Happy #IndieWeb Birthday to Me!

T

wo years ago today, I officially began to (try to) own all of my own web data and host it on my own server.

It began when I moved from WordPress.com to my own domain at BoffoSocko.com. At the time, I wasn’t aware of the IndieWeb movement, but shortly thereafter I ran across IndieWebCamp.org and began using their principles and philosophy, which seemed to me to be how the Web and the Internet should have worked from the start.

Though I still use corporate-owned social media sites (primarily for increased distribution), I no longer rely on them for being the sole source of my internet presence or identity.

Now, through the boffosocko.com domain and a variety of tools, I post all of my content here on my own site first and then syndicate it out to Facebook, Twitter, Google+, LinkedIn, Tumblr, and any other useful sites. [Sadly, because of API restrictions I do still natively post to Instagram, but using OwnYourGram, I’m able to programmatically post the same photo on my site simultaneously.] This means that if any of these silos were to disappear, I would still own all of my own content (including comments I make on other sites, which sometimes could be blogposts/articles in and of themselves, or worse, through administrative interfaces could actually not be approved/published, and therefore completely lost as if I hadn’t written them to begin with.)

Also slowly, but surely, I’ve been able to have all of the resulting interactions that take place on my content on many of these silos (Facebook, Twitter, Google+) appear back on my site in the comments section on the original post. This way, if you’re commenting and interacting on this post on Facebook (for example) and you comment there, the comment is ported over to the comment section on my own site where it exists for everyone to see and interact with.

If you’re interested in joining the movement you can see if there’s a meeting in your neighborhood (or even create your own.) For those living in the Los Angeles area, there’s a meeting this week on Wednesday, April 27th! Click here for more details. Later this year, there’s also a bigger Indie Web Camp here in Los Angeles too!

If you think the mission and philosophy of the Indie Web are interesting and would like some help setting something like this up for yourself, I’m happy to help! Just post a comment below or reply to this post (depending on what platform you’re reading this.)

I also want to say a BIG THANK YOU to all those in the indieweb community who’ve helped me come much farther and faster than I would have done by myself!

I’m copying some useful introductory material from IndieWebCamp.org below for those interested:

What is the IndieWeb?

The IndieWeb is a people-focused alternative to the ‘corporate web’.

indieweb

Join the IndieWeb

Beyond Blogging and Decentralization

The IndieWeb effort is different from previous efforts/communities:

Perhaps most importantly, we are people-focused instead of project-focused, and have regular meetups where everyone is welcome:

Homebrew Website Club

Homebrew Website Club is a (bi)weekly meetup of creatives passionate about designing, improving, building, and actively using their own websites, sharing their successes and challenges with a like-minded and supportive community. We have adopted a similar structure as the classic Homebrew Computer Club meetings. [1]

We typically meet every other Wednesday* right after work, 18:30-19:30, across cities and online. Some locations also have a 17:30-18:30 Quiet Writing Hour beforehand. Edinburgh is meeting every week, and some cities meet on Tuesdays!

 

How can we be sure old books were ever read? – University of Glasgow Library

Bookmarked How can we be sure old books were ever read? by Robert MacLean (University of Glasgow Library)
Owning a book isn’t the same as reading it; we need only look at our own bloated bookshelves for confirmation.
This is a great little overview for people reading the books of others. There are also lots of great links to other resources.

Thoughts on “Some academics remain skeptical of Academia.edu” | University Affairs

Replied to Some academics remain skeptical of Academia.edu (University Affairs)
They warn scholars to €œthink twice€ before sharing their work on the popular social network.
This morning I ran across a tweet from colleague Andrew Eckford:

His response was probably innocuous enough, but I thought the article should be put to task a bit more.

“35 million academics, independent scholars and graduate students as users, who collectively have uploaded some eight million texts”

35 million users is an okay number, but their engagement must be spectacularly bad if only 8 million texts are available. How many researchers do you know who’ve published only a quarter of an article anywhere, much less gotten tenure?

“the platform essentially bans access for academics who, for whatever reason, don’t have an Academia.edu account. It also shuts out non-academics.”

They must have changed this, as pretty much anyone with an email address (including non-academics) can create a free account and use the system. I’m fairly certain that the platform was always open to the public from the start, but the article doesn’t seem to question the statement at all. If we want to argue about shutting out non-academics or even academics in poorer countries, let’s instead take a look at “big publishing” and their $30+/paper paywalls and publishing models, shall we?

