The short version of this post is that if you’re someone like me who enjoys keeping up with Richmond and Wayne County local news and events (and maybe you’re a little tired of the way social media filters what you are and aren’t seeing), you can: visit 47374.info to see the latest info coming in …
One thing that using this tool has highlighted for me is that there are a lot of things happening in our community every day, between news, announcements, events and other stuff. If you only rely on what your social media service of choice has decided is worth knowing because it’s generating clicks or discussion, you’re likely to miss something important. Also, do you really want to get your news crammed in between cat videos and political rants from distant acquaintances? ❧
Aram Zucker-Scharff is out to find a better narrative for the world. Over the past few years he has built himself an understanding of new media, marketing and advertising from the ground up. By starting in the midst of the radical alteration of how we consume media, it has become clear that new media requires new methods of understanding.
Aram firmly believes that you have to comprehend the spectrum of knowledge that supports professional techniques in order to create effective and unique innovation. This means knowing the basic elements of how to tell a brand's story as well as understanding the code and hardware behind the digital systems we use every day.
His approach is to understand where technology and narrative meet. Then we can work together to find the best way to apply that knowledge to strengthen the brand.
In a digital era with a seemingly ever-decreasing number of larger news outlets paying journalists and other writers for their work, the number of working writers who find themselves working for one or more outlets is rapidly increasing.
This is sure to leave journalists wondering how to better serve their own personal brand either when they leave a major publication for which they’ve long held an association (examples: Walt Mossberg leaving The New York Times or Leon Wieseltier leaving The New Republic) or alternatively when they’re just starting out and writing for fifty publications and attempting to build a bigger personal following for their work which appears in many locations (examples include nearly everyone out there).
Increasingly I find myself doing insane things to try to follow the content of writers I love. The required gymnastics are increasingly complex to try to track writers across hundreds of different outlets and dozens of social media sites and other platforms (filtering out unwanted results is particularly irksome). One might think that in our current digital media society, it would be easy to find all the writing output of a professional writer like Ta-nehisi Coates, for example, in one centralized place.
I’m also far from the only one. In fact, I recently came across this note by Kevin:
I wish there was a way to subscribe to writers the same way you can use RSS. Obviously twitter gets you the closest, but usually a whole lot more than just the articles they’ve written. It would be awesome if every time Danny Chau or Wesley Morris published a piece I’d know.
The subsequent conversation in his comments or on Micro.blog (a fairly digital savvy crowd) was less than heartening for further ideas.
As Kevin intimates, most writers and journalists are on Twitter because that’s where a lot of the attention is. But sadly Twitter can be a caustic and toxic place for many. It also means sifting through a lot of intermediary tweets to get to the few a week that are the actual work product articles that one wants to read. This also presumes that one’s favorite writer is on Twitter, still using Twitter, or hasn’t left because they feel it’s a time suck or because of abuse, threats, or other issues (examples: Ta-Nehisi Coates, Lindy West, Sherman Alexie).
What does the universe of potential solutions for this problem currently look like?
Potential Solutions
Aggregators
One might think that an aggregation platform like Muck Rack which is trying to get journalists to use their service and touts itself as “The easiest, unlimited way to build your portfolio, grow your following and quantify your impact—for free” might provide journalists the ability to easily import their content via RSS feeds and then provide those same feeds back out so that their readers/fans could subscribe to them easily. How exactly are they delivering on that promise to writers to “grow your following”?!
An illustrative example I’ve found on Muck Rack is Ryan O’Hanlon, a Los Angeles-based writer, who writes for a variety of outlets including The Guardian, The New York Times, ESPN, BuzzFeed, ESPN Deportes, Salon, ESPN Brasil, FiveThirtyEight, The Ringer, and others. As of today they’ve got 410 of his articles archived and linked there. Sadly, there’s no way for a fan of his work to follow him there. Even if the site provided an RSS feed of titles and synopses that forced one to read his work on the original outlet, that would be a big win for readers, for Ryan, and for the outlets he’s writing for–not to mention a big win for Muck Rack and their promise.
