The Lindy Effect and Typewriters
Serial Number: 46-0171787
Olympia Pica No. 12 typeface, 10 pitch, 2.6m/m, 6 lines/inch, keyset tabulator, half-space spacing, vertical spacing, portable, bichrome, segment shift, American keyboard, 44 keys, 88 characters, white and gray plastic body with grey hood and gray plastic keys with white characters
Manufactured in Wilhelmshaven, Germany
Along with Ron Rosenbaum, Steven Levy, Patricia Highsmith, and the fictional Frank Navasky of You’ve Got Mail fame, I have joined the Quiet Cult of the Olympia Report de Luxe Electric Typewriter.
I acquired this at thrift for $21.95 on 2026-05-10 for Mother’s Day in immaculate condition! It’s as if someone used it to type up a few essays then put it in the case for 49 years. Other than some minor wear, this may be the singularly cleanest typewriter I’ve ever purchased. As my first typebar electric Olympia, I was so looking forward to taking it apart and giving it a full clean, oil, and adjust, but beyond wiping off some exterior dust, this machine really needs no work. I’m both disappointed and elated at the same time.
“Now listen to this.
The gentle and soothing lullaby of a piece of machinery so perfect –”
—Frank Navasky, YOU’VE GOT MAIL (Warner Bros., 1998)
Serial Number: 8-12-512178E
Elite (12 CPI), 6 lines/inch, bichrome, keyset tabulator, typebar hood, 12" carriage, carriage shift, American keyboard, 42 keys, 84 characters, foundry marks: alpha: backwards "2 slash", numeric: "8", in black enamel with glass keys, manufactured in the U.S.A.
My first ever Woodstock. Acquired via thrift for $50 on 2026-05-08. Possibly a bit more expensive than it might have otherwise been, but the key rings are in stunning shape, and the work to polish them is easily worth several hundred in labor! The decals are also in exceptional condition. Aside from some cosmetic damage to the typebar hood, this machine is in exceptionally great cosmetic condition and will be even more so following a full polish of the body and the brights.
Quick initial work
- Naturally it needs a new ribbon, but it’s got enough ink left for a quick typesample.
- A fast dusting and a preliminary scrub of the carriage rails and a few other parts with isopropyl alcohol and it’s ready for some basic work. Primarily the return lever and the margin sets were very gummy, while the keylevers had some pretty good action without any attention. (Someone really loved this machine.)
- The carriage return lever needed some forming so that it no longer scrapes on the typebar hood.
- A quick cleaning of the slugs which were in reasonable shape. List of work to be done:
- The tabulator needs some adjustment to work properly as the tab mechanism is sitting a bit high and causes the carriage to scrape.
- It’s going to need a ring and cylinder adjustment so that it’s not damaging the platen anymore, though the platen is so hard that it needs replacement anyway.
- The rubber feet are usable, but need replacement.
- The space key also may need some timing attention, but perhaps the slow symptoms will disappear with a full cleaning?
- The rulers (5!) are slightly out of adjustment.
- Full clean, oil, and adjust A day’s worth of cleaning and some modest adjustments and this should be a fantastic little machine.
Interesting features
- I love the fact that this has some interesting paper fingers. They don’t seem to be well-suited to index card work however.
- The unique ribbon reverse mechanism (a small metal button) is adjustable on either side.
- It doesn’t have an individual tab clear button, but, in lieu, has a clear all tabs lever.
- I love the design of the ribbon color selector which requires pulling a spring-loaded button out to switch colors—no accidental color changes here.
- Rather than a traditional “margin release” button it has a “line lock release”, but like the Olympia SG series, it only locks when typing characters, but will blow past the margins if using the spacebar.
- Rather than a more common line space selector, this has a knurled knob that needs to be pulled out and set with a pin-type mechanism. This also means that the selector can’t accidentally change its setting for any reason.
- The Woodstock No. 5 is an early carriage shift standard
- The typebar hood is made of some sort of early plastic and slides onto the top of the machine. While it’s borne the brunt of most of the machine’s cosmetic damage, it is easy to remove for typing “naked”. It goes on quickly to help protect the internals from ambient dust.
According to the TWdB page for the Woodstock, the 8-12 prefix on the serial number indicates a 12″ carriage (the width of the rubber portion of the platen). There isn’t any extant detail to indicate what the suffix “E” in the serial number means, though one might presume the elite or 12 pitch typeface?
Historic Users of the Woodstock
Users of Woodstock typewriters included:
- Robert Bloch
- Howard Fast
- Alger Hiss (1929 standard #230099)
- Sir Patrick Moore
- J.C. Oldfield (editor of the Associated Press’s London bureau, 1930s)
- Gordon Parks (“Can you dig it?”)
Woodstock manuals
Richard Polt has manuals for the Woodstock available on his site at:
FAQ: How do you use your typewriters?
The question “How do you use your typewriter(s)?” pops up for me fairly frequently. Often it’s collectors who love the machines and only think of using them for writing the “Great American Novel”. However there are a variety of tasks one could use them for besides conversation pieces or functional art in the home.