“I don’t trust academia.edu”

Given his following discussion, I can only imagine what he thinks of big publishers in academia and that debate.

“McGill’s Dr. Sterne calls it “the gamification of research,”

Most research is too expensive to really gamify in such a simple manner. Many researchers are publishing to either get or keep their jobs and don’t have much time, information, or knowledge to try to game their reach in these ways. And if anything, the institutionalization of “publish or perish” has already accomplished far more “gamification”, Academia.edu is just helping to increase the reach of the publication. Given that research shows that most published research isn’t even read, much less cited, how bad can Academia.edu really be? [Cross reference: Reframing What Academic Freedom Means in the Digital Age]

If we look at Twitter and the blogging world as an analogy with Academia.edu and researchers, Twitter had a huge ramp up starting in 2008 and helped bloggers obtain eyeballs/readers, but where is it now? Twitter, even with a reasonable business plan is stagnant with growing grumblings that it may be failing. I suspect that without significant changes that Academia.edu (which is a much smaller niche audience than Twitter) will also eventually fall by the wayside.

The article rails against not knowing what the business model is or what’s happening with the data. I suspect that the platform itself doesn’t have a very solid business plan and they don’t know what to do with the data themselves except tout the numbers. I’d suspect they’re trying to build “critical mass” so that they can cash out by selling to one of the big publishers like Elsevier, who might actually be able to use such data. But this presupposes that they’re generating enough data; my guess is that they’re not. And on that subject, from a journalistic viewpoint, where’s the comparison to the rest of the competition including ResearchGate.net or Mendeley.com, which in fact was purchased by Elsevier? As it stands, this simply looks like a “hit piece” on Academia.edu, and sadly not a very well researched or reasoned one.

In sum, the article sounds to me like a bunch of Luddites running around yelling “fire”, particularly when I’d imagine that most referred to in the piece feed into the more corporate side of publishing in major journals rather than publishing it themselves on their own websites. I’d further suspect they’re probably not even practicing academic samizdat. It feels to me like the author and some of those quoted aren’t actively participating in the social media space to be able to comment on it intelligently. If the paper wants to pick at the academy in this manner, why don’t they write an exposé on the fact that most academics still have websites that look like they’re from 1995 (if, in fact, they have anything beyond their University’s mandated business card placeholder) when there are a wealth of free and simple tools they could use? Let’s at least build a cart before we start whipping the horse.

For academics who really want to spend some time and thought on a potential solution to all of this, I’ll suggest that they start out by owning their own domain and own their own data and work. The movement certainly has an interesting philosophy that’s a great start in fixing the problem; it can be found at http://www.indiewebcamp.com.

Webmentions for Improving Annotation and Preventing Bullying on the Web

Replied to Preventing abuse – Hypothesis by Dan Whaley (Hypothes.is)

There are potential solutions to the recent News Genius-gate incident, and simple notifications can go a long way toward helping prevent online bullying behavior.

There has been a recent brouhaha on the Internet (see related stories below) because of bad actors using News Genius (and potentially other web-based annotation tools like Hypothes.is) to comment on websites without their owner’s knowledge, consent, or permission. It’s essentially the internet version of talking behind someone’s back, but doing it while standing on their head and shouting with your fingers in their ears. Because of platform and network effects, such rude and potentially inappropriate commentary can have much greater reach than even the initial website could give it. Naturally in polite society, such bullying behavior should be curtailed.

This type of behavior is also not too different from more subtle concepts like subtweets or the broader issues platforms like Twitter are facing in which they don’t have proper tools to prevent abuse and bullying online.

A creator receives no notification if someone has annotated their content.–Ella Dawson

On March 25th, Ella Dawson wrote a blog post in which she requested that Genius disable its Web Annotator for her site.

Towards a Solution: Basic Awareness

I think that a major part of improving the issue of abuse and providing consent is building in notifications so that website owners will at least be aware that their site is being marked up, highlighted, annotated, and commented on in other locations or by other platforms. Then the site owner at least has the knowledge of what’s happening and can then be potentially provided with information and tools to allow/disallow such interactions, particularly if they can block individual bad actors, but still support positive additions, thought, and communication. Ideally this blocking wouldn’t occur site-wide, which many may be tempted to do now as a knee-jerk reaction to recent events, but would be fine grained enough to filter out the worst offenders.