I’m sure there have to be a dozen or so other aggregation sites like Muck Rack hiding out there doing something similar, but I’ve yet to find the real tool for which I’m looking. And if that tool exists, it’s poorly distributed and unlikely to help me for 80% of the writers I’m interested in following much less 5%.
Author Controlled Websites
Possibly the best choice for everyone involved would be for writers to have their own websites where they archive their own written work and provide a centralized portfolio for their fans and readers to follow them regardless of where they go or which outlet they’re writing for. They could keep their full pieces privately on the back end, but give titles, names of outlets, photos, and synopses on their sites with links back to the original as traditional blog posts. This pushes the eyeballs towards the outlets that are paying their bills while still allowing their fans to easily follow everything they’re writing. Best of all the writer could own and control it all from soup to nuts.
If I were a journalist doing this on the cheap and didn’t want it to become a timesuck, I’d probably spin up a simple WordPress website and use the excellent and well-documentedPressForward project/plugin to completely archive and aggregate my published work, but use their awesome forwarding functionality so that those visiting the URLs of the individual pieces would be automatically redirected to the original outlet. This is a great benefit for writers many of whom know the pain of having written for outlets that have gone out of business, been bought out, or even completely disappeared from the web.
Of course, from a website, it’s relatively easy to automatically cross-post your work to any number of other social platforms to notify the masses if necessary, but at least there is one canonical and centralized place to find a writer’s proverbial “meat and potatoes”. If you’re not doing something like this at a minimum, you’re just making it hard for your fans and failing at the very basics of building your own brand, which in part is to get even more readers. (Hint, the more readers and fans you’ve got, the more eyeballs you bring to the outlets you’re writing for, and in a market economy built on clicks, more eyeballs means more traffic, which means more money in the writer’s pocket. Since a portion of the web traffic would be going through an author’s website, they’ll have at least a proportional idea of how many eyeballs they’re pushing.)
I can’t help but point out that even some who have set up their own websites aren’t quite doing any of this right or even well. We can look back at Ryan O’Hanlon above with a website at https://www.ryanwohanlon.com/. Sadly he’s obviously let the domain registration lapse, and it has been taken over by a company selling shoes. We can compare this with the slight step up that Mssr. Coates has made by not only owning his own domain and having an informative website featuring his books, but alas there’s not even a link to his work for The Atlantic or any other writing anywhere else. Devastatingly his RSS feed isn’t linked, but if you manage to find it on his website, you’ll be less-than-enthralled by three posts of Lorem ipsum from 2017. Ugh! What has the world devolved to? (I can only suspect that his website is run by his publisher who cares about the book revenue and can’t be bothered to update his homepage with events that are now long past.)
One of my favorite examples is John Naughton who writes a regular column for the Guardian. He has his own site where he posts links, quotes, what he’s reading, his commentary, and quotes of his long form writing elsewhere along with links to full pieces on those sites. I have no problem following some or all of his output there since his (WordPress-based) site has individual feeds for either small portions or all of it. (I’ve also written a short case study on Ms. Gerner’s site in the past as well.)
Newsletters
Before anyone says, “What about their newsletters?” I’ll admit that both O’Hanlon and Coates both have newsletters, but what’s to guarantee that they’re doing a better job of pushing all of their content though those outlets? Most of my experience with newsletters would indicate that’s definitely not the case with most writers, and again, not all writers are going to have newsletters, which seem to be the flavor-of-the month in terms of media distribution. What are we to do when newsletters are passé in 6 months? (If you don’t believe me, just recall the parable of all the magazines and writers that moved from their own websites or Tumblr to Medium.com.)
Tangential projects
I’m aware of some one-off tools that come close to the sort of notifications of writers’ work that might be leveraged or modified into a bigger tool or stand alone platform. Still, most of these are simple uni-taskers and only fix small portions of the overall problem.