Below are some various recent uses I’ve made of my typewriter collection:
- I’ve got writing projects sitting in two different machines.
- I use one on my primary desk and another on the table behind it for typing up notes on index cards, recipes, my commonplace “book”, letters, and other personal correspondence.
- I use a few of my portables on the porch in the mornings/evenings for journaling.
- One machine in the hallway is for burning ideas, jokes, poetry and an occasional bit of typewriter art.
- I often have one in the trunk of the car for typing on the go or the impromptu busking session.
- One machine near the kitchen is always gamed up for adding to the ever-growing shopping list.
- I’ll often get one out for scoring baseball games. (See also other baseball scoring experiments.)
- Participating in One Typed Page and One Typed Quote
- Typing up notes in zoom calls. I’ve got a camera mount over a Royal KMG that has its own Zoom account so people can watch the notes typed in real time.
- Labels for folders, index card dividers, and sticky labels.
- Addressing envelopes.
- Writing out checks.
- Typecasting
- Hiding a flask or two of bourbon (large standards, and especially the Fold-A-Matic Remingtons are great for this)
- Supplementing the nose of my bourbon and whisky collection.
At the end of the day though, unless you’re Paul Sheldon, typewriters are unitaskers and are designed to do one thing well: put text on paper. All the rest are just variations on the theme. 😁🤪☠️
Looking for other ideas? I’ve indexed a number of times people have asked this question and some of the answers I’ve run across.
Looking for the opposite of this list? Try: How do you use your typewriter? [Wrong Answers Only Edition] This is where you’ll find the quirky off-label use cases like “boat anchor”, “doorstop”, “paper weight”, etc. that the non-typewriter afficionados will be sure to appreciate throwing about.
Serial Number: 11-6139621
Underwood Pica typeface, 10 pitch, 6 lines/inch; bichrome, segment shift, American keyboard, 42 keys, 84 characters
in black crinkle paint with black plastic keys and Art Deco chrome trim
Manufactured in the U.S.A.
Acquired at Goodwill Southern California for $20.28 including tax on 2026-05-06. Needs a full clean, oil, and adjust, but not in generally bad shape. Two or three mechanical issues to sort out, but it’s got some new ink and a quick wipe down/dusting has helped immensely.
I’m in love with the Art Deco chrome styling. This was manufactured sometime between January and June 1947.
Had some Cuzcatlan brand Cola Champagne (aka kola shanpan) at a Salvadoran restaurant the other day. Is it me, or is this the same formulation as Scottish Irn-Bru?
Exterior dimensions: 6 11/16 x 4 13/16 x 3 15/16"
Unknown manufacturer
Picked up at thrift for $2.39. What can I say? I’m a sucker for card index boxes…
I can’t make out the smudged black-stamped bottom of the box to determine the manufacturer who used a sphere and a triangle in their logo.
Serial Number: 2161560
Italic Pica No. 31 typeface, tabulator, carriage shift, 88 characters
Acquired via thrift on April 10, 2026. It finally fills my itch to have an italic typeface for use in personal correspondence. It’s in spectacular starting condition though a bit gamey, but this should clean up nicely. It immediately needed a bit of forming on the carriage lock and a new ribbon, but it’s generally ready to be in the regular rotation.
I watched the fascinating documentary Best of Enemies: Buckley vs. Vidal (Magnolia Pictures, 2015) last night. An hour and thirteen into the picture, William F. Buckley Jr., who is known to have used a Royal HH and an Olivetti Lettera 32, can be seen abusing what appears to be a Hermes 3000 portable typewriter.
30 drawers of filing space for 3x5 inch index cards.
Modular set up in 4 pieces including two sections of 5 columns of drawers in three rows each.
Assembled dimensions: 33″ wide x 17 3/8″ deep and stands 43 1/2″ tall.
Primarily composed of quarter sawn oak.
I’ve expanded my index card database storage by 30 new drawers of 13 3/4″ of space each.
This model appears to be a Gaylord Bros. card index, but is missing explicit badging. It has the appropriate size for the modular Gaylord system and seems to be missing a few pieces including some of the dovetail pieces which would typically hold the unit securely together. Sadly, it’s also missing all the card rods. The top seems to have been added from another unit and has a large crack in it. A few of the drawers need some minor nail and/or gluing attention.
It’s definitely in rougher condition than my first Gaylord card index. The piece needs a fair amount of refurbishment work. The stain has gone a tad to the green side, but I’m on the fence about stripping, sanding, and re-staining the whole thing. I am considering refurbishing one section and adding it to my primary Gaylord cabinet as I think the two would match up very well.
It’s in functional and usable shape, so I spent a couple hours blowing it out with my air compressor, cleaning it off, fixing a few nails, and giving it a much needed coat of furniture polish.
I was happy to pick it up for a price tag of $200 (or $6.66 per drawer), though it may have been a bit much for something in this condition compared to prior purchases. The seller did mention that they had more than six interested parties at this price within just two hours of listing, so I suppose I’m lucky that I saw it and responded as quickly as I did. Of course within that timeframe it was in my vehicle and headed home.