Toward the end of notifications to site owners, it would be great if any annotating activity would trigger trackbacks, pingbacks, or the relatively newer and better webmention protocol of the W3C which comes out of the IndieWeb movement. Then site owners would at least have notifications about what is happening on their site that might otherwise be invisible to them. (And for the record, how awesome would it be if social media silos like Facebook, Twitter, Instagram, Google+, Medium, Tumblr, et al would support webmentions too!?!)

Perhaps there’s a way to further implement filters or tools (a la Akismet on platforms like WordPress) that allow site users to mark materials as spam, abusive, or “other” so that they are then potentially moved from “public” facing to “private” so that the original highlighter can still see their notes, but that the platform isn’t allowing the person’s own website to act as a platform to give safe harbor (or reach) to bad actors.

Further some site owners might appreciate gradable filters (G, PG, PG-13, R, X) so that either they or their users (or even parents of younger children) can filter what they’re willing to show on their site (or that their users can choose to see).

Consider also annotations on narrative forms that might be posted as spoilers–how can these be guarded against? For what happens when a even a well-meaning actor posts an annotation on page two which foreshadows that the butler did it thereby ruining the surprise on the last page? Certainly there’s some value in having such a comment from an academic/literary perspective, but it doesn’t mean that future readers will necessarily appreciate the spoiler. (Some CSS and a spoiler tag might easily and unobtrusively remedy the situation here?)

Certainly options can be built into the annotating platform itself as well as allowing server-side options for personal websites attempting to deal with flagrant violators and truly hard-to-eradicate cases.

Note: You’re welcome to highlight and annotate this post using Hypothes.is (see upper right corner of page) or on News Genius.

Do you have a solution for helping to harden the Internet against bullies? Share it in the comments below.
Related stories:

Inscription in my copy of Amerikan Krazy

Henry James Korn, author of Amerikan Krazy (Boffo Socko Books, 2016) on 4/4/16

 

I'm honored by the kind inscription from @henryjameskorn in my association copy of #AmerikanKrazy.

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Boffo Socko Now Supports Hypothes.is Annotations

I’d played around with many of them in the past, but a recent conversation with Matt Gross about News Genius and their issues in the last week reminded me about internet annotation platforms. Since some of what I write here is academic in nature, I thought I would add native Hypothes.is Annotation support to the site.

hypothesisIf you haven’t heard about it before, you might find the ability to highlight and annotate web pages very useful. Hypothesis allows for public or private highlights and notes and it can be a very useful extension of one’s commonplace book.

At the moment, I’m not sure where it all fits into the IndieWeb infrastructure I’m building here, but, at least for the moment, I’d hope that those making public annotations and notes will also enter their commentary into the comments either here on the blog or by way of syndicated versions on Facebook or Twitter so that they’re archived here for posterity. (Keep in mind site-deaths are prevalent and even Hypothes.is acknowledges in a video on their homepage that there have been many incarnations of web annotations that have come and gone in the life of the internet.) Perhaps one day there will be a federated and cross-linked version of highlights and annotations in the IndieWeb universe with webmentions included?!

Educators and researchers interested in using web annotation are encouraged to visit the wealth of information provided by providers like Hypothes.is and Genius.com.  In particular, the Hypothes.is blog has some great material and examples over the past year, and they have a special section for educators as well.

As it’s similar in functionality to highlighting on the web, I’ll remind users that we also still support Kevin Marks’s fragmentions as well.

If anyone is aware of people or groups working on the potential integration of the IndieWeb movement (webmentions) and web annotation/highlighting, please include them in the comments below–I’d really appreciate it.

 

Amerikan Krazy: Top 100 on Amazon?!

Late yesterday on Amazon, some fans noticed that Amerikan Krazy was on the borderline of the top 100 in the rankings at #101 in Books > Humor & Entertainment > Humor > Lawyers & Criminals! The ebook version was also at #331 in Kindle Store > Kindle eBooks > Literature & Fiction > Literary Fiction > Satire and has been quickly climbing.

I have a feeling that a few more sales this week would not only put us solidly in the top 100 in the first category, but could earn the book a space among some of the greats in the genre along with Kurt Vonnegut, Carl Hiaasen, Ray Bradbury, Bret Easton Ellis, Vladimir Nabokov, Don Delillo, Thomas Pynchon, and Umberto Eco!

If you haven’t purchased a copy yet, but want to help support our efforts to get the book out there, now is the time to take the plunge.

Buy Now!