Extra Extra
Vishnu Rajan, Andréa López, and friends (hopefully I’m crediting them properly based on what I can find on Twitter) have the project Extra Extra, which is a series of Twitter bots that send updates when one of a handful of journalists either publish or update their articles. An example with some code on Github is the Twitter bot maggietime that tweets every time Maggie Haberman of The New York Times has a new article and another bot Maggie *DIFFS* that tweets when her articles are updated or changed. See also, the related NewsDiffs project.
Savemy.News
Ben Walsh of the Los Angeles Times Data Desk has created a simple web interface at www.SaveMy.News that journalists can use to quickly archive their stories to the Internet Archive and WebCite. One can log into the service via Twitter and later download a .csv file with a running list of all their works with links to the archived copies. Adding on some functionality to add feeds and make them discoverable to a tool like this could be a boon.
Granary
Ryan Barrett has a fantastic open source tool called Granary that “Fetches and converts data between social networks, HTML and JSON with microformats2, ActivityStreams 1 and 2, Atom, RSS, JSON Feed, and more.” This could be a solid piece of a bigger process that pulls from multiple sources, converts them into a common format, and outputs them in a single subscribe-able location.
SubToMe
A big problem that has pushed us away from RSS and other formatted feed readers is providing an easy method of subscribing to content. Want to follow someone on Twitter? Just click a button and go. Wishing it were similar for a variety of feed types, Julien Genestoux‘s SubToMe has created a universal follow button that allows a one-click subscription option (with lots of flexibility and even bookmarklets) for following content feeds on the open web.
Others?
Have you seen any other writers/technologists who have solved this problem? Are there aggregation platforms that solve the problem in reverse? Small pieces that could be loosely joined into a better solution? What else am I missing?
How can we encourage more writers to take this work into their own hands to provide a cleaner solution for their audiences? Isn’t it in their own best interest to help their readers find their work?
I’ve curated portions of a journalism page on IndieWeb wiki to include some useful examples, pointers, and resources that may help in solving portions of this problem. Other ideas and solutions are most welcome!
After the US military assassinated an Iranian military general, war propaganda kicked into overdrive. On this week’s On the Media, how news consumers can cut through the misleading claims and dangerous frames. Plus, how Generation Z is interpreting the geopolitical crisis through memes. And, how apocalyptic thinking is a near-constant through history.
1. Nathan Robinson [@NathanJRobinson], editor of Current Affairs, on the most suspect tropes in war coverage. Listen.
2. Lee Fang [@lhfang], investigative journalist at The Intercept, on the pundits with unacknowledged conflicts of interest. Listen.
3. Ian Bogost [@ibogost], contributing writer at The Atlantic, on #WorldWar3 memes. Listen.
4. Dan Carlin [@HardcoreHistory], host of "Hardcore History," on apocalyptic moments throughout human history. Listen.
Brooke Gladstone speaking with Ian Bogost [@ibogost], contributing writer at The Atlantic, on #WorldWar3 memes:
34:29IB:That’s the pattern that we will see recur. Not necessarily with respect to warfare. But whatever the next thing is. And there certainly will be a next thing. 34:37BG:You wrote that the end of the world could be a “dark but deviously appealing fantasy”, and you were talking about your own experience as a GenX-er during the cold war. What seems soothing about the apocalypse back then? 34:54IB:The idea that you live at the end of history is incredibly comforting. Even if you don’t know everything that happened in the past. There will be none who follow you. You’ve seen it all either personally or historically. You haven’t missed anything in the project that is human kind. 35:12BG:That’s FOMO taken to the n-degree, isn’t it? 35:15IB:Right, I mean the fear of annihilation is a particularly piquant version of the fear of death. It’s about not seeing what comes next for your progeny–for humanity at large. It makes sense to me that there would be some comfort even if it’s a perverse comfort in everyone being together at the end.
Sounds exactly like the same sort of historical apocalyptic “Repent now for the end is at hand” sort of philosophy that a 30 year old Jesus was espousing two millennia ago. And look what happened to that idea.