The base has a property tag from the city of Arcadia, but the owner has had it for the past 30 years and was using it primarily for baseball card storage.
New Grand Total
Recalculating from my collection of card indexes, I think this new cabinet brings my total up to 10 “boxes” with a total of 107 drawers featuring almost 160 linear feet of index card storage space. This comes out to the possibility of storing 265,475 index cards, with a cost per drawer hovering around $11.00 and still dropping.
Serial Number: none
Circa 1904
I’ve slowed way down on acquisitions in my typewriter collection, but when I saw this magnificent exemplar with Art Nouveau decoration pop up at thrift, I could not resist. For a near complete exemplar, it seemed to be better priced than most of the market that I looked at before purchasing.
I suppose that perhaps my next chapter of collecting might be some older machines? I don’t see them out in the wild as frequently, so perhaps it’ll keep my collection from growing too rapidly. This one certainly qualifies and along with my Corona 3 is now one of two actual antique typewriters in my collection which is mostly focused on vintage mid-40s to the late 70s.
Shortly I’ll begin some restoration work on this lovely machine. Most of the restoration should be fairly easy after cleaning, but the majority of the work will be polishing the metal, most of which seems to be nickel plated. It doesn’t seem to be as complex as later machines, so a full disassembly and cleaning should be easy work. If nothing else, it’ll be much shinier when cleaned up than it is now.
I didn’t expect it at all given the age of the machine, but Richard Polt has an instruction manual/parts list on his site.
Some Basic Research
I haven’t done a deep dive on research for this machine beyond the Typewriter Database, The Antikey Chop, Robert Messenger’s site, and the excellent history in The Typewriter Gazette. To my knowledge there’s only one YouTube video on the machine with some of the functionality delineated at:
I’ve noted that the typewriter journal ETCetera has a few mentions of Odells as well. The December 2002, Issue No. 60 of ETCetera lists the rarity and desirability rankings of the Odell No. 4 as 5.0 and 5.5 respectively.
Initial Condition of My Odell No. 4
Against the odds, my typewriter came with the original box, but the paint/labeling on it is faint as to be difficult to read. I can easily make out the manufacturer’s name “Farquhar & Albrecht” on the front of the box, but I think it fully reads:
Farquhar & Albrecht
[undiscernable]
School and College Textbooks
378-388 Wabash Ave.
Chicago
Later boxes eschewed the textbook reference and put the Odell Typewriter name on the side of the box instead, so I’m positing that mine is a slightly earlier version of the No. 4. The top of the box faintly reads “Handle Carefully”. Since there aren’t any examples of boxes on the Typewriter Database, I’ll do some measurements and photos for those who might want to do recreations in their restoration work. It’s a fairly simple dovetail box with a sliding lid.
My Odell No. 4 is missing some of the inking assembly including the inker roller and spring (part #29). It’s probably not a huge loss as I would expect that I’d have to replace the roller anyway to have the machine function properly. I’m going to have to fashion some sort of replacement as I imagine a parts machine will be hard (or expensive) to come by. If anyone has photographs and precise dimensional measurements of these parts, I can have a local fabricator make something (or a handful of somethings for later replacement use or parts for others) if I can’t manage it in my own shop. Otherwise I’ll attempt to engineer some workable parts from photos, patents, and the instruction manual.
Mine has a split Celluloid Alphabet for Key Board (part #36), but I did find the missing piece in an envelope in the box. The broken piece is 5 characters long on the right side and is imminently repairable/restorable. I’ll try to make a correct scale color facsimile for the future for those who might need restoration versions in the future. This is my first X J K M V W P L Y O F U R S A T H E I N G D B C Q Z keyboard, which seems to be designed with the most frequently used letters in the alphabet in the center of the index and the less used ones like X and Z at the ends. The information theorist in me will look at the potential mathematics that got them this arrangement.
I suspect that the spring in the shift mechanism is fine, but the others all look rusty/dodgy, so I’ll either have to find replacements or fashion them so that the typewriter will work as intended.
Someone removed the bell portion on mine, but from what I can tell from a preliminary look, it appears (?) to be complete, but will take some cleaning and adjustment.
The platen has the narrowest diameter I’ve seen to date, and while not in great shape, isn’t as horrible as I would have expected it to be for it’s age. It seems solid and intact. It should be able to type well in its current condition.
In total, it’ll take a bit of work to get it working as originally intended, but I should be able to tinker around and get at least a type sample out of it. If nothing else, it is a very interesting and simple, but clever, design for an index typewriter. The nickel-plated cast steel is lovely as a decorative piece, particularly with the Art Nouveau detailing.
#TIL Smith-Corona Marchant (aka SCM) not only made typewriters, but they also manufactured index cards! They apparently had an office supplies group in Marion, Indiana.
I can’t wait to take some of these for a spin in my Sears Cutlass.
Did you ever consider not marrying girl?
Écoute, mon chérie. In your papa's time, papa kiss mama and they marry.
But this is 1886, time of bicycle, the typewriter is arrive. Soon everybody speak over the telephone and people have new idea of value of kiss.
What is bad yesterday is a lot of fun today.