If you’re a Kindle Unlimited member, keep in mind that you can read the ebook for free! If you’re not a member, you can read it now by trying the Amazon Kindle Unlimited 30-Day Free Trial.

A few more cases of Amerikan Krazy showed up this afternoon for the event at BC Space on Sunday

Amerikan Krazy novelist Henry James Korn is slated to appear at the curated exhibit “Amerikan Krazy: Life Out of Balance” featuring the work of over twenty notable Southland artists. More details at Boffo Socko Books.

A few more cases of #AmerikanKrazy showed up this afternoon for the event at BC Space on Sunday http://www.boffosockobooks.com/2016/03/15/bc-space-gallery/

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Photo taken at: Boffo Socko Books

Amerikan Krazy Book Launch at Chevalier’s Books

Part of the huge crowd that showed up for the launch of #AmerikanKrazy

Part of the huge crowd that showed up for the launch of #AmerikanKrazy

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Photo taken at: Chevalier’s Books

Henry Korn Reading from Amerikan Krazy

@henryjameskorn reading from #AmerikanKrazy. #latergram
@henryjameskorn reading from #AmerikanKrazy.

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Photo taken at: Chevalier’s Books

Henry Korn holding the very first copy of Amerikan Krazy

Had a great lunch today with Henry James Korn who’s proudly holding a copy of his latest book.

Had a great lunch today with @henryjameskorn who's proudly holding a copy of his latest book.

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Photo taken at: Porta Via Italian Foods

Amerikan Krazy Unboxing

A few cartons of the hardcover of Amerikan Krazy arrived today for the book launch at Chevalier’s Books next Wednesday!

I took a quick photo series of the unboxing of the copies.

If you haven’t RSVP’d for the reading and book signing, there’s still some room left. Please RSVP at Boffo Socko Books or on Facebook. I hope to see everyone at Chevalier’s Books on Wednesday at 7pm.

Can’t wait for Wednesday or want to read it before the book signing? You can buy the hardcover or e-book version on Amazon or wherever fine literature is sold.

 

Book Launch for Amerikan Krazy at Chevalier’s on March 2, 2016

So, I’m publishing my first book. Not a book I wrote, mind you, but a book for which I’m the actual publisher

We’re throwing a party at Chevalier’s in Los Angeles to celebrate it. Henry James Korn, a brilliant writer—so good that I went to the trouble of publishing it myself rather than just selling it, as I’ve done so often in the past—will be doing a reading and signing on March 2nd. I hope you can all join us!

RSVP via Facebook or directly at <a href=”http://boffosockobooks.com/books/authors/henry-james-korn/amerikan-krazy/#appearances”” target=”_blank”>Boffo Socko Books.

If you have to miss the launch, you may be able to catch one of his other <a href=”http://boffosockobooks.com/books/authors/henry-james-korn/amerikan-krazy/#appearances”” target=”_blank”>upcoming book signings.

A Small Gift: Tapping the Source

A nice gift of fiction from @henryjameskorn when we met yesterday at @chevaliersbooks.
 

A nice gift of fiction from @henryjameskorn when we met yesterday @chevaliersbooks.

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Photo taken at: Chevalier’s Books

Advanced Reader Edition Giveaway of Henry James Korn’s Upcoming Amerikan Krazy

Many of you may have already heard, but I’m publishing books under the Boffo Socko Books imprint and our first release, a satirical novel entitled Amerikan Krazy written by Henry James Korn, is being put out on February 22, 2016, just in time to “celebrate” the race for the Presidential Election of 2016.

For a limited time, we’re giving away five free signed copies of the advanced reader edition before the official launch of the book. Along with major book review outlets, you’ll be able to have and read a copy weeks before the official launch.

You can sign up for the giveaway by January 15, 2016 at GoodReads.com.

Goodreads Book Giveaway

Amerikan Krazy by Henry James Korn

Amerikan Krazy

by Henry James Korn

Giveaway ends January 15, 2016.

See the giveaway details
at Goodreads.

Enter Giveaway


Entrants will be notified on Jan 15, 2016 if they win.

We hope our friends will take a moment to register for a free GoodReads account and spend a moment to indicate that they “want to read” the book, and “follow Henry” there as an author.

If you have a moment, and feel so inclined, feel free to share a link to this post on your favorite social media outlet. Your help in spreading the word is greatly appreciated.

Members of the press, reviewers, and book bloggers can request ARC/ARE copies directly.