Makes me wonder who the Paul of Tarsus TikTok is going to be for the next two millennia?
In our discussions with publishers, we often notice higher standards applied to websites than ePapers. This is intriguing, knowing the level of reader engagement of the latter, and seeing steady yearly growth of ePapers in the past eight years. Publishers often tell us their ePaper readers are their...
They’re definitely selling a product here, but it sounds like some solid advice. I should take a closer look at some other ePapers to see what the state of the art is. I’m quite curious what the tracking, advertising, and smaller scale surveillance capitalism effects are here.
With the rise of social platforms and an uptick in threatening comments, the newsroom is taking reader engagement in a different direction.
We analyzed our Disqus data and we found that roughly 17,400 comments were made on our site in 2019, but 45% came from just 13 people. That data tells us that social media, email, phone calls, letters to the editor, our Crosscut events and an occasional visit to the newsroom are far better tools for us to hear about your concerns, story ideas, feedback and support.❧
The Disqus data statistics here are fascinating. It also roughly means that those 13 people were responsible for 600+ comments on average or roughly 2 a day every day for the year. More likely it was a just a handful responsible for the largest portion and the others tailing off.
Sadly missing are their data about social media, email, phone, and letters to the editor which would tell us more about how balanced their decision was. What were the totals for these and who were they? Were they as lopsided as the Disqus numbers?
Annotated on January 08, 2020 at 04:33PM
In the meantime, stay in touch with Crosscut by:
Liking us on Facebook
Following us on Twitter
Following us on Instagram
Chatting with us on Reddit
Signing up for one (or all) of our newsletters ❧
It seems like they’ve chose a solution for their community that boils down to pushing the problem(s) off onto large corporations that have shown no serious efforts at moderation either?
Sweeping the problem under the rug doesn’t seem like a good long term answer. Without aggregating their community’s responses, are they really serving their readers? How is the community to know what it looks like? Where is it reflected? How can the paper better help to shape the community without it?
I wonder what a moderated IndieWeb solution for them might look like?
Annotated on January 08, 2020 at 04:42PM
It would be cool if they considered adding syndication links to their original articles so that when they crosspost them to social media, at least their readers could choose to follow those links and comment there in a relatively continuous thread. This would at least help to aggregate the conversation for them and their community while still off-loading the moderation burden from their staff, which surely is part of their calculus. It looks like their site is built on Drupal. I would suspect that–but I’m not sure if–swentel’sIndieWeb Drupal module has syndication links functionality built into it.
Rather than engaging their community, it almost feels to me like they’re giving up and are allowing a tragedy of their commons when there may be some better experimental answers that just aren’t being tried out.
The worst part of this for me though is that they’ve given up on the power of owning and controlling their own platform. In the recent history of journalism, this seems to be the quickest way of becoming irrelevant and dying out.
Conferences present an opportunity for journalists, developers, product managers, and others who work in the news space to connect with one another, learn new skills, and exchange ideas. We’ve collected a list of 21 journalism conferences scheduled throughout 2020. If you’re looking for spaces to meet new people or take your career to the next …
Journalists provide quality information. Librarians help people find quality information. Both fields are rooted in promoting civic engagement. Both are contextual experts in the communities they serve. And both are working to reinvent themselves in the digital world.
It just makes sense that news outlets and libraries collaborate. That’s something we at the News Co/Lab have believed from the beginning, and it’s something we’ve seen work very well in our partnerships ❧
Perhaps this is a good incubator for the idea Greg McVerry and I have been contemplating in which these institutions help to provide some of the help and infrastructure for the future of IndieWeb.
Annotated January 08, 2020 at 04:12PM
One reason we might see a resurgence of blogs is the novelty. Tell someone you’re starting a new newsletter and they might complain about how many newsletters (or podcasts) they already subscribe to. But tell them you’re launching a blog and see how that goes: Huh. Really, a blog? In 2020? Wow.
I almost want to call her to task, but Joanne has got her own website that looks like it’s part of tilde.club including an under construction image at the bottom of the page! How cool is that?!
