Photographing with a kaleidoscope lens is so much fun. Recently I spent a work lunch shooting the feet of sculptures with a kaleidoscope lens. The whole time I spent focused on the kaleidoscope effect. My eyes and brain looked through this view so much, that on my walk back down Michigan Avenue, my brain felt …
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I’m thinking about what the domain would be for my photo website. And then an idea struck me. What if someone made an app that looked JUST like Instagram. But all the photos came from RSS feeds from individual photographer websites. You could subscribe to a whole list of photographer websites, and their photos will …
My photos are far from the sort of artistic thing you’re looking for, but it would be nice if one could find a broader section of websites that provided photo-specific feeds like mine.
Micro.blog has a photo specific feed and Pixelfed is in this general wheelhouse, but possibly not quite what you’re talking about.
You can download your Facebook data archive and look through all the various things that Facebook has collected about you. One of the items is a list of all the Facebook Pages you’ve liked and Facebook Groups you have joined. I have 2,320 in my list. I’m a little obsessive. For the record, here’s my …
Gallery 241 in Art Institute of Chicago The Impressionist painters are known for their atmospheric treatment of scenes, loose brushwork that takes precedence over lines and contours. Yet in the midst of the Impressionism galleries in the Art Institute of Chicago stands a painting with strong lines and contours. “An Elegant Woman at the Élysée …
I’m thinking about giving up tweeting for one week, and instead write out all my thoughts and reactions on my blog. So far this year, I’ve been having a lot of fun blogging more. In the past decade when I have an idea, I would head to Twitter and blurt it out. Now, writing out …
I’m thinking about giving up tweeting for one week, and instead write out all my thoughts and reactions on my blog. So far this year, I’ve been having a lot of fun blogging more. In the past decade when I have an idea, I would head to Twitter and blurt it out. Now, writing out …
Since he doesn’t support Webmentions yet, I’m manually syndicating my reply to his website in support of his efforts.
A new way of understanding climate change and other phenomena.
We are obliged to do something about them, because we can think them. ❧
Annotated on January 15, 2020 at 08:56AM
It’s very difficult to talk about something you cannot see or touch, yet we are obliged to do so, since global warming affects us all. ❧
It’s also difficult to interact with those things when we’re missing the words and vocabulary to talk about them intelligently.
Annotated on January 15, 2020 at 09:00AM
Timothy Morton is Rita Shea Guffey Chair in English at Rice University in Houston. He is the author of Realist Magic: Objects, Ontology, Causality and Hyperobjects: Philosophy and Ecology after the End Of The World. ❧
want to read these
Annotated on January 15, 2020 at 10:10AM
Or global warming. I can’t see or touch it. What I can see and touch are these raindrops, this snow, that sunburn patch on the back of my neck. I can touch the weather. But I can’t touch climate. So someone can declare: “See! It snowed in Boise, Idaho, this week. That means there’s no global warming!” We can’t directly see global warming, because it’s not only really widespread and really really long-lasting (100,000 years); it’s also super high-dimensional. It’s not just 3-D. It’s an incredibly complex entity that you have to map in what they call a high-dimensional- phase space: a space that plots all the states of a system. In so doing, we are only following the strictures of modern science, laid down by David Hume and underwritten by Immanuel Kant. Science can’t directly point to causes and effects: That would be metaphysical, equivalent to religious dogma. It can only see correlations in data. This is because, argues Kant, there is a gap between what a thing is and how it appears (its “phenomena”) that can’t be reduced, no matter how hard we try. We can’t locate this gap anywhere on or inside a thing. It’s a transcendental gap. Hyperobjects force us to confront this truth of modern science and philosophy. ❧
A short, and very cogent argument here.
Annotated on January 15, 2020 at 10:07AM
Hat tip: Ethan Marcotte #
On objects and slices; on design systems and scale.
Robin brings a helpful name to this problem, by way of the philosopher Timothy Morton: hyperobject. A hyperobject is an entity whose scale is too big, too sprawling for any single person to fully appreciate their scale. Climate change, financial markets, socioeconomic classes, design systems—they’re systems we move through, but their scale dwarfs our own. ❧
Hyperobject is an interesting neologism and concept
Annotated on January 15, 2020 at 08:47AM
Capturing the most interesting bits of social media - and putting them on the web
Six presidential candidates will face off Tuesday night at the last Democratic debate before the first votes are cast in the 2020 election.
I'm in the process of gradually enhancing my site's markup with microformats, in order to "indiewebify" my site further. On thing I noticed while working on this at the Düsseldorf Indiewebcamp, is that WordPress (or the way my theme handles) tags on posts has no way to get an additional class insid...
As I’ve continued to work on the theme that I’m planning to use after Standard (and that I’ hoping to begin dogfooding within the next month or so), there have been a couple of features that I’ve wanted to implement for the sake of styling. For example, there are times where I want to be abl...
As I’ve continued to work on the theme that I’m planning to use after Standard (and that I’ hoping to begin dogfooding within the next month or so), there have been a couple of features that I’ve wanted to implement for the sake of styling. For example, there are times where I want to be abl...
The indicted former Rudy Giuliani associate turned over his phone to a House committee.
CALL FOR SUBMISSIONS: “You Don’t Look Like a Professor:” Insights into Effective Teaching & Learning from Women, Marginalized, and Underrepresented Faculty. A new anthology of evidence-based inspiration and practical pedagogy, edited by Jessamyn Neuhaus.