Here’s my pitch for a Dumb Twitter app: The app forces you to tweet at the original 140 character tweet length. You can reply. You can’t like or retweet. You most certainly can’t quote tweet. There is no private DMing. Linear tweet stream only.
Adam, as you describe “dumb Twitter”, I can’t help but think about many of the design decisions that Manton Reece has made while more consciously designing and building micro.blog which specifically leaves out reposting, likes, and quote tweets as you’ve indicated. Admittedly micro.blog is still relatively small in scale compared to Twitter, and perhaps that size also helps guard against some of the toxic behaviors seen in Twitter. However, I might also suggest that since people are paying for a product and/or using one that has their personal identity built right into it with their own custom domain name, they are far less likely to proverbially “shout from their front porch” at passerby.
I notice you have a micro site which you were using with a micro.blog account, though I suspect you may have given up experimenting with them? Admittedly there is a bit of a technical hurdle in dovetailing either a WordPress or WithKnown site into the platform, but even tying RSS feeds from these platforms into the system isn’t too difficult.
I suspect that as a proponent of DoOO, you may find it fruitful to take another crack at micro.blog which, to a great extent, is really just a DoOO platform for the broader public. For a small monthly fee it allows users to bring their own domain name and get inexpensive hosting to own their own content including articles, status updates, photos, and podcasts. Otherwise, for free, you can use your own site (as you started to) and interact with the community by syndicating your content into it via RSS instead of crossposting via other means they way you’ve done with Twitter in the past.
I might suggest you try using your WithKnown site with micro.blog instead of WordPress, particularly as Known supports webmention out of the box. As a result, anything you syndicate into the system will automatically provide you notifications of any replies. You could then have just the “dumb Twitter” you wanted along with a solid DoOO solution at the same time. Ultimately you’d be using the micro.blog interface as a feed reader to scroll through content while posting your content from your own site.
I’m happy to help if you need any getting set up or experimenting. There’s a lot more power and value in the hybrid set up that micro.blog provides than it gets credit for.
As I’m thinking about bookclubs and Hypothes.is, I sort of wish that Ruined by Design was either online or in .pdf format so that I could use a Hypothes.is group to highlight/annotate my copy with their tool for my bookclub. I’m curious if there are any non-academic bookclubs using it in the wild?
Obviously it’s great for reading native digital content, material in the public domain, or Creative Commons content, but how could one work on participatory annotations for more restricted copyright material? Is there a Hypothes.is plugin for the Kindle, Kindle apps, or other e-readers that may work with copyright material?
We’re launching Domain of One’s Own at my institution this year. If you haven’t heard of Domains, it’s a program that helps institutions offer students, faculty, and staff online spaces that they control. Domains grew out of a project at the University of Mary Washington (UMW). Co-founders J...
Below is a draft proposal which I’m submitting for a possible upcoming talk at WPCampus from July 25-27, 2019 in Portland, OR. If you don’t have the patience and can’t wait for the details, feel free to reach out and touch base. I’m happy to walk people through it all before then. If you’re looking for other upcoming events or need help, check out any of the upcoming Homebrew Website Clubs, IndieWebCamps, the IndieWeb Summit 2019, or even Domains2019.
Session Title
Dramatically extending a Domain of One’s Own with IndieWeb technology: How to improve your online research notebooks, commonplace books, and digital pedagogy
Session description
(This description will be edited and used on the website. Please include 1-2 paragraphs and a list of key takeaways for the audience.)
Having a Domain of One’s Own and using it as a “thought space” to own your online identity and work is just the tip of the iceberg. Can you imagine how useful it would be if you could use your Twitter account to reply to someone on Facebook (without needing a Facebook account) or vice versa? Open web technology from the IndieWeb movement that utilizes simple plugins, modules, or even built-in functionality now exists so that people can now use WordPress, Drupal, WithKnown, Grav and many other content management systems on any domain name to have rich site-to-site communications in a simple and intuitive way. Third party (and often unethical) corporate platforms are no longer needed to have rich interactions between scholars on the web.
It is now easily possible to have a teacher write a post on their own website and their students to easily reply/react to that post on their own websites (along with a useful reply context) and send that reply to the teacher’s website for possible display. Each participant can now own a copy of both sides of the conversation.
Teachers and students will learn how to (individually or together) collect, analyze, write, collaborate, and interact easily online while doing so in a space they own and control without giving away their data to third party platforms.
Researchers can now easily bookmark, highlight, or annotate portions of the web and keep this data (public/private) on their own website (aka digital commonplace book or notebook) for future reference or use.
We’ll show how courseware can be decentralized so that the instructor and the students each own their own pieces of the learning processes and can keep them for as long as they wish.
We will demonstrate how one can use their WordPress-based website with a few simple plugins to own all of the traditional social media types (bookmarks, items read, highlights, annotations, comments/replies, photos, status updates, audio, checkins, etc.) on their own site while still allowing interacting (if desired) with other websites as well as in social spaces like Twitter, Instagram, Swarm, etc.
We will demonstrate a new generation of free feed readers that allow composing in-line responses and reactions that post them directly to one’s own website as well as send notification to the site being read and interacted with.
You can now have the joy of a Domain of Your Own and still easily interact just as if your site were a (better-than) first class social media platform.
More Information About Your Session
(Please describe your session in greater detail for the organizers. You may be more casual in this description as it will not be posted on the website.)
In some sense, this session will be a crash course on using IndieWeb technologies and building-blocks with WordPress in the Education space. I’ll aim to remove a lot of technical jargon and keep coding examples to a bare minimum (if using any at all) so that those with the technical ceiling of downloading and installing a plugin can immediately benefit from the talk. I will also provide enough pointers and describe the broad outlines that developers will have a broad overview of the IndieWeb space to find and extend these plugins and functionality if they wish.
I’ll be covering the basics of new W3C recommendations like Webmention, Micropub, and WebSub along with forthcoming specs like Microsub in combination with IndieAuth (a version of OAuth2 for login). I’ll show how they can be applied to personal websites in research, teaching, collaboration, and other educational domains like creating Open Educational Resources. Many of these can be easily implemented in WordPress with just a handful of simple plugins that allow the web to become the social media platform we all wish it would be.
I’ll use examples from my own personal website and several others (which use Drupal, WithKnown, Grav, etc.) to show how these plugins can be used in educational settings and will walk through a case study of a course built using DoOO and IndieWeb philosophies and technologies (EDU 522: Digital Teaching and Learning at Southern Connecticut State University) on which I collaborated with Dr. Gregory McVerry.
WPCampus is looking for stories, how-tos, hypotheticals, demos, case studies and more for our fourth annual in-person conference focused on WordPress in higher education.
Read Chapters: The Ethics of Design, How Designers Destroyed the World, and Moving Fast and Breaking Things
I was very reticent about this book at first, but it is way more essential than I initially thought! I knew I was going to know almost all of the examples, and I’ve generally been right on that account so far, but he’s going beyond the problems with potential solutions. I was worried it was going to be something that I would appreciate and heartily recommend to others without getting much out of it myself, but it reads quickly and easily and there’s a lot here that I want to come back and ponder about further.
Despite the fact that I don’t feel like a professional web designer by trade, what he’s talking about here are standards of human care and interaction that anyone who makes anything should be thinking about on a daily basis. Whether you’re building or creating things for others or even making your own daily life, at heart, you’re designing something.
If Chuck Chugumlung hasn’t come across this book yet with respect to his Design X Pasadena group, I’ll recommend it heartily to him.
I also find myself thinking a lot about how people are building and designing technologies in the edtech space. May of the researchers, professors, and instructional designers I know are immersed in some of the ethics and morals behind using these technologies. Generally I hear them talking about what they “wish” they had as tools, but often they seem to be stuck with things they don’t really want and are then attempting to figure out ways around these technologies after-the-fact so that they can use them in an ethical manner. They really need to stand up, refuse to use what they’re given, and demand better design from the start. Even if they’re incapable of building their own tools, they’re slowly, but surely going to loose the war if they don’t move upstream to where the actual decisions are being made. Fortunately some of the work I see in the OER space is being done at the grass roots where people have more choice and say in the design, but I worry that if they’re not careful, those tools will be siloed off with bad design choices by for-profit companies as well.
Some of us have thought about doing it before, but perhaps just jumping into the water and trying it out may be the best way to begin designing, testing, and building a true online IndieWeb Book Club.
Here’s the description of the book from the publisher:
The world is working exactly as designed. The combustion engine which is destroying our planet’s atmosphere and rapidly making it inhospitable is working exactly as we designed it. Guns, which lead to so much death, work exactly as they’re designed to work. And every time we “improve” their design, they get better at killing. Facebook’s privacy settings, which have outed gay teens to their conservative parents, are working exactly as designed. Their “real names” initiative, which makes it easier for stalkers to re-find their victims, is working exactly as designed. Twitter’s toxicity and lack of civil discourse is working exactly as it’s designed to work.The world is working exactly as designed. And it’s not working very well. Which means we need to do a better job of designing it. Design is a craft with an amazing amount of power. The power to choose. The power to influence. As designers, we need to see ourselves as gatekeepers of what we are bringing into the world, and what we choose not to bring into the world. Design is a craft with responsibility. The responsibility to help create a better world for all. Design is also a craft with a lot of blood on its hands. Every cigarette ad is on us. Every gun is on us. Every ballot that a voter cannot understand is on us. Every time social network’s interface allows a stalker to find their victim, that’s on us. The monsters we unleash into the world will carry your name. This book will make you see that design is a political act. What we choose to design is a political act. Who we choose to work for is a political act. Who we choose to work with is a political act. And, most importantly, the people we’ve excluded from these decisions is the biggest (and stupidest) political act we’ve made as a society.If you’re a designer, this book might make you angry. It should make you angry. But it will also give you the tools you need to make better decisions. You will learn how to evaluate the potential benefits and harm of what you’re working on. You’ll learn how to present your concerns. You’ll learn the importance of building and working with diverse teams who can approach problems from multiple points-of-view. You’ll learn how to make a case using data and good storytelling. You’ll learn to say NO in a way that’ll make people listen. But mostly, this book will fill you with the confidence to do the job the way you always wanted to be able to do it. This book will help you understand your responsibilities.
I suspect that this book will be of particular interest to those in the IndieWeb, A Domain of One’s Own, the EdTech space (and OER), and really just about anyone.
How to participate
I’m open to other potential guidelines and thoughts since this is incredibly experimental at best, but I thought I’d lay out the following broad ideas for how we can generally run the book club and everyone can keep track of the pieces online. Feel free to add your thoughts as responses to this post or add them to the IndieWeb wiki’s page https://indieweb.org/IndieWeb_Book_Club.
Buy the book or get a copy from your local bookstore
Read it along with the group
Post your progress, thoughts, replies/comments, highlights, annotations, reactions, quotes, related bookmarks, podcast or microcast episodes, etc. about the book on your own website on your own domain. If your site doesn’t support any of these natively, just do your best and post simple notes that you can share. In the end, this is about the content and the discussion first and the technology second, but feel free to let it encourage you to improve your own site for doing these things along the way.
Folks can also post on other websites and platforms if they must, but that sort of defeats some of the purpose of the Indie idea, right?
Optionally syndicate them to other services like Twitter, Facebook, Instagram, LinkedIn, etc.
Optionally mention this original post, and my website will also aggregate the comments via webmention to the comment section below.
At regular intervals, check in on the conversations linked on indieweb.xyz/en/bookclub/ and post your replies and reactions about them on your own site.
If your site doesn’t support sending/receiving webmentions (a special type of open web notifications), take a look at Aaron Parecki’s post Sending your first Webmention and keep in mind that you can manually force webmentions with services like Telegraph or Mention-Tech.
I’ll also try to keep track of entries I’m aware about on my own site as read or bookmark posts which I’ll tag with #IWBCMM (ostensibly for IndieWeb Book Club Mike Monteiro), which we can also use on other social silos for keeping track of the conversation there.
Perhaps as we move along, I’ll look into creating a planet for the club as well as aggregating OPML files of those who create custom feeds for their posts. If I do this it will only be to supplement the aggregation of posts at the stub on indieweb.xyz which should serve as the primary hub for the club’s conversation.
If you don’t already have your own website or domain to participate, feel free to join in on other portions of social media, but perhaps consider jumping into the IndieWeb chat to ask about how to get started to better own your online identity and content.
If you need help putting together your own site, there are many of us out here who can help get you started. I might also recommend using micro.blog which is an inexpensive and simple way to have your own website. I know that Manton Reece has already purchased a copy of the book himself. I hope that he and the rest of the micro.blog community will participate along with us.
If you feel technically challenged, please ping me about your content and participation, and I’m happy to help aggregate your posts to the indieweb.xyz hub on your behalf. Ideally a panoply of people participating on a variety of technical levels and platforms will help us create a better book club (and a better web) for the future.
Of course, if you feel the itch to build pieces of infrastructure into your own website for improved participation, dive right in. Feel free to document what you’re doing both your own website and the IndieWeb wiki so others can take advantage of what you’ve come up with. Also feel free to join in on upcoming Homebrew Website Clubs (either local or virtual) or IndieWebCamps to continue brainstorming and iterating in those spaces as well.
Kickoff and Timeline
I’m syndicating this post to IndieNews for inclusion into next week’s IndieWeb newsletter which will serve as a kickoff notice. That will give folks time to acquire a copy of the book and start reading it. Of course this doesn’t mean that you couldn’t start today.
Share and repost this article with anyone you think might enjoy participating in the meanwhile.
I’ll start reading and take a stab at laying out a rough schedule. If you’re interested in participating, do let me know; we can try to mold the pace to those who actively want to participate.
I’ve already acquired a copy of the book and look forward to reading it along with you.
The Open Learning & Teaching Collaborative at Plymouth State University is truly thrilled to announce that Martha Burtis will be joining our team as Learning & Teaching Developer. While all of us in the CoLab are overjoyed, I want to spend a moment talking more personally about what it means to me to be welcoming Martha to Plymouth State.
With Robin and Martha both at Plymouth, everyone is going to want to go work there now.
A flurry of critical letters, petitions and tweets came in the wake of the announcement of the University’s decision to discontinue funding for Stanford University Press, the primary printing ope...
This must be a big story in the ed space for me to have seen/read multiple stories and scrolled past several others…
In his recent post criticising the Creative Commons Certificate, which I won’t comment on, Stephen Downes repeats a claim he has made before about the scalability of the connectivist approach, stating:
One of the major objectives of our original MOOCs was to enable MOOC participants to c...
I am a lecturer and researcher at Queensland University of Technology, teaching Connected Learning, Inquiry Learning and Teacher Librarianship. My recently completed thesis investigates how teachers experience professional learning through personal learning networks. My research presents a conceptual model of of learning as a connected professional, which makes a significant contribution to theory and practice in the emerging field of professional networks and learning, enabled through the affordances of social technologies. While I have based my research on school teachers’ professional learning, I believe that my research has implications for professional learning opportunities of individuals in many different fields. I am very interested in how we can break down the silos that exist between different professions, and would love to hear from others who wish to explore this further. I also hope that my research will build foundations for rethinking how we bring connected learning more authentically into our pedagogical practice.
I have previously worked as a librarian and teacher, and have been fortunate to have had many wonderful learning opportunities across a variety of roles, in a variety of contexts. When I’m not working, I love reading, playing with my Jack Russell puppy, Ruby and Whippet, Alice, and cooking. I’d love to travel more and see the world, and eat my way around many different countries and cultures!
Experimenting with different online learning opportunities which take advantage of the affordances of openly networked online social technologies underpins my approach to learning and teaching. Jus…
Blogging my PhD on WordPress created new learning opportunities & expanded my professional digital identity. Now as a lecturer my blog includes an open learning space for students & other learners. I’ll share what I’ve learnt on my WordPress adventure! www.linkinglearning.com.au
“Over the last 10 years, I’ve been invited to give many talks and run workshops about how to use social media in various different contexts across higher education, from developing a professional presence to using it to amplify events. In various job roles, I’ve been the go-to person to introduce it to a department or to offer advice for the new person wanting to try out for the first time. I always feel that I’m the person who can offer a gateway to getting started. However, in doing so, I have also experienced criticism about my own use and social media presence, sparking debate about the value and authenticity of social media – and what is considered ‘correct’. This twitter talk will explore the tensions in personal and professional identity as an academic and reality of enabling social media usage amongst others.
Using my research-practice experience of a digital media practitioner, which focused on developing critical media skills and increased digital participation in schools and community development settings, I discuss how my media education background has translated into (the attempts at) introducing social media as a pedagogical tool within FE and HE institutional environments.
Taking an auto-ethnographic approach, I will discuss the challenges of influencing and engaging with cultural change as an ‘outsider’ coming ‘within’ an institution (Holloway, 2009), which wants the benefits of an active and authentic social media presence and digital literate student and staff population, but struggle with political, cultural and social the change required in the workplace to enable authentic debate and dialogue. Drawing on this scenario, I will discuss how the ubiquity and opportunity to produce and consume content through digital, mobile media in our daily lives (Gauntlett, 2011; Jenkins, Ford & Green, 2013; McGillivray, 2013) can conflict with the universities’ need to manage expectations in administering, utilising, delivering and teaching education technology in a centralised, propriety manner.
Referring to examples available on twitter of past projects, I wish to propose that the universality of media education & the continued reflexive practice and structure within education can be mutually inclusive and can aid the professional development of educators– regardless of the educator’s discipline, job title or academic/non-academic contract. That is, in the selection and development of an appropriate digital method and educational technology for the task, each educator within each discipline can establish what is required for their course, their students – and for themselves.”
Adam Croom (Adam Croom)
Jennifer Jarson
