1960. http://archive.org/details/a.d.sertillangestheintellectuallife. (Particularly ch 7 if I recall correctly)
- Allosso, Dan, and S. F. Allosso. How to Make Notes and Write. Minnesota State Pressbooks, 2022. https://minnstate.pressbooks.pub/write/. (The first half of the book on notes is most useful in this context; see also https://boffosocko.com/2022/08/02/how-to-make-notes-and-write-a-handbook-by-dan-allosso-and-s-f-allosso/)
Ahrens, Sönke. How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking – for Students, Academics and Nonfiction Book Writers. Create Space, 2017.For academic use, anecdotally I’ve seen very strong recent use of the general methods most compellingly demonstrated in Obsidian (they’ve also got a Discord server with an academic-focused channel) though many have profitably used DevonThink and Tinderbox (which has a strong, well-established community of academics around it) as much more established products with dovetails into a variety of other academic tools. Obviously there are several dozens of newer tools for doing this since about 2018, though for a lifetime’s work, one might worry about their longevity as products.
I study many of these methods from the viewpoint of intellectual history (and not just for my own use), so I’m happy to discuss them and their variations ad nauseam.
I wonder if anyone is documenting the amount of course material that disappears and dies in LMSs the way that some track the loss of data and content when social media silos disappear? Our institutions need to do more to help us here.
McPhee’s Draft No. 4 suggests a useful and fun writing exercise, but it’s missing the hidden contextual advice of using older dictionaries like Webster’s 1913 dictionary.
Encouraging creative writers to keep and maintain a commonplace book is always a fruitful exercise. Most of the “greats” had one (or something close to it), but contemporary examples like Eminem’s may be more relevant/motivating. Blogger and creative writer Austin Kleon has a digital version as an example. Colleen Kennedy has an excellent and creative class assignment relating to this as well.
Musician and producer Brian Eno and artist Peter Schmidt created a set of 100+ “creativity cards” which they entitled Oblique Strategies that can be useful to introduce to students and have them use over a semester. All the editions’ cards can be found via links here: http://www.rtqe.net/ObliqueStrategies/Edition1-3.html, but there are also websites, apps, and even printable cards.
And finally, speaking of cards, it can be fun to do experimental creative writing using index cards, a practice used by Vladimir Nabokov, Jean Paul, Arno Schmidt, Michael Ende, and many others. Open Culture has a short piece on Nabokov’s process.
Should you care to mine it for other possible ideas, I’ve got a digital commonplace of my own. Here are some possible places to start:
- https://hypothes.is/users/chrisaldrich?q=tag%3A%22creative+writing%22
- https://hypothes.is/users/chrisaldrich?q=tag%3A%22writing+advice%22
- https://hypothes.is/users/chrisaldrich?q=tag%3Acreativity
References
Scott (@schopie1), you are not alone! There are lots of us out here doing these things, not only with WordPress but a huge variety of other platforms. There are many ways to syndicate your content depending on where it starts its life.
In addition to Jim Groom and a huge group of others’ work within A Domain of One’s Own, there’s also a broader coalition of designers, developers, professionals, hobbyists, and people of all stripes working on these problems under the name of IndieWeb.
For some of their specific work you might appreciate the following:
- https://indieweb.org/Indieweb_for_Education
- https://indieweb.org/A_Domain_of_One%27s_Own
- https://indieweb.org/academic_samizdat
- https://indieweb.org/WordPress
- https://indieweb.org/Category:syndication
Incidentally, I wrote this for our friend Kathleen Fitzpatrick last week and I can’t wait to see what she’s come up with over the weekend and in the coming weeks. Within the IndieWeb community you’ll find people like Ben Werdmuller who founded both WithKnown (aka Known) and Elgg and Aram Zucker-Scharff who helped to create PressForward.
I’m thrilled to see the work and huge strides that Humanities Commons is making to ensure some of these practices come to fruition.
If you’re game, perhaps we ought to plan an upcoming education-related popup event as an IndieWebCamp event to invite more people into this broader conversation?
If you have questions or need any help in these areas, I’m around, but so are hundreds of friends in the IndieWeb chat: https://chat.indieweb.org.
I hope we can bring more of these technologies to the masses in better and easier-to-use manners to lower the technical hurdles.
On the deadnaming and related issues, it would be interesting to create a webmention mechanism for the h-card portions so that users might update these across networks. To some extent Automattic’s Gravatar system does this in a centralized manner, but it would be interesting to see it separately. Certainly not as big an issue as deadnaming, but there’s a similar problem on some platforms like Twitter where people will change their display name regularly for either holidays, or lately because they’re indicating they’d rather be found on Mastodon or other websites.
The webmention spec does contain details for both editing/deleting content and resending webmentions to edit and/or remove the original. Ideally this would be more broadly adopted and used in the future to eliminate the need for making these choices by leaving the choice up to the original publisher.
Beyond this, often on platforms that don’t have character limits (Reddit for example), I’ll post at the bottom of my syndicated copy of content that it was originally published on my site (along with the permalink) and explicitly state that I aggregate the replies from various locations which also helps to let people know that they might find addition context or conversation at the original post should they be interested. Doing this on Twitter, Mastodon, et al. is much harder due to space requirements obviously.
While most responses I send would fall under fair use for copying, I also have a Creative Commons license on my text in an effort to help others feel more comfortable with having copies of my content on their sites.
Another ethical layer to this is interactions between sites which both have webmentions enabled. To some extent this creates an implicit bi-directional relationship which says, I’m aware that this sort of communication exists and approve of your parsing and displaying my responses.
The public norms and ethics in this area will undoubtedly evolve over time, so it’s also worth revisiting and re-evaluating the issue over time.