I do find myself wishing that she kept her own writing in a blog so I could subscribe to her longer form work there. She’s also got a fantastic sounding book on the history of the internet from the perspective of the user called Lurking that’s coming out in February!
Her piece doesn’t tacitly tie back to journalism as directly as many in this series generally do, but I feel like she’s suggesting that by getting back to the roots of the old (non-corporately owned and controlled) web, journalism has a better chance to recover. Much like her, I also think there is a beginning of a blogging renaissance that is brewing on the interwebz. It’s quite interesting to see people noticing and writing about it in contexts like the Nieman Lab’s annual predictions.
I’m not sure that I agree with her assertions about context collapse. Some of the most sophisticated information consumers are aware of it, but I don’t think that Harry or Mary Beercan are aware of the general concept.
Highlights and Annotations
But tell them you’re launching a blog and see how that goes: Huh. Really, a blog? In 2020? Wow. ❧
It’s been long enough now that people look back on blogging fondly, but the next generation of blogs will be shaped around the habits and conventions of today’s internet. Internet users are savvier about things like context collapse and control (or lack thereof) over who gets to view their shared content. Decentralization and privacy are other factors. At this moment, while so much communication takes place backstage, in group chats and on Slack, I’d expect new blogs to step in the same ambiguous territory as newsletters have — a venue for material where not everyone is looking, but privacy is neither airtight nor expected. ❧
She doesn’t have the technical terminology many use, but she’s describing the IndieWeb community pretty well here.
NewsDiffs, which was born out of the Knight Mozilla MIT hackathon in June 2012, is trying to solve the problem of archiving news in the constantly evolving world of online journalism.
That disinformation was going to overtake Republican politics was discoverable years before he says he discovered it.
I keep saying that anyone who has Kellyanne Conway or her ilk on their airwaves is actively suborning perjury in the public commons. Kudos to Jay Rosen on this excellent piece.
It’s honestly hard to believe that even Christianity Today seems to have come around on some of the truth of what is happening before Chuck Todd has.
I’m glad that at least Chuck Todd knows/understands what is happening now and may change course to help protect it. Perhaps he needs to spend a few days with George Lakoff to attempt an intervention and a solution?
Looking back at our history of reportage of white power/white nationalism will provide some additional immediate ideas. WNYC’s On the Media has had some great material in the last few years on these topics:
One might suggest, “just replace the word ‘racist’ with ‘Republicans'” in these stories, but I think many of them have generally done that for themselves already.
On the press's role to educate the public about participating in democracy.
As part of a month-long campaign called the Purple Project for Democracy, (a strictly non-partisan, apolitical effort that a number of other large news organizations have also contributed to) we are featuring a series of conversations about an alarming loss of trust, faith and devotion by Americans for American democracy — and what to do about it. Bob is one of the Purple Project organizers. In episode four, Bob examines the media’s responsibility for instilling devotion, or at least perspective, for our democracy.
A 2014 National Assessment of Educational Progress, or NAEP, showed only 23 percent of eighth graders in the United States attained “proficient” status in civics. A 2011 Newsweek survey found that 70 percent of Americans didn’t even know that the Constitution is the supreme law of the land. And only 26% of those surveyed in 2017 by the University of Pennsylvania could name all three branches of government. And no wonder: with STEM curriculum and standardized testing squeezing the school day, civics has become the snow leopard of the social studies curriculum.
So if the knowledge vacuum is otherwise filled by misinformation and disinformation, and the result is a loss of faith and trust in democracy itself, who is left to intervene? Jan Schaffer — ombudsman for the Corporation of Public Broadcasting, Pulitzer Prize–winning former journalist and founder of The Institute for Interactive Journalism — talks to Bob about what responsibility the media have to become educators, and maybe even re-assurers, of last resort.
"It's about cutting through the apathy that a lot of people have about tech because it feels mysterious, letting people know there are decisions and changes you can make to your behavior that will feel empowering to